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The Moderate Imagination

The Moderate Imagination
Author: Yoav Fromer
Publisher: University Press of Kansas
Total Pages: 300
Release: 2020-05-07
Genre: Political Science
ISBN: 0700629521

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In the aftermath of Donald Trump’s victory in 2016, Americans finally faced a perplexing political reality: Democrats, purported champions of working people since the New Deal, had lost the white working-class voters of Middle America. For answers about how this could be, Yoav Fromer turns to an unlikely source: the fiction of John Updike. Though commonly viewed as an East Coast chronicler of suburban angst, the gifted writer (in fact a native of the quintessential Rust Belt state, Pennsylvania) was also an ardent man of ideas, political ideas—whose fiction, Fromer tells us, should be read not merely as a reflection of the postwar era but rather as a critical investigation into the liberal culture that helped define it. Several generations of Americans since the 1960s have increasingly felt “left behind.” In Updike’s early work, Fromer finds a fictional map of the failures of liberalism that might explain these grievances. The Moderate Imagination also taps previously unknown archival materials and unread works from his college years at Harvard to offer a clearer view of the author’s acute political thought and ideas. Updike’s prescient literary imagination, Fromer shows, sensed the disappointments and alienation of rural white working- and middle-class Americans decades before conservatives sought to exploit them. In his writing, he traced liberalism’s historic decline to its own philosophical contradictions rather than to only commonly cited external circumstances like the Vietnam War, racial strife, economic recession, and conservative backlash. A subtle reinterpretation of John Updike’s legacy, Fromer’s work complicates and enriches our understanding of one of the twentieth century’s great American writers—even as the book deftly demonstrates what literature can teach us about politics and history.


The Realistic Imagination

The Realistic Imagination
Author: George Levine
Publisher: University of Chicago Press
Total Pages: 368
Release: 1981
Genre: Literary Criticism
ISBN: 0226475514

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In The Realistic Imagination, George Levine argues that the Victorian realists and the later modernists were in fact doing similar things in their fiction: they were trying to use language to get beyond language. Levine sees the history of the nineteenth- and early twentieth-century novel as a continuing process in which each generation of writers struggled to escape the grip of convention and attempted to create new language to express their particular sense of reality. As these attempts hardened into new conventions, they generated new attempts to break free.


Theological Method and Imagination

Theological Method and Imagination
Author: Julian Hartt
Publisher: Wipf and Stock Publishers
Total Pages: 308
Release: 2006-08-01
Genre: Religion
ISBN: 1725217325

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What kind of reality can be perceived when the core problems of theology are freed from dependency upon highly technical and arcane ways of thinking and speaking? Writing with the logical clarity and critical acumen for which he is well-known in theological circles, Julian N. Hartt demonstrates the reality of theology's problems and shows how they can be perceived as part of a divine restiveness in living. Hartt finds the demands of revelation to be most profoundly registered upon the imagination--that power of the spirit by which the shape of things to come is grasped. Sensing a great hunger for fresh approaches to fundamental theological concerns, Hartt presents a boldly original scholarly work. In it the persistent theological puzzles about method are clarified, the elements of that method are described and major historical controversies about method are critiqued. Topics discussed include: beliefs and reasons, knowing and proving God, faith and hope, authority and scripture, revelation and historical evidence. A significant contribution to theology, this book shows that theological method entails describing the ways in which faith makes sense. Doing this, it speaks about incorrigible beliefs, those convictions so fundamental that without them the very sense of life and world would disappear. Sensing that society has begun to think of theological matters as mere inventions of theologians, Hartt seeks to return to those fundamental questions that are the concrete situation of the serious-minded Christian in the contemporary world.


Shakespeare and the Legal Imagination

Shakespeare and the Legal Imagination
Author: Ian Ward
Publisher: Cambridge University Press
Total Pages: 258
Release: 1999-07
Genre: Drama
ISBN: 9780406988034

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This work offers an analysis of constitutional law, examining Shakespeare's plays as legal texts. Professor Ward uses the plays as a starting point to investigate the development of constitutional ideas such as sovereignty, commonwealth, conscience and moral law, and the art of government. In the developing area of law and literature, this book examines how Shakespeare's work offers a rich source of textual material on legal subjects.


Liberty of the Imagination

Liberty of the Imagination
Author: Edward Cahill
Publisher: University of Pennsylvania Press
Total Pages: 326
Release: 2012-07-24
Genre: Literary Criticism
ISBN: 0812206193

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In Liberty of the Imagination, Edward Cahill uncovers the surprisingly powerful impact of eighteenth-century theories of the imagination—philosophical ideas about aesthetic pleasure, taste, genius, the beautiful, and the sublime—on American writing from the Revolutionary era to the early nineteenth century. Far from being too busy with politics and commerce or too anxious about the morality of pleasure, American writers consistently turned to ideas of the imagination in order to comprehend natural and artistic objects, social formations, and political institutions. Cahill argues that conceptual tensions within aesthetic theory rendered it an evocative language for describing the challenges of American political liberty and confronting the many contradictions of nation formation. His analyses reveal the centrality of aesthetics to key political debates during the colonial crisis, the Revolution, Constitutional ratification, and the advent of Jeffersonian democracy. Exploring the relevance of aesthetic ideas to a range of literary genres—poetry, novels, political writing, natural history writing, and literary criticism—Cahill makes illuminating connections between intellectual and political history and the idiosyncratic formal tendencies of early national texts. In doing so, Liberty of the Imagination manifests the linguistic and intellectual richness of an underappreciated literary tradition and offers an original account of the continuity between Revolutionary writing and nineteenth-century literary romanticism.


The Routledge Handbook of Philosophy of Imagination

The Routledge Handbook of Philosophy of Imagination
Author: Amy Kind
Publisher: Routledge
Total Pages: 503
Release: 2016-01-22
Genre: Philosophy
ISBN: 1317329457

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Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding Handbook contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy of imagination, including: Imagination in historical context: Aristotle, Descartes, Hume, Kant, Husserl, and Sartre What is imagination? The relation between imagination and mental imagery; imagination contrasted with perception, memory, and dreaming Imagination in aesthetics: imagination and our engagement with music, art, and fiction; the problems of fictional emotions and ‘imaginative resistance’ Imagination in philosophy of mind and cognitive science: imagination and creativity, the self, action, child development, and animal cognition Imagination in ethics and political philosophy, including the concept of 'moral imagination' and empathy Imagination in epistemology and philosophy of science, including learning, thought experiments, scientific modelling, and mathematics. The Routledge Handbook of Philosophy of Imagination is essential reading for students and researchers in philosophy of mind and psychology, aesthetics, and ethics. It will also be a valuable resource for those in related disciplines such as psychology and art.


The French Colonial Imagination

The French Colonial Imagination
Author: Nicola Frith
Publisher: Lexington Books
Total Pages: 228
Release: 2014-04-24
Genre: Literary Criticism
ISBN: 0739180010

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The Indian uprisings (1857–58) against British rule in India represent an iconic period within the history of anti-colonial resistance. Numerous works have considered these historical events from British and Indian perspectives, but none have yet questioned how they were viewed by Britain’s foremost colonial rival in India, the French. The French Colonial Imagination examines how the potential for Britain to lose its most lucrative colony at the hands its own colonial “subjects” allowed French writers to envisage a world freed from British dominance. The uprisings offered the attractive possibility that France could undergo a colonial revival in the wake of British defeat, thereby reversing the devastating losses inflicted upon France’s former empire at the end of the Napoleonic Wars. Notable among these losses was Britain’s decision (in the Treaty of 1814) to permanently reduce France’s presence in India to five small trading posts scattered around the periphery of British territory. The extent to which to the French colonial imagination of the nineteenth century was shaped by the memories of such defeats forms a primary concern of this monograph. This investigation into French responses to the Indian uprisings reveals that French colonial discourse was determined as much by its visions of the colonized “other,” as by the dominance of their British rivals. Drawing from journalistic, historical, political, and fictional texts written during Louis Napoleon’s Second Empire (1852–70) and in the early years of the Third Republic (1870–1944), The French Colonial Imagination shows how the uprisings gave French writers the opportunity to speak out against the rapacity of British colonialism and its treatment of colonized Indians, while simultaneously constructing a competing colonial discourse that would justify further expansion in North Africa and South East Asia. Standing at a crossroads between the “loss” of Ancien Régime’s empireand the Third Republic’s ideological investment in overseas expansion, this understudied period of colonial history reveals the centrality of loss, fracture, and political emasculation as core preoccupations haunting the French colonial discourse in its quest to regain cultural and ideological ascendancy over its greatest political enemy.


The Documentary Imagination in Twentieth-Century French Literature

The Documentary Imagination in Twentieth-Century French Literature
Author: Alison James
Publisher: Oxford University Press
Total Pages: 240
Release: 2020-09-03
Genre: Literary Criticism
ISBN: 0192603493

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The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.


Black Religion and the Imagination of Matter in the Atlantic World

Black Religion and the Imagination of Matter in the Atlantic World
Author: J. Noel
Publisher: Springer
Total Pages: 231
Release: 2009-04-27
Genre: Religion
ISBN: 0230620817

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This book situates the study of Black Religion within the modern temporal and historical structures in the Atlantic World. It describes how black people and Black Religion made a phenomenological appearance in modernity simultaneously and were signified in the identity formation of whites and their religion.


The Prison and the American Imagination

The Prison and the American Imagination
Author: Caleb Smith
Publisher: Yale University Press
Total Pages: 269
Release: 2009-09-22
Genre: Literary Criticism
ISBN: 0300156308

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How did a nation so famously associated with freedom become internationally identified with imprisonment? After the scandals of Abu Ghraib and Guantanamo Bay, and in the midst of a dramatically escalating prison population, the question is particularly urgent. In this timely, provocative study, Caleb Smith argues that the dehumanization inherent in captivity has always been at the heart of American civil society. Exploring legal, political, and literary texts--including the works of Dickinson, Melville, and Emerson--Smith shows how alienation and self-reliance, social death and spiritual rebirth, torture and penitence came together in the prison, a scene for the portrayal of both gothic nightmares and romantic dreams. Demonstrating how the cellular soul has endured since the antebellum age, The Prison and the American Imagination offers a passionate and haunting critique of the very idea of solitude in American life.