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| Author | : Jakob Linaa Jensen |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 152 |
| Release | : 2020-09-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1839094125 |
This book sheds light on the world of the Internet and social media and their relationship with surveillance and control, through a historical prism drawn from the Medieval Age.
| Author | : B. Bryant |
| Publisher | : Springer |
| Total Pages | : 203 |
| Release | : 2010-06-16 |
| Genre | : Literary Criticism |
| ISBN | : 0230109020 |
This text presents all of the most memorable posts of the medievalist internet phenomenon 'Geoffrey Chaucer Hath a Blog', along with essays on the genesis of the blog itself, the role of blogs in medieval scholarship, and the unique pleasures of studying a time period full of plagues, schisms, and assizes.
| Author | : Oliver J. Thatcher |
| Publisher | : Good Press |
| Total Pages | : 512 |
| Release | : 2019-11-22 |
| Genre | : History |
| ISBN | : |
A Source Book for Mediæval History is a scholarly piece by Oliver J. Thatcher. It covers all major historical events and leaders from the Germania of Tacitus in the 1st century to the decrees of the Hanseatic League in the 13th century.
| Author | : Ewart Lewis |
| Publisher | : Routledge |
| Total Pages | : 403 |
| Release | : 2013-06-26 |
| Genre | : History |
| ISBN | : 1136170545 |
First published in 1954, this book explores the political ideas of the Middle Ages. It covers the period from the investiture struggle to the end of the fifteenth century and provides comprehensive readings of otherwise inaccessible source material. Each chapter begins with an introductory essay on the subject at hand that leads to a number of translated passages, numerous enough to display a variety of opinion and long enough to indicate the process of thought as well as its conclusions. This book is the second of a two volume set and will be useful to teachers and advanced students of political theory and medieval history. Topics discussed in this volume include authority in the Church, the problem of the Empire and the relationship between the Church and the State.
| Author | : Benjamin Albritton |
| Publisher | : Routledge |
| Total Pages | : 214 |
| Release | : 2020-07-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000081338 |
Medieval Manuscripts in the Digital Age explores one major manuscript repository’s digital presence and poses timely questions about studying books from a temporal and spatial distance via the online environment. Through contributions from a large group of distinguished international scholars, the volume assesses the impact of being able to access and interpret these early manuscripts in new ways. The focus on Parker on the Web, a world-class digital repository of diverse medieval manuscripts, comes as that site made its contents Open Access. Exploring the uses of digital representations of medieval texts and their contexts, contributors consider manuscripts from multiple perspectives including production, materiality, and reception. In addition, the volume explicates new interdisciplinary frameworks of analysis for the study of the relationship between texts and their physical contexts, while centring on an appreciation of the opportunities and challenges effected by the digital representation of a tangible object. Approaches extend from the codicological, palaeographical, linguistic, and cultural to considerations of reader reception, image production, and the implications of new technologies for future discoveries. Medieval Manuscripts in the Digital Age advances the debate in manuscript studies about the role of digital and computational sources and tools. As such, the book will appeal to scholars and students working in the disciplines of Digital Humanities, Medieval Studies, Literary Studies, Library and Information Science, and Book History.
| Author | : Lillian M. Bisson |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 294 |
| Release | : 2000-02-11 |
| Genre | : Literary Criticism |
| ISBN | : 9780312224660 |
Divided between the outer world of affairs and the inner world of poetic insight, Chaucer sought to make sense of his changing, conflicting world. In Chaucer and the Late Medieval World , Lillian M. Bisson examines the societal issues that the poet explored in his work. She focuses on three major areas of medieval life - religion, class/commerce, and gender - all of which were experiencing considerable change in the fourteenth century. The book builds a bridge between an unmediated encounter with Chaucer's texts and the more specialized discussions found in most contemporary criticism, and provides a detailed analysis of Christian culture. By placing each topic in a broad cultural context, Chaucer and the Late Medieval World helps the reader to better understand the questions that teased Chaucer's imagination into poetry and to enter into the cultural conversation with which he engaged his audience.
| Author | : Katharine D. Scherff |
| Publisher | : Taylor & Francis |
| Total Pages | : 211 |
| Release | : 2023-03-17 |
| Genre | : Art |
| ISBN | : 1000852822 |
Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies. Divided into five parts, the book examines how people, medieval and modern, engage with medieval media and technology through an exploration of the theory underpinning audience interactions with historical materials in the past and the real-world engagement of a twenty-first century audience with medieval and early modern studies through the multimodal lens of a vast digital landscape. Each case study reveals the diversity of medieval media and technology and challenges readers to consider new types of literacy competencies as scholarly, rigorous methods of engaging in pre-modern investigations of materiality. Essays in the first section engage in the examination of medieval media, mediation, and technology from a theoretical framework, while the second section explores how digitization, smart technologies, digital mapping, and the internet have shaped medieval and early modern studies today. The book will be of interest to students in undergraduate or graduate intermediate or advanced courses as well as scholars, in medieval studies, art history, architectural history, medieval history, literary history, and religious history.
| Author | : Jacob Rader Marcus |
| Publisher | : |
| Total Pages | : 504 |
| Release | : 1975 |
| Genre | : Jews |
| ISBN | : |
| Author | : Bernard Hamilton |
| Publisher | : New York : Holmes & Meier |
| Total Pages | : 120 |
| Release | : 1981 |
| Genre | : Religion |
| ISBN | : |
| Author | : Michelle R. Warren |
| Publisher | : Stanford University Press |
| Total Pages | : 398 |
| Release | : 2022-03-29 |
| Genre | : Literary Criticism |
| ISBN | : 1503631176 |
Medieval books that survive today have been through a lot: singed by fire, mottled by mold, eaten by insects, annotated by readers, cut into fragments, or damaged through well-intentioned preservation efforts. In this book, Michelle Warren tells the story of one such manuscript—an Arthurian romance with textual origins in twelfth-century England now diffused across the twenty-first century internet. This trajectory has been propelled by a succession of technologies—from paper manufacture to printing to computers. Together, they have made literary history itself a cultural technology indebted to colonial capitalism. Bringing to bear media theory, medieval literary studies, and book history, Warren shows how digital infrastructures change texts and books, even very old ones. In the process, she uncovers a practice of "tech medievalism" that weaves through the history of computing since the mid-twentieth century; metaphors indebted to King Arthur and the Holy Grail are integral to some of the technologies that now sustain medieval books on the internet. This infrastructural approach to book history illuminates how the meaning of literature is made by many people besides canonical authors: translators, scribes, patrons, readers, collectors, librarians, cataloguers, editors, photographers, software programmers, and many more. Situated at the intersections of the digital humanities, library sciences, literary history, and book history, Holy Digital Grail offers new ways to conceptualize authorship, canon formation, and the definition of a "book."
