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The McGraw-Hill Film Viewer's Guide

The McGraw-Hill Film Viewer's Guide
Author: David Bordwell
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
Total Pages: 48
Release: 2001
Genre: Film criticism
ISBN:

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Bordwell provides his guide on how to watch, and what to watch for, during a cinematic experience. Included are advice on how to write analytical essays and reviews concerning the film.


Film Art

Film Art
Author: David Bordwell
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
Total Pages: 0
Release: 2003-08-16
Genre:
ISBN: 9780072975680

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Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the most respected introduction to the analysis of cinema. While continuing to provide the best introduction to the fundamentals of serious film study, the seventh edition has been extensively re-designed in full color greatly enhancing the text's visual appeal and overall accessibility to today's students. Throughout the text, all images presented are frame enlargements as opposed to production stills or advertising photos. Supported by a text-specific CD-ROM with video clips, an Instructor's Manual, and text-specific website, Film Art can also be packaged with the award-winning Film, Form, and Culture CD-ROM.


McGraw Hill Film Viewer's Guide

McGraw Hill Film Viewer's Guide
Author: David Bordwell
Publisher:
Total Pages: 0
Release: 2001
Genre: Film criticism
ISBN:

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Film Art

Film Art
Author: David Bordwell
Publisher: McGraw-Hill Humanities/Social Sciences/Languages
Total Pages: 0
Release: 2003
Genre: Motion pictures
ISBN: 9780072878806

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Known for its outstanding scholarship and comprehensive coverage, Bordwell and Thompson's Film Art provides a firm foundation for introductory film courses. It explains the techniques specific to film as a medium, discusses the principles by which entire films are constructed, and explores how these techniques and formal principles have changed over the history of moviemaking.


The McGraw-Hill Film Viewer's Guide

The McGraw-Hill Film Viewer's Guide
Author: David Bordwell
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
Total Pages: 56
Release: 2004
Genre: Performing Arts
ISBN:

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Watching films. Writing about film.


Film Art

Film Art
Author: David Bordwell
Publisher: McGraw-Hill College
Total Pages: 458
Release: 2001
Genre: Performing Arts
ISBN: 9780072317251

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A Viewer's Guide to Film

A Viewer's Guide to Film
Author: Richard M. Gollin
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
Total Pages: 260
Release: 1992
Genre: Language Arts & Disciplines
ISBN:

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This handbook of film terms and issues is intended as a supplement for basic film history courses, but it may also be used as a text for film appreciation courses.


The Art of Watching Films

The Art of Watching Films
Author: Joseph M. Boggs
Publisher: McGraw-Hill College
Total Pages: 553
Release: 2008
Genre: Performing Arts
ISBN: 9780073535074

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Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter.


Writing in Film Studies, from Professional Practice to Practical Pedagogy

Writing in Film Studies, from Professional Practice to Practical Pedagogy
Author: Bryan Mead
Publisher: Cambridge Scholars Publishing
Total Pages: 160
Release: 2024-01-09
Genre: Performing Arts
ISBN: 1527574903

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A common refrain heard from instructors in offices across the world is that students have a hard time producing quality written discourse. This is no different in the world of film studies, where many undergraduate students struggle to cogently discuss the films they watch in class. How can film instructors help students become better writers? This book answers this question by, first, uncovering the disciplinary expectations we have for students, and then offering strategies to explicitly teach those expectations in the classroom. This book examines and identifies the disciplinary conventions of professional film studies discourse along with the expectations we have for student writing in undergraduate film courses. What becomes clear from this analysis is that the pedagogical expectations we have for students are aligned with, and shaped by, professional writing in the discipline. It helps to uncover the argument types instructors take for granted and helps those teaching undergraduate students not only to know what those expectations are, but also how to use that knowledge to foster better student writing.