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A Personal Journey with Martin Scorsese Through American Movies

A Personal Journey with Martin Scorsese Through American Movies
Author: Martin Scorsese
Publisher:
Total Pages: 191
Release: 1997
Genre: Motion picture producers and directors
ISBN: 9780571192427

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This account of American films is balanced between subjective enthusiasm and objective analysis. Scorsese starts from his own childhood love affair with the cinema, when he discovered King Vidor's Dual in the Sun as a boy.


Black American Cinema

Black American Cinema
Author: Manthia Diawara
Publisher: Psychology Press
Total Pages: 338
Release: 1993
Genre: Fiction
ISBN: 9780415903974

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On Black cinema


Masters of the American Cinema

Masters of the American Cinema
Author: Louis D. Giannetti
Publisher: Prentice Hall
Total Pages: 492
Release: 1981
Genre: Performing Arts
ISBN:

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Stanley Kubrick

Stanley Kubrick
Author: David Mikics
Publisher: Yale University Press
Total Pages: 248
Release: 2020-08-18
Genre: Biography & Autobiography
ISBN: 0300255616

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An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.


"The Master" of American Cinema

Author: David Lindsey
Publisher:
Total Pages: 12
Release: 1976
Genre: D.W. Griffith
ISBN:

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There is not a man working in movies or a man who cares for them who does not owe Griffith more than he owes anybody else.


D.W. Griffith: Master of Cinema

D.W. Griffith: Master of Cinema
Author: Ira H. Gallen
Publisher: FriesenPress
Total Pages: 416
Release: 2015-12-15
Genre: Performing Arts
ISBN: 1460260996

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Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.


The American Cinema

The American Cinema
Author: Andrew Sarris
Publisher: Da Capo Press
Total Pages: 392
Release: 1996-08-22
Genre: Performing Arts
ISBN: 9780306807282

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"The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American directors from craftsmen to artists, launched the careers of numerous film critics, and shaped the aesthetics of a whole generation of viewers by providing new ways of looking at movies."--Emanuel Levy, author of George Cukor, Master of Elegance The auteur theory, of which film critic Andrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema, the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays "Toward a Theory of Film History" and "The Auteur Theory Revisited." Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject.


Victor Fleming

Victor Fleming
Author: Michael Sragow
Publisher: University Press of Kentucky
Total Pages: 694
Release: 2013-12-10
Genre: Biography & Autobiography
ISBN: 0813144434

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Best remembered for the iconic classics Gone with the Wind (1939) and The Wizard of Oz (1939) to the silver screen, Victor Fleming also counted successful films such as Red Dust (1932), Captains Courageous (1937), Test Pilot (1939), Dr. Jekyll and Mr. Hyde (1941), and the groundbreaking Joan of Arc (1948) among his more than forty directing credits. One of the most sought-after directors in Hollywood's golden age, Fleming (1889--1949) was renowned for his ability to make films across a wide range of genres. In Victor Fleming: An American Movie Master, author Michael Sragow paints a comprehensive portrait of the talented and charismatic man who helped create enduring screen personas for stars such as Clark Gable, Spencer Tracy, and Gary Cooper.


The American Cinema

The American Cinema
Author: Donald E. Staples
Publisher:
Total Pages: 444
Release: 1973
Genre: Motion picture industry
ISBN:

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Conversations with the Great Moviemakers of Hollywood's Golden Age at the American Film Institute

Conversations with the Great Moviemakers of Hollywood's Golden Age at the American Film Institute
Author: George Stevens, Jr.
Publisher: Vintage
Total Pages: 734
Release: 2007-02-13
Genre: Performing Arts
ISBN: 1400033144

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The first book to bring together these interviews of master moviemakers from the American Film Institute’s renowned seminars, Conversations with the Great Moviemakers offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini (“Making a movie is a mathematical operation. It’s absolutely impossible to improvise”). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema’s most talented pioneers.