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| Author | : Rainer Werner Fassbinder |
| Publisher | : Rutgers University Press |
| Total Pages | : 292 |
| Release | : 1986 |
| Genre | : Performing Arts |
| ISBN | : 9780813511306 |
Commentary and criticism on Fassbinder's film "The marriage of Maria Braun"
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2007 |
| Genre | : |
| ISBN | : |
| Author | : Priscilla Layne |
| Publisher | : Camden House (NY) |
| Total Pages | : 0 |
| Release | : 2024-09-17 |
| Genre | : Literary Criticism |
| ISBN | : 9781571135049 |
A new reading of Fassbinder's most popular film that highlights the roles of race and gender. The Marriage of Maria Braun is the most popular film by the enfant terrible director Rainer Werner Fassbinder, the leading exponent of the "New German Cinema" of the early sixties to early eighties. It exemplifies his use and abuse of the genre of melodrama. Set in the immediate postwar period and centered around a strong female protagonist, Maria Braun (1978) was the first film in a trilogy that attempts to work through West Germany's fraught past and the legacy of Nazi Germany through the eyes of characters marginalized by their gender, race, sexuality, or (dis)ability. Maria attempts to navigate the poverty and sexism of the immediate postwar years by making her relationships with men as beneficial as possible. In the end, she discovers she has been a pawn in a power game between her husband, long thought killed on the Eastern Front, and her long-time lover Bill, an African-American GI. Yet Maria is also complicit in racism and white patriarchy, a fact that scholarship on the film has barely registered. In her new reading, Priscilla Layne draws on archival research, Critical Race Theory, Black Feminist Thought, and Critical Whiteness Studies to expand on the role of race and gender in the film.
| Author | : Hanna Shygulla |
| Publisher | : |
| Total Pages | : |
| Release | : 1960* |
| Genre | : Ehe der Maria Braun (Motion picture) |
| ISBN | : |
| Author | : Thomas Elsaesser |
| Publisher | : Amsterdam University Press |
| Total Pages | : 397 |
| Release | : 1996 |
| Genre | : Political Science |
| ISBN | : 9053560599 |
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.
| Author | : Stephen Brockmann |
| Publisher | : Camden House |
| Total Pages | : 534 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 1571134689 |
A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation.
| Author | : Ronald Hayman |
| Publisher | : George Weidenfeld & Nicholson |
| Total Pages | : 188 |
| Release | : 1984 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Alfred Döblin |
| Publisher | : A&C Black |
| Total Pages | : 410 |
| Release | : 2004-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780826477897 |
Alfred Döblin (1878-1957) studied medicine in Berlin and specialized in the treatment of nervous diseases. Along with his experiences as a psychiatrist in the workers' quarter of Berlin, his writing was inspired by the work of Holderlin, Schopenhauer and Nietzsche and was first published in the literary magazine, Der Sturm. Associated with the Expressionist literary movement in Germany, he is now recognized as on of the most important modern European novelists. Berlin Alexanderplatz is one of the masterpieces of modern European literature and the first German novel to adopt the technique of James Joyce. It tells the story of Franz Biberkopf, who, on being released from prison, is confronted with the poverty, unemployment, crime and burgeoning Nazism of 1920s Germany. As Franz struggles to survive in this world, fate teases him with a little pleasure before cruelly turning on him. Foreword by Alexander Stephan Translated by Eugene Jolas>
| Author | : Laurence Kardish |
| Publisher | : ABRAMS |
| Total Pages | : 120 |
| Release | : 1997 |
| Genre | : Performing Arts |
| ISBN | : |
Of all the filmmakers who created a new international cinema in the 1960s and 1970s, the young German writer-director Rainer Werner Fassbinder (1945-1982) was unquestionably the most prolific and the most gifted. This bold book of writings by and about Fassbinder includes contributions by film historians and critics, plus an illustrated filmography and recollections by Fassbinder's colleagues and friends. 67 photos.
| Author | : Christian Braad Thomsen |
| Publisher | : |
| Total Pages | : 358 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 9780816643646 |
Rainer Werner Fassbinder was the most innovative practitioner of New German Cinema. He worked at breakneck speed and in fourteen years made forty-four films, including Ali: Fear Eats the Soul (1973) and The Marriage of Maria Braun (1978). Fassbinder ruthlessly attacked both German bourgeois society and the larger limitations of humanity, and his films detail the desperate yearning for love and freedom and the many ways in which society defeats that desire. In Fassbinder, Christian Thomsen, a close friend of the director, illuminates Fassbinder's body of work while revealing his insider views of a man who, despite a furious temper, manic working habits, and rampant drug addiction, supported an extended family- including his mother, a string of male lovers, lovelorn women, and even a pair of frustrated wives-with his intoxicating and prolific imagination. This book, like Fassbinder's often-used image of the mirror, brilliantly reflects the sexual, political, and overwhelmingly human contradictions inherent in the life of this intensely creative man and the remarkable films he directed. Christian Braad Thomsen is a Danish filmmaker and scholar.
