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The Marescalco

The Marescalco
Author: Pietro Aretino
Publisher: Published for the Carleton University Centre for Renaissance Studies and Research by Doverhouse Editions
Total Pages: 160
Release: 1986
Genre: Drama
ISBN:

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Lelia's Kiss

Lelia's Kiss
Author: Laura Giannetti
Publisher: University of Toronto Press
Total Pages: 353
Release: 2009-01-01
Genre: Literary Criticism
ISBN: 0802099513

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In Lelia's Kiss, Laura Giannetti offers a new perspective on the way gender and marriage were portrayed, imagined, and critiqued on stage during the Italian Renaissance. Going beyond the traditional canon, Giannetti focuses her study on the social and cultural scripts found in a wide array of comedies of the period to reveal the relativity of sex and gender roles and their cultural construction in Renaissance society. Giannetti argues that the comedic dialogue and cross-dressing characters so prevalent in Italian Renaissance comedies played with the presuppositions of the day and engaged with contemporary social norms, expectations, and desires. Cross-dressing female characters reveal the relativity of sex and gender roles, and also present a vision of female empowerment. At the same time, cross-dressing male characters suggest a unique perception of the male life cycle that was more uncertain and contested than often assumed, and show more broadly how masculinity was also socially and culturally constructed. In discussing marriage, sexuality, and gender roles, the comedies deploy a social scripting that not only reflects and comments on the everyday life of the time, but also interacts with it with playful humor and revealing insight.


Five Comedies from the Italian Renaissance

Five Comedies from the Italian Renaissance
Author: Laura Giannetti
Publisher: JHU Press
Total Pages: 374
Release: 2003-07-03
Genre: Drama
ISBN: 9780801872587

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Humor, sex, and satirized or upturned gender roles and social stereotypes characterize the Latin comedies updated and translated into Italian that became popular in Italy at the turn of the 16th century. The translations are by and for scholars of literature and history, rather than for production or performance. There are explanatory notes, but no bibliography or index. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).


Machiavelli in Love

Machiavelli in Love
Author: Guido Ruggiero
Publisher: JHU Press
Total Pages: 484
Release: 2007-02-01
Genre: Social Science
ISBN: 0801892023

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A “provocative” study of sex and sexual identity in Renaissance Italy, explored through major literary works and historical archives (Choice). Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero’s study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period. Drawing from the works of major literary figures such as Boccaccio, Aretino, and Castiglione, and rereading them against archival evidence, Ruggiero examines the concept of identity via consensus realities of family, neighbors, friends, and social peers, as well as broader communities and solidarities. The author contends that Renaissance Italians understood sexual identity as a part of the human life cycle, something that changed throughout stages of youthful experimentation, marriage, adult companionship, and old age. Machiavelli’s letters and literary production reveal a fascinating construction of self that is highly reliant on sexual reputation. Ruggiero’s challenging reinterpretation of this canonical figure, as well as his unique treatment of other major works of the period, offer new approaches for reading Renaissance literature and new understandings of the way life was lived and perceived during this time.


Plautus: Casina

Plautus: Casina
Author: David Christenson
Publisher: Bloomsbury Publishing
Total Pages: 176
Release: 2019-01-10
Genre: Literary Collections
ISBN: 1350020559

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This is the first volume dedicated to Plautus' perennially popular comedy Casina that analyses the play for a student audience and assumes no knowledge of Latin. It launches a much-needed new series of books, each discussing a comedy that survives from the ancient world. Four chapters highlight the play's historical context, themes, performance and reception, including its reflection of recent societal trends in marriage and property ownership by women after the Punic Wars, and its complex dynamics on stage. It is ideal for students, but helpful also for scholars wanting a brief introduction to the play. Casina pits a husband (Lysidamus) and wife (Cleostrata) against each other in a struggle for control of a 16-year-old slave named Casina. Cleostrata cleverly plots to frustrate the efforts of her lascivious elderly husband, staging a cross-dressing 'marriage' that culminates in his complete humiliation. The play provides rich insights into relationships within the Roman family. This volume analyses how Casina addresses such issues as women's status and property rights, the distribution of power within a Roman household, and sexual violence, all within a compellingly meta-comic framework from which Cleostrata emerges as a surprising comic hero. It also examines the play's enduring popularity and relevance.


Pietro Aretino

Pietro Aretino
Author: Edward Hutton
Publisher:
Total Pages: 302
Release: 1923
Genre: Satirists, Italian
ISBN:

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Renaissance in Italy

Renaissance in Italy
Author: John Addington Symonds
Publisher:
Total Pages: 504
Release: 1898
Genre: Italian literature
ISBN:

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The Court and Its Critics

The Court and Its Critics
Author: Paola Ugolini
Publisher: University of Toronto Press
Total Pages: 310
Release: 2020-02-24
Genre: Literary Criticism
ISBN: 1487532121

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Anti-courtly discourse furnished a platform for discussing some of the most pressing questions of early modern Italian society. The court was the space that witnessed a new form of negotiation of identity and prestige, the definition of masculinity and of gender-specific roles, the birth of modern politics and of an ethics based on merit and on individual self-interest. The Court and Its Critics analyses anti-courtly critiques using a wide variety of sources including manuals of courtliness, dialogues, satires, and plays, from the mid-fifteenth to the early seventeenth century. The book is structured around four key figures that embody different features of anti-courtly sentiments. The figure of the courtier shows that sentiments against the court were present even among those who apparently benefitted from such a system of power. The court lady allows an investigation of the intertwining of anti-courtliness and anti-feminism. The satirist and the shepherd of pastoral dramas are investigated as attempts to fashion two different forms of a new self for the court intellectual.