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The Marble Faun, Vol. 1 of 2

The Marble Faun, Vol. 1 of 2
Author: Nathaniel Hawthorne
Publisher: Forgotten Books
Total Pages: 312
Release: 2018-03-17
Genre:
ISBN: 9780364816615

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Excerpt from The Marble Faun, Vol. 1 of 2: Or the Romance of Monte Beni IT is now seven or eight years (so many, at all events, that I cannot precisely remember the epoch) since the author of this romance last appeared before the Public. It had grown to be a custom with him to introduce each of his humble publications with a familiar kind of preface, addressed nominally to the Public at large, but really to a character with whom he felt entitled to use far greater freedom. He meant it for that one congenial friend - more comprehensive of his purposes, more appreciative of his success, more indulgent of his shortcomings, and, in all respects, closer and kinder than a brother - that all sympa thizing critic, in short, whom an author never actually meets, but to whom he implicitly makes his appeal whenever he is conscious of having done his best. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Marble Faun

The Marble Faun
Author: Nathaniel Hawthorne
Publisher: Readhowyouwant
Total Pages: 388
Release: 2007-11-28
Genre: Fiction
ISBN: 9781554804603

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Hawthorne and the Real

Hawthorne and the Real
Author: Millicent Bell
Publisher: Ohio State University Press
Total Pages: 238
Release: 2005
Genre: Literature and society
ISBN: 0814209866

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Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or "allegories of the heart" as he termed some of his short stories. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was."--BOOK JACKET.


Tauchnitz Edition

Tauchnitz Edition
Author: Bernhard Tauchnitz Verlag
Publisher:
Total Pages: 170
Release: 1884
Genre:
ISBN:

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The Marble Faun (1860). By: Nathaniel Hawthorne

The Marble Faun (1860). By: Nathaniel Hawthorne
Author: Nathaniel Hawthorne
Publisher: Createspace Independent Publishing Platform
Total Pages: 238
Release: 2018-02-04
Genre:
ISBN: 9781985065123

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The Marble Faun: Or, The Romance of Monte Beni, also known by the British title Transformation, was the last of the four major romances by Nathaniel Hawthorne, and was published in 1860. The Marble Faun, written on the eve of the American Civil War, is set in a fantastical Italy. The romance mixes elements of a fable, pastoral, gothic novel, and travel guide. Characters[edit] This romance focuses on four main characters: Miriam, Hilda, Kenyon, and Donatello. Miriam is a beautiful painter with an unknown past. Throughout the novel, she is compared to many other women including Eve, Beatrice Cenci, Judith, and Cleopatra. Miriam is pursued by a mysterious, threatening man who is her "evil genius" through life. Hilda is an innocent copyist. She is compared to the Virgin Mary and the white dove. Her simple, unbendable moral principles can make her severe in spite of her tender heart. Miriam and Hilda are often contrasted. Kenyon is a sculptor who represents rationalist humanism. He cherishes a romantic affection towards Hilda. Donatello, the Count of Monte Beni, is often compared to Adam and is in love with Miriam. Donatello amazingly resembles the marble Faun of Praxiteles, and the novel plays with the characters' belief that the Count may be a descendant of the antique Faun. Hawthorne, however, withholds a definite statement even in the novel's concluding chapters and postscript...................... Nathaniel Hawthorne ( born Nathaniel Hathorne; July 4, 1804 - May 19, 1864) was an American novelist, dark romantic, and short story writer. He was born in 1804 in Salem, Massachusetts to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge involved in the Salem witch trials who never repented of his actions. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work. He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children. Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States...............


Nathaniel Hawthorne and His Wife

Nathaniel Hawthorne and His Wife
Author: Julian Hawthorne
Publisher:
Total Pages: 498
Release: 1884
Genre: Authors' spouses
ISBN:

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Psychoanalytic Readings of Hawthorne’s Romances

Psychoanalytic Readings of Hawthorne’s Romances
Author: David B. Diamond
Publisher: Routledge
Total Pages: 202
Release: 2021-07-08
Genre: Psychology
ISBN: 1000408779

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Offering innovative, psychoanalytic readings of Nathaniel Hawthorne’s mature novels, this volume expertly applies Freudian theory to present new insights into the psychology of Hawthorne’s characters and their fates. By critically examining scenes in which protagonists confront past traumas, Diamond underscores the transformative potential which Hawthorne attributes to confrontations with the unconscious. Psychoanalytic narrative technique is used to illuminate psychological crises of the protagonists in The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, and The Marble Faun, showing the transformations they undergo to be central to our understanding of the trajectory and resolution of Hawthorne’s romances. The text will benefit researchers, academics, and educators with an interest in applied psychoanalysis, psychoanalytic technique, and Freud in particular. Since its conclusions challenge many currently held critical views, this volume is especially relevant to those interested in interdisciplinary literary studies, Hawthorne studies, 19th century literature and romanticism.


Supports in Roman Marble Sculpture

Supports in Roman Marble Sculpture
Author: Anna Anguissola
Publisher: Cambridge University Press
Total Pages: 282
Release: 2018-02-15
Genre: Art
ISBN: 1108307922

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Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.