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The Many Forms of Fear, Horror and Terror

The Many Forms of Fear, Horror and Terror
Author:
Publisher: BRILL
Total Pages: 231
Release: 2020-09-25
Genre: Social Science
ISBN: 1848880138

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This eBook records the proceedings of the 3rd Annual 'Fear, Horror, and Terror' conference, which was held at Mansfield College, Oxford in September 2009. A group of academics from disparate subject areas, including literature, film studies, religious studies, social psychology, and psychoanalysis, came together to discuss fear, horror, and terror.


On Fear, Horror, and Terror: Giving Utterance to the Unutterable

On Fear, Horror, and Terror: Giving Utterance to the Unutterable
Author: Pedro Querido
Publisher: BRILL
Total Pages: 141
Release: 2019-06-24
Genre: Social Science
ISBN: 900439799X

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This volume is a collection of essays whose diversity of insights and methodologies facilitates a kaleidoscopic look at a universally-recognizable cluster of phenomena and experiences of fear, anxiety, horror, and terror that often defy straightforward categorization or even description.


Cultural Experiences of Fear, Horror and Terror

Cultural Experiences of Fear, Horror and Terror
Author: Mark Callaghan
Publisher: BRILL
Total Pages: 203
Release: 2019-01-04
Genre: Social Science
ISBN: 1848883315

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This volume was first published by Inter-Disciplinary Press in 2016. This volume comprises numerous academic papers concerning essential subjects in relation to fear, horror and terror, from cinematic representations and their subsequent responses, to first person accounts of terror by way of literature and journalism. Key scholars are employed to develop these important research areas as they provide new insights into cultural experiences and evaluations of fear, horror and terror, and their consequent analysis. Contributors also explore cross-cultural fear, the memorialisation of violence, and female experiences of fear represented through literature, theatre, and cinema. Valuable research is also demonstrated by way of the conceptualisation and management of fear, including the control of public fear in relation to mental illness, along with significant insights concerning depictions of sexual violence, the concept of the sublime in relation to the visualisation of the universe, and the relationship between scales of fright and the bulk of the on-screen monster.


Horror after 9/11

Horror after 9/11
Author: Aviva Briefel
Publisher: University of Texas Press
Total Pages: 272
Release: 2012-08-24
Genre: Performing Arts
ISBN: 0292742428

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Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.


Body Gothic

Body Gothic
Author: Xavier Aldana Reyes
Publisher: University of Wales Press
Total Pages: 264
Release: 2014-10-15
Genre: Literary Criticism
ISBN: 1783160942

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The gothic, particularly in its contemporary incarnations, is often constructed around largely disembodied concepts such as spectrality or the haunted. Body Gothic offers a counter-narrative that reinstates the importance of viscerality to the gothic mode. It argues that contemporary discourses surrounding our bodies are crucial to our understanding of the social messages in fictional mutilation and of the pleasures we may derive from it. This book considers a number of literary and cinematic movements that have, over the past three decades, purposely turned the body into a meaningful gothic topos. Each chapter in Body Gothic is dedicated to a different corporeal subgenre: splatterpunk, body horror, the new avant-pulp, the slaughterhouse novel, torture porn and surgical horror are all covered in its pages. Close readings of key texts by Clive Barker, Richard Laymon, Joseph D'Lacey, Matthew Stokoe, Tony White or Stanley Manly are provided alongside in-depth analyses of landmark films such as Re-Animator (1985), The Fly (1986), Saw (2004), Hostel (2005), The Human Centipede (2011) and American Mary (2012).


On Directing Film

On Directing Film
Author: David Mamet
Publisher: Penguin
Total Pages: 129
Release: 1992-01-01
Genre: Performing Arts
ISBN: 0140127224

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A masterclass on the art of directing from the Pulitzer Prize-winning (and Oscar and Tony-nominated) writer of Glengarry Glen Ross, Speed the Plow, The Verdict, and Wag the Dog Calling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies like House of Games, State and Main, and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing—from script to cutting room—to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time. Based on a series of classes Mamet taught at Columbia University's film school, On Directing Film will be indispensible not only to students but to anyone interested in an overview of the craft of filmmaking. "Passion, clarity, commitment, intelligence—just what one would expect from Mamet." —Sidney Lumet, Academy Award-nominated director of 12 Angry Men, Dog Day Afternoon, Network, and The Verdict


Thinking Dead

Thinking Dead
Author: Murali Balaji
Publisher: Lexington Books
Total Pages: 268
Release: 2013-09-26
Genre: Social Science
ISBN: 0739183834

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Zombies are everywhere these days. We are consuming zombies as much as they are said to be consuming us in mediated apocalyptic scenarios on popular television shows, video game franchises and movies. The “zombie industry” generates billions a year through media texts and other cultural manifestations (zombie races and zombie-themed parks, to name a few). Zombies, like vampires, werewolves, witches and wizards, have become both big dollars for cultural producers and the subject of audience fascination and fetishization. With popular television shows such as AMC’s The Walking Dead (based on the popular graphic novel) and movie franchises such as the ones pioneered by George Romero, global fascination with zombies does not show signs of diminishing. In The Thinking Dead: What the Zombie Apocalypse Means, edited by Murali Balaji, scholars ask why our culture has becomes so fascinated by the zombie apocalypse. Essays address this question from a range of theoretical perspectives that tie our consumption of zombies to larger narratives of race, gender, sexuality, politics, economics and the end of the world. Thinking Dead brings together an array of media and cultural studies scholars whose contributions to understanding our obsession with zombies will far outlast the current trends of zombie popularity.


Attack of the New B Movies

Attack of the New B Movies
Author: Justin Wigard
Publisher: McFarland
Total Pages: 285
Release: 2023-04-14
Genre: Performing Arts
ISBN: 1476648107

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Since its inception in 1992, the Sci-Fi Channel (later rebranded as SYFY) has aired more than 500 network-produced or commissioned films. Campy and prolific, the network churned out one low-budget film after another, finally finding its zenith in the 2013 release of Sharknado. With unpretentious charm and a hearty helping of commodified nostalgia, the Sharknado franchise briefly ruled the cultural consciousness and temporarily transformed SYFY's original films from cult fringe to appointment television. Naturally, the network followed up with a steady stream of sequels and spin-offs, including Lavalantula and its sequel, 2 Lava 2 Lantula! This collection of essays is the first to devote critical attention to SYFY's original film canon, both pre- and post-Sharknado. In addition to unpacking the cultural, historical and critical underpinnings of the monsters at the heart of SYFY's classic creature features, the contributors offer a variety of approaches to understanding and interrogating these films within the broader contexts of ecocriticism, monster theory, post-9/11 criticism, and neocolonialism. Providing a further entry point for future scholarship, an appendix details a thorough filmography of SYFY's original films from 1992 to 2022.


The 'Evil Child' in Literature, Film and Popular Culture

The 'Evil Child' in Literature, Film and Popular Culture
Author: Karen J. Renner
Publisher: Routledge
Total Pages: 243
Release: 2013-10-18
Genre: Literary Criticism
ISBN: 1317966732

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The 'evil child' has infiltrated the cultural imagination, taking on prominent roles in popular films, television shows and literature. This collection of essays from a global range of scholars examines a fascinating array of evil children and the cultural work that they perform, drawing upon sociohistorical, cinematic, and psychological approaches. The chapters explore a wide range of characters including Tom Riddle in the Harry Potter series, the possessed Regan in William Peter Blatty’s The Exorcist, the monstrous Ben in Doris Lessing’s The Fifth Child, the hostile fetuses of Rosemary’s Baby and Alien, and even the tiny terrors featured in the reality television series Supernanny. Contributors also analyse various themes and issues within film, literature and popular culture including ethics, representations of evil and critiques of society. This book was originally published as two special issues of Literature Interpretation Theory.