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The Making of Modern Hindi

The Making of Modern Hindi
Author: Sujata S. Mody
Publisher: Oxford University Press
Total Pages: 312
Release: 2018-08-22
Genre: Literary Criticism
ISBN: 0199093911

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In the early twentieth century, British imperialism in India was at its peak and anti-colonial sentiments were on the rise. The nationalist desire for cultural self-identification was gaining ground and an important articulation of this was the demand for a national language and literature to represent a modern India. It was in this context that Mahavir Prasad Dwivedi, a novel, daring, and contentious litterateur, launched his multimedia campaign of constructing a new Hindi literary establishment. As the long-time editor of the Hindi journal Sarasvatī, Dwivedi’s influence was so far-reaching that this period of modern literature in Hindi is known as the Dwivedi era. However, he had to face stiff opposition as well. Sujata Mody’s book sheds light on the interactions between Dwivedi and his supporters and detractors and shows how Dwivedi’s responses to challenges were pragmatic and strategically varied. The Making of Modern Hindi presents Dwivedi as a dynamic and influential arbiter of literary modernity whose exchanges with competing authorities are an important piece in the history of Hindi literature.


The Making of Modern Hindi

The Making of Modern Hindi
Author: Sujata S. Mody
Publisher:
Total Pages:
Release: 2019
Genre: Hindi literature
ISBN: 9780199093922

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A study on the politics of making Hindi modern in colonial North India, focusing on the figure of Mahavir Prasad Dwivedi (1864-1938), whose unprecedented multi-media literary campaign as editor of a prominent journal paved the way for Hindi's progress. The work casts new light on Dwivedi as an innovative and dynamic arbiter of literary modernity, while also considering the tensions between the editor and others in his realm of influence.


Dreaming in Hindi

Dreaming in Hindi
Author: Katherine Russell Rich
Publisher: Granta Books
Total Pages: 360
Release: 2011-08-01
Genre: Americans
ISBN: 9781846272622

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Having survived a serious illness and now at an impasse in her career, the author accepts a freelance assignment to go to India, where she finds herself utterly overwhelmed by the place and the language. Before she knows it, she's on her way to Rajasthan to live with a local family and join a language school offering 'total immersion'.


Hindi Nationalism (tracks for the Times)

Hindi Nationalism (tracks for the Times)
Author: Alok Rai
Publisher: Orient Blackswan
Total Pages: 156
Release: 2001
Genre: Hindi language
ISBN: 9788125019794

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This tract looks at the politics of language in India through a study of the history of one language Hindi. It traces the tragic metamorphosis of this language over the last century, from a creative, dynamic, popular language to a dead, Sanskritised, dePersianised language manufactured by a self-serving upper caste North Indian elite, nurturing hegemonic ambitions. From being a symbol of collective imagination it became a signifier of narrow sectarianism and regional chauvinism. The tract shows how this trans- formation of the language was tied up with the politics of communalism and regionalism.


Producing Bollywood

Producing Bollywood
Author: Tejaswini Ganti
Publisher: Duke University Press
Total Pages: 442
Release: 2012-03-07
Genre: Business & Economics
ISBN: 0822352133

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These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991.


History and the Making of a Modern Hindu Self

History and the Making of a Modern Hindu Self
Author: Aparna Devare
Publisher: Routledge
Total Pages: 236
Release: 2013-04-03
Genre: History
ISBN: 1136197087

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Taking the contentious debates surrounding historical evidence and history writing between secularists and Hindu nationalists as a starting point, this book seeks to understand the origins of a growing historical consciousness in contemporary India, especially amongst Hindus. The broad question it poses is: Why has ‘history’ become such an important site of identity, conflict and self-definition amongst modern Hindus, especially when Hinduism is known to have been notoriously impervious to history? As modern ideas regarding notions of history came to India with colonialism, it turns to the colonial period as the ‘moment of encounter’ with such ideas. The book examines three distinct moments in the Hindu self through the lives and writings of lower-caste public figure Jotiba Phule, ‘moderate’ nationalist M. G. Ranade and Hindu nationalist V. D. Savarkar. Through a close reading of original writings, speeches and biographical material, it is demonstrated that these three individuals were engaged with a modern historical and rationalist approach. However, the same material is also used to argue that Phule and Ranade viewed religion as living, contemporaneous and capable of informing both their personal and political lives. Savarkar, the ‘explicitly Hindu’ leader, on the contrary, held Hindu practices and traditions in contempt, confining them to historical analysis while denying any role for religion as spirituality or morality in contemporary political life. While providing some historical context, this volume highlights the philosophical/ political ideas and actions of the three individuals discussed. It integrates aspects of their lives as central to understanding their politics.


Literary Sentiments in the Vernacular

Literary Sentiments in the Vernacular
Author: Charu Gupta
Publisher: Routledge
Total Pages: 253
Release: 2021-12-14
Genre: History
ISBN: 1000511189

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This collection brings together nine essays, accompanied by nine short translations that expand the assumptions that have typically framed literary histories, and creatively re-draws their boundaries, both temporally and spatially. The essays, rooted in the humanities and informed by interdisciplinary area studies, explore multiple linkages between forms of print culture, linguistic identities, and diverse vernacular literary spaces in colonial and post-colonial South Asia. The accompanying translations—from Bengali, Hindi, Marathi, Tamil, and Urdu—not only round out these scholarly explorations and comparisons, but invite readers to recognise the assiduous, intimate, and critical labour of expanding access to the vernacular archive, while also engaging with the challenges—linguistic, cultural, and political—of rendering vernacular articulations of gendered experience and embodiment in English. Collectively, the essays and translations foreground complex and politicised expressions of gender and genre in fictional and non-fictional print materials and thus draw meaningful connections between the vernacular and literature, the everyday and the marginals, and gender and sentiment. They expand vernacular literary archives, canons and genealogies, and push us to theorise the nature of writing in South Asia. Literary Sentiments in the Vernacular is a significant new contribution to South Asian literary history and gender studies, and will be a great resource for academics, researchers, and advanced students of History, Literature, Cultural Studies, Politics, and Sociology. The chapters in this book were originally published as a special issue of South Asia: Journal of South Asian Studies.


India in Translation Through Hindi Literature

India in Translation Through Hindi Literature
Author: Maya Burger
Publisher: Peter Lang
Total Pages: 312
Release: 2010
Genre: Hindi literature
ISBN: 9783034305648

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What role have translations from Hindi literary works played in shaping and transforming our knowledge about India? In this book, renowned scholars, translators and Hindi writers from India, Europe, and the United States offer their approaches to this question. Their articles deal with the political, cultural, and linguistic criteria germane to the selection and translation of Hindi works, the nature of the enduring links between India and Europe, and the reception of translated texts, particularly through the perspective of book history. More personal essays, both on the writing process itself or on the practice of translation, complete the volume and highlight the plurality of voices that are inherent to any translation. As the outcome of an international symposium held at the University of Lausanne, Switzerland, in 2008, India in Translation through Hindi Literature engages in the building of critical histories of the encounter between India and the «West», the use and impact of translations in this context, and Hindi literature and culture in connection to English (post)colonial power, literature and culture.


Bollywood's India

Bollywood's India
Author: Rachel Dwyer
Publisher: Reaktion Books
Total Pages: 297
Release: 2014-06-15
Genre: Performing Arts
ISBN: 1780233043

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Bollywood movies have long been known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But these exciting and often amusing films rarely reflect the reality of life on the Indian subcontinent. Exploring the nature of mainstream Hindi cinema, the strikingly illustrated Bollywood’s Indiaexamines its nonrealistic depictions of everyday life in India and what it reveals about Indian society. Showing how escapism and entertainment function in Bollywood cinema, Rachel Dwyer argues that Hindi cinema’s interpretations of India over the last two decades are a reliable guide to understanding the nation’s changing hopes and dreams. She looks at the ways Bollywood has imagined and portrayed the unity and diversity of the country—what it believes and feels, as well as life at home and in public. Using Dwyer’s two decades spent working with filmmakers and discussing movies with critics and moviegoers,Bollywood’s India is an illuminating look at Hindi cinema.


Indian Modernities

Indian Modernities
Author: Nishat Zaidi
Publisher: Taylor & Francis
Total Pages: 333
Release: 2023-06-30
Genre: Literary Criticism
ISBN: 1000901750

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This volume studies the ways in which modernity has been conceived, practiced, and performed in Indian literatures from the 18th to 20th century. It brings together essays on writings in Hindi, Urdu, Punjabi, Bengali, Odia, Gujarati, Marathi, Tamil, Telugu, Kannada, Malayalam, and languages from Northeast India, which form a dialogical relationship with each other in this volume. The concurrence and contradictions emerging through these studies problematize the idea of modernity afresh. The book challenges the dominance of colonial modernity through socio-historical and cultural analysis of how modernity surfaces as a multifaceted phenomenon when contextualized in the multilingual ethos of India. It further tracks the complex ways in which modernism in India is tied to the harvests of modernity. It argues for the need to shift focus on the specific conditions that gave shape to multiple modernities within literatures produced from India. A versatile collection, the book incorporates engagements with not just long prose fiction but also lesser-known essays, research works, and short stories published in popular magazines. This unique work will be of interest to students and teachers of Indian writing in English, Indian literatures, and comparative literatures. It will be indispensable to scholars of South Asian studies, literary historians, linguists, and scholars of cultural studies across the globe.