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The Making of a Bourgeois State

The Making of a Bourgeois State
Author: Marjolein C. 't Hart
Publisher: Manchester University Press
Total Pages: 264
Release: 1993
Genre: Finance
ISBN: 9780719038075

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The Making of a Bourgeois State

The Making of a Bourgeois State
Author: Marjolein C. 't Hart
Publisher:
Total Pages: 0
Release: 1993
Genre: Finance, Public
ISBN:

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How Revolutionary Were the Bourgeois Revolutions? (Abridged Edition)

How Revolutionary Were the Bourgeois Revolutions? (Abridged Edition)
Author: Neil Davidson
Publisher: Haymarket Books
Total Pages: 296
Release: 2017-03-27
Genre: Philosophy
ISBN: 1608467325

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An abridged edition of the insightful work praised as “an impressive contribution both to the history of ideas and to political philosophy” (Alasdair MacIntyre, author of After Virtue). Once of central importance to left historians and activists alike, recently the concept of the “bourgeois revolution” has come in for sustained criticism from both Marxists and conservatives. In this abridged edition of his magisterial How Revolutionary Were the Bourgeois Revolutions? Neil Davidson expertly distills his theoretical and historical insights about the nature of revolutions, making them accessible for general readers. Through extensive research and comprehensive analysis, Davidson demonstrates that what’s at stake is far from a stale issue for the history books—understanding that these struggles of the past offer far reaching lessons for today’s radicals.


The State and Revolution

The State and Revolution
Author: Vladimir Ilʹich Lenin
Publisher:
Total Pages: 144
Release: 1919
Genre: Communism
ISBN:

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The Making of Bourgeois Europe

The Making of Bourgeois Europe
Author: Colin Mooers
Publisher: Verso
Total Pages: 220
Release: 1991-03-17
Genre: History
ISBN: 9780860915072

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A defense of the concept of bourgeois revolution in European history


Impersonal Power

Impersonal Power
Author: Heide Gerstenberger
Publisher: BRILL
Total Pages: 816
Release: 2007
Genre: History
ISBN: 9004130276

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In this volume. Heide Gerstenberger investigates the development of bourgeois state power by on the one hand proposing a critique of different variants of the structural-functionalist theory of the state and on the other hand analysing the examples of England and France. The central thesis of the work is that the bourgeois form of capitalist state power arose only where capitalist societies developed out of state structures that were already rationalised.


Leave Me Alone and I'll Make You Rich

Leave Me Alone and I'll Make You Rich
Author: Deirdre Nansen McCloskey
Publisher: University of Chicago Press
Total Pages: 246
Release: 2020-10-30
Genre: Business & Economics
ISBN: 022673983X

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A “thought-provoking” one-volume distillation of the author’s powerful trilogy in praise of the middle class’s role in creating a better, and richer, world (Library Journal). The economist and historian Deirdre Nansen McCloskey has been best known recently for her Bourgeois Era trilogy, a vigorous defense, unrivaled in scope, of commercially tested betterment. Its massive volumes, The Bourgeois Virtues, Bourgeois Dignity, and Bourgeois Equality, solve Adam Smith’s puzzle of the nature and causes of the wealth of nations, and of the moral sentiments of modernity. The world got rich, she argues, not chiefly by material causes but by an idea and a sentiment, a new admiration for the middle class and its egalitarian liberalism. For readers looking for a distillation of McCloskey’s magisterial work, Leave Me Alone and I’ll Make You Rich is what you’ve been waiting for. In this lively volume, McCloskey and the economist and journalist Art Carden bring together the trilogy’s key ideas and its most provocative arguments. The rise of the west, and now the rest, is the story of the rise of ordinary people to a dignity and liberty inspiring them to have a go. The outcome was an explosion of innovation after 1800, and a rise of real income by an astounding 3,000 percent. The Great Enrichment, well beyond the conventional Industrial Revolution, did not, McCloskey and Carden show, come from the usual suspects, capital accumulation or class struggle. It came from the idea of economic liberty in Holland and the Anglosphere, then Sweden and Japan, then Italy and Israel and China and India, an idea that bids fair in the next few generations to raise up the wretched of the earth. The original shift to liberalism arose from 1517 to 1789 from theological and political revolutions in northwest Europe, upending ancient hierarchies. McCloskey and Carden contend further that liberalism and “innovism” made us better humans as well as richer ones. Not matter but ideas. Not corruption but improvement. Leave Me Alone and I’ll Make You Rich draws in entertaining fashion on history, economics, literature, philosophy, and popular culture, from growth theory to the Simpsons. It is the perfect introduction for a broad audience to McCloskey’s influential explanation of how we got rich. At a time when confidence in the economic system is under challenge, this book mounts an optimistic and persuasive defense of liberal innovism, and of the modern world it has wrought. Praise for the Bourgeois Era Trilogy “A contender for the great book of our age.” —The Times, Book of the Week “Persuasive . . . richly detailed and erudite.” —Financial Times


Bourgeois Equality

Bourgeois Equality
Author: Deirdre N. McCloskey
Publisher: University of Chicago Press
Total Pages: 830
Release: 2017-10-13
Genre: Business & Economics
ISBN: 022652793X

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The last 200 years have witnessed a 100-fold leap in well-being. Deirdre McCloskey argues that most people today are stunningly better off than their forbearers were in 1800, and that the rest of humanity will soon be. A purely materialist, incentivist view of economic change does not explain this leap. We have now the third in McCloskey's three-volume opus about how bourgeois values transformed Europe. Volume 3 nails the case for that transfiguration, telling us how aristocratic virtues of hierarchy were replaced by bourgeois virtues (more precisely, by attitudes toward virtues) that made it possible for ordinary folk with novel ideas to change the way people, farmed, manufactured, traveled, ruled themselves, and fought. It is a dramatic story, and joins a dramatic debate opened up by Thomas Piketty in his best-selling Capital in the 21st Century. McCloskey insists that economists are far too preoccupied by capital and saving, arguing against the position (of Piketty and most others) that capital induces a tendency to get more, that money reproduces itself, that riches are created from riches. Not so, our intrepid McCloskey shows. Bill Gates and Steve Jobs, among the biggest wealth accumulators in our era, didn't get rich through the magic of compound interest on capital. They got rich through intellectual property, creating billions of dollars from virtually nothing. Capital was no more important an ingredient to the original Apple or Microsoft than cookies or cucumbers. The debate is between those who think riches are created from riches versus those who, with McCloskey, think riches are created from rags, between those who see profits as a generous return on capital, or profits coming from innovation that ultimately benefits us all.


The Bourgeois: Between History and Literature

The Bourgeois: Between History and Literature
Author: Franco Moretti
Publisher: Verso Books
Total Pages: 225
Release: 2013-06-04
Genre: Literary Criticism
ISBN: 178168085X

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Who – and what – are the Bourgeois? “The bourgeois ... Not so long ago, this notion seemed indispensable to social analysis; these days, one might go years without hearing it mentioned. Capitalism is more powerful than ever, but its human embodiment seems to have vanished. ‘I am a member of the bourgeois class, feel myself to be such, and have been brought up on its opinions and ideals,’ wrote Max Weber, in 1895. Who could repeat these words today? Bourgeois ‘opinions and ideals’—what are they?” Thus begins Franco Moretti’s study of the bourgeois in modern European literature—a major new analysis of the once-dominant culture and its literary decline and fall. Moretti’s gallery of individual portraits is entwined with the analysis of specific keywords—“useful” and “earnest,” “efficiency,” “influence,” “comfort,” “roba”—and of the formal mutations of the medium of prose. From the “working master” of the opening chapter, through the seriousness of nineteenth-century novels, the conservative hegemony of Victorian Britain, the “national malformations” of the Southern and Eastern periphery, and the radical self-critique of Ibsen’s twelve-play cycle, the book charts the vicissitudes of bourgeois culture, exploring the causes for its historical weakness, and for its current irrelevance.