The Major Film Theories
Author | : J. Dudley Andrew |
Publisher | : |
Total Pages | : 292 |
Release | : 1976 |
Genre | : Motion pictures |
ISBN | : 9780195019919 |
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Author | : J. Dudley Andrew |
Publisher | : |
Total Pages | : 292 |
Release | : 1976 |
Genre | : Motion pictures |
ISBN | : 9780195019919 |
Author | : James Dudley Andrew |
Publisher | : |
Total Pages | : 278 |
Release | : 1980 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 278 |
Release | : 1976 |
Genre | : |
ISBN | : |
Author | : J. Dudley Andrew |
Publisher | : |
Total Pages | : 278 |
Release | : 2008-11-26 |
Genre | : |
ISBN | : 9780195699555 |
Author | : Dudley Andrew |
Publisher | : |
Total Pages | : 278 |
Release | : 1976 |
Genre | : Motion pictures |
ISBN | : |
Author | : J. Dudley Andrew |
Publisher | : Oxford University Press |
Total Pages | : 254 |
Release | : 1984-03-15 |
Genre | : Performing Arts |
ISBN | : 0198020511 |
Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.
Author | : J.D. Andrew |
Publisher | : |
Total Pages | : 278 |
Release | : 1980 |
Genre | : |
ISBN | : |
Betreft: Munsterberg, Arnheim, Ejzenstejn, Balázs, Kracauer, Bazin, Mitry, Metz, Ayfre, Agel.
Author | : Thomas Elsaesser |
Publisher | : Routledge |
Total Pages | : 371 |
Release | : 2009-12-16 |
Genre | : Social Science |
ISBN | : 1135967067 |
What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories – from the classical period to today – in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
Author | : Francesco Casetti |
Publisher | : University of Texas Press |
Total Pages | : 382 |
Release | : 1999 |
Genre | : Performing Arts |
ISBN | : 9780292712072 |
A collection of essays on the principal ideologies in film studies.
Author | : Felicity Colman |
Publisher | : Routledge |
Total Pages | : 417 |
Release | : 2014-12-05 |
Genre | : Philosophy |
ISBN | : 1317492447 |
Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But more importantly, the essays explore how film has shaped what philosophy thinks and how philosophy has lead to a reappraisal of film. The book will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by film philosophy." Film and Philosophy" includes essays on: Hugo Munsterberg, Vilem Flusser, Siegfried Kracauer, Theodor Adorno, Antonin Artaud, Henri Bergson, Maurice Merleau-Ponty, Emmanuel Levinas, Andre Bazin, Roland Barthes, Serge Daney, Jean-Luc Godard, Stanley Cavell, Jean-Luc Nancy, Jacques Derrida, Gilles Deleuze, Sarah Kofman, Paul Virilio, Jean Baudrillard, Jean-Francois Lyotard, Fredric Jameson, Felix Guattari, Raymond Bellour, Christian Metz, Julia Kristeva, Laura Mulvey, Homi Bhabha, Slavoj Zizek, Stephen Heath, Alain Badiou, Jacques Ranciere, Leo Bersani, Giorgio Agamben, and Michel Chion.