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| Author | : Robyn Jamison |
| Publisher | : |
| Total Pages | : 178 |
| Release | : 2022-02-05 |
| Genre | : Art |
| ISBN | : |
A fresh, accessible approach to appreciating Modern and Contemporary Art.
| Author | : Caitlin Freeman |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2013-04-16 |
| Genre | : Cooking |
| ISBN | : 1607743906 |
Taking cues from works by Andy Warhol, Frida Kahlo, and Matisse, pastry chef Caitlin Freeman, of Miette bakery and Blue Bottle Coffee fame, creates a collection of uniquely delicious dessert recipes (with step-by-step assembly guides) that give readers all they need to make their own edible masterpieces. From a fudge pop based on an Ellsworth Kelly sculpture to a pristinely segmented cake fashioned after Mondrian’s well-known composition, this collection of uniquely delicious recipes for cookies, parfait, gelées, ice pops, ice cream, cakes, and inventive drinks has everything you need to astound friends, family, and guests with your own edible masterpieces. Taking cues from modern art’s most revered artists, these twenty-seven showstopping desserts exhibit the charm and sophistication of works by Andy Warhol, Cindy Sherman, Henri Matisse, Jeff Koons, Roy Lichtenstein, Richard Avedon, Wayne Thiebaud, and more. Featuring an image of the original artwork alongside a museum curator’s perspective on the original piece and detailed, easy-to-follow directions (with step-by-step assembly guides adapted for home bakers), Modern Art Desserts will inspire a kitchen gallery of stunning treats.
| Author | : Jakob Zaaiman |
| Publisher | : Independently Published |
| Total Pages | : 178 |
| Release | : 2020-07-18 |
| Genre | : |
| ISBN | : |
Modern and contemporary art explained: written for everyone, but also suitable as a student textbook (college or university) in art theory.This book is intended to be a simple & easy-to-read guide to everything you need to know about understanding & appreciating MODERN CONTEMPORARY ARTIt will set out in the clearest of terms the principles of modern contemporary art, so that you can properly evaluate and enjoy contemporary artworks on their own terms. Anyone with an interest in any of the arts can read this book: you do not need to have an advanced education, or specialist training. We will also provide you with a very solid & practical knowledge that you can straightaway apply to each & every encounter you have with modern contemporary art - whatever the occasion & whatever the artform
| Author | : Katharine Kuh |
| Publisher | : Skyhorse Publishing Inc. |
| Total Pages | : 347 |
| Release | : 2012-07 |
| Genre | : Art |
| ISBN | : 1611455065 |
One of America’s leading curators, “a woman of resilience and vision, a writer of clarity and ardor” (Chicago Tribune), takes you on a personal tour of the world of modern art. In the Depression-era climate of the 1930s, Katharine Kuh defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand Léger, Paul Klee, Joan Miró, Ansel Adams, Marc Chagall, and Alexander Calder. Her extraordinary story reveals how and why America became a major force in the world of contemporary art.
| Author | : Francis Frascina |
| Publisher | : Routledge |
| Total Pages | : 340 |
| Release | : 2018-05-04 |
| Genre | : Art |
| ISBN | : 0429978537 |
Modern Art and Modernism offers firsthand material for the study of issues central to the development of modern art, its theory, and criticism. The history of modern art is not simply a history of works of art, it is also a history of ideas interpretations. The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken. The nature of modern art cannot be understood without some analysis of the concept of Modernism itself.Modern Art and Modernism presents a selection of texts by the major contributors to debate on this subject, from Baudelaire and Zola in the nineteenth century to Greenberg and T. J. Clark in our own times. It offers a balanced section of essays by contributors to the mainstream of Modernist criticism, representative examples of writing on the themes of abstraction and expression in modern art, and a number of important contributions to the discussion of aesthetics and the social role of the artist. Several of these are made available in English translation for the first time, and others are brought together from a wide range of periodicals and specialized collections.This book will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.
| Author | : Lance Esplund |
| Publisher | : Basic Books |
| Total Pages | : 288 |
| Release | : 2018-11-27 |
| Genre | : Art |
| ISBN | : 0465094678 |
A veteran art critic helps us make sense of modern and contemporary art The landscape of contemporary art has changed dramatically during the last hundred years: from Malevich's 1915 painting of a single black square and Duchamp's 1917 signed porcelain urinal to Jackson Pollock's midcentury "drip" paintings; Chris Burden's "Shoot" (1971), in which the artist was voluntarily shot in the arm with a rifle; Urs Fischer's "You" (2007), a giant hole dug in the floor of a New York gallery; and the conceptual and performance art of today's Ai Weiwei and Marina Abramovic. The shifts have left the art-viewing public (understandably) perplexed. In The Art of Looking, renowned art critic Lance Esplund demonstrates that works of modern and contemporary art are not as indecipherable as they might seem. With patience, insight, and wit, Esplund guides us through the last century of art and empowers us to approach and appreciate it with new eyes. Eager to democratize genres that can feel inaccessible, Esplund encourages viewers to trust their own taste, guts, and common sense. The Art of Looking will open the eyes of viewers who think that recent art is obtuse, nonsensical, and irrelevant, as well as the eyes of those who believe that the art of the past has nothing to say to our present.
| Author | : Max Hollein |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 187 |
| Release | : 2019-03-22 |
| Genre | : Art |
| ISBN | : 1588397017 |
Since its beginning nearly one hundred fifty years ago, The Metropolitan Museum of Art has been a vital center for the display and collection of the art of its time. As the repository of an encyclopedic collection spanning five thousand years and myriad regions, The Met presents modern and contemporary art in a richly suggestive context. This beautifully illustrated volume, like the Museum’s galleries, gathers paintings, sculptures, photographs, decorative arts, drawings, and works in other media by celebrated artists of the twentieth and twenty-first centuries, juxtaposing them to suggest historical antecedents and evolving cultural practices. From acknowledged masterworks by Arbus, Brancusi, Demuth, Duchamp, Gris, Hepworth, Hopper, Léger, Nevelson, O’Keeffe, Picasso, Pollock, Rivera, Steichen, and Warhol to important newer works by El Anatsui, Mark Bradford, Vija Celmins, David Hammons, William Kentridge, Kerry James Marshall, Richard Serra, Cindy Sherman, Thomas Struth, and Kara Walker, this book delves into the magnificent modern holdings of a beloved museum. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
| Author | : Katie Robinson Edwards |
| Publisher | : University of Texas Press |
| Total Pages | : 393 |
| Release | : 2014-07-01 |
| Genre | : Art |
| ISBN | : 0292756658 |
Winner, Award of Merit for Non-Fiction, The Philosophical Society of Texas, 2015 Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state’s dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era’s most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art’s “Americans” exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.
| Author | : Henry Miller |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 1968 |
| Genre | : Artists |
| ISBN | : |
New and expanded edition of the title, first published in 1960.
| Author | : Heather Rose |
| Publisher | : Algonquin Books |
| Total Pages | : 288 |
| Release | : 2018-11-27 |
| Genre | : Fiction |
| ISBN | : 1616208872 |
“Art will wake you up. Art will break your heart. There will be glorious days. If you want eternity you must be fearless.” —Heather Rose, The Museum of Modern Love Our hero, Arky Levin, has reached a creative dead end. An unexpected separation from his wife was meant to leave him with the space he needs to work composing film scores, but it has provided none of the peace of mind he needs to create. Guilty and restless, almost by chance he stumbles upon an art exhibit that will change his life. Based on a real piece of performance art that took place in 2010, the installation that the fictional Arky Levin discovers is inexplicably powerful. Visitors to the Museum of Modern Art sit across a table from the performance artist Marina Abramović, for as short or long a period of time as they choose. Although some go in skeptical, almost all leave moved. And the participants are not the only ones to find themselves changed by this unusual experience: Arky finds himself returning daily to watch others with Abramović. As the performance unfolds over the course of 75 days, so too does Arky. As he bonds with other people drawn to the exhibit, he slowly starts to understand what might be missing in his life and what he must do. This is a book about art, but it is also about success and failure, illness and happiness. It’s about what it means to find connection in a modern world. And most of all, it is about love, with its limitations and its transcendence.
