The Magic Flute, Etc. (Manager's Edition.).
Author | : Emanuel Schikaneder |
Publisher | : |
Total Pages | : 82 |
Release | : 1841 |
Genre | : |
ISBN | : |
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Author | : Emanuel Schikaneder |
Publisher | : |
Total Pages | : 82 |
Release | : 1841 |
Genre | : |
ISBN | : |
Author | : Emanuel Schikaneder |
Publisher | : |
Total Pages | : 78 |
Release | : 1841 |
Genre | : |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 520 |
Release | : 1968 |
Genre | : English imprints |
ISBN | : |
Author | : British Library |
Publisher | : |
Total Pages | : 964 |
Release | : 1946 |
Genre | : |
ISBN | : |
Author | : Michael Freyhan |
Publisher | : Scarecrow Press |
Total Pages | : 309 |
Release | : 2009-10-26 |
Genre | : Music |
ISBN | : 0810869675 |
Shortly after Wolfgang Amadeus Mozart's death, his widow Constanze sent a manuscript copy of one of his most beloved operas, Die Zauberflste, to the court of the Elector of Cologne. It was eventually published by Nicolaus Simrock in 1814 as the first full-score edition. However, the question still remains as to why this early copy in her possession diverges from Mozart's autograph in so many libretto details. The Authentic Magic Flute Libretto: Mozart's Autograph or the First Full-Score Edition? investigates the origin and claim to authenticity of the first full-score edition of Die Zauberflste, drawing attention to the close bond between words and music. Michael Freyhan brings the subtlety of the first edition word setting to the attention of scholars, musicians, and opera-lovers, setting out the evidence for its authenticity and detailing the quest, pursued in 15 countries, for the earliest possible historical sources. Freyhan examines the differences between the first edition and the autograph, discussing the quality of the word-setting_supported by 32 musical examples_and evaluating the relationship of the two texts in terms of language and literature. The following chapters discuss the early history of the autograph, focusing on four alleged owners, its market value, and the misleading catalogue numbering systems seen on the first page. Details of the performance and publication history of the first edition text are followed by a new perspective on the disputed authorship of the libretto, in light of the possible existence of two authentic texts. A concluding chapter discusses Mozart's sketches and working methods, while an appendix traces the character and career of Karl Ludwig Giesecke, one of the writers who claimed ownership of the opera's libretto. The book also includes several photos and the complete first edition libretto, in German and with literal English translation, providing a side-by-side text comparison with the autograph text.
Author | : |
Publisher | : |
Total Pages | : 806 |
Release | : 1912 |
Genre | : Actors |
ISBN | : |
Issues for 1914-67 include "Notable productions and important revivals of the London stage from the earliest times."
Author | : Augustin Eugène SCRIBE |
Publisher | : |
Total Pages | : 76 |
Release | : 1842 |
Genre | : |
ISBN | : |
Author | : Augustin Eugène SCRIBE |
Publisher | : |
Total Pages | : 100 |
Release | : 1843 |
Genre | : |
ISBN | : |
Author | : Susan Fenty Studham |
Publisher | : Taylor & Francis |
Total Pages | : 194 |
Release | : 2024-09-30 |
Genre | : Performing Arts |
ISBN | : 1040114709 |
The Dance and Opera Stage Manager’s Toolkit details unique perspectives and approaches to support stage managers beginning to navigate the fields of dance and opera stage management in live performance. This book demystifies the genre-specific protocols and vocabularies for stage managers who might be unfamiliar with these fields and discusses common practices. Filled with valuable industry-tested tools, templates, and practical information, The Dance and Opera Stage Manager’s Toolkit is designed to assist stage managers interested in pursuing these performance genres. The book also includes interviews and contributions from a range of professional stage managers working in dance and opera. From the student stage manager studying in Theatrical Design and Production university programs to the experienced stage manager wanting to broaden their skill set, this book provides resources and advice for a successful transition into these worlds. The Dance and Opera Stage Manager’s Toolkit includes access to an online repository of resources and paperwork examples to help jumpstart the reader’s journey into dance and opera stage management. To access these resources, visit www.routledge.com/9780367566579.
Author | : Christopher J. Hartnick |
Publisher | : Plural Publishing |
Total Pages | : 297 |
Release | : 2010-03-01 |
Genre | : Medical |
ISBN | : 1597567469 |
Written for SLPs who care for children with vocal disorders, this is the second book by the team who wrote Pediatric Voice Disorders. This new publication is specially designed for SLPs to have access to the medical information at a special price. To that end, certain chapters have been removed from Pediatric Voice Disorders, which focuses on the techniques of surgical care, and other chapters have been reshaped to highlight issues of office based diagnosis and intervention. Several new chapters have been added, including a fascinating and comprehensive chapter by Katherine Verdolini which reviews the literature regarding voice therapy in children as well as an additional chapter on the work-up and treatment of children with Velopharyngeal Insufficiency. The authors have provided a cross-fertilization of thoughts and ideas that comes from putting together a seemingly diverse group of specialists and having them focus on specific pediatric disease-based and pediatric voice pathology-based topics. Within this book, members of each specialty attend to these questions and comment upon how the specialties can best work together towards obtaining diagnoses and rendering unified and comprehensive treatment.