The madrigals of Cipriano de Rore
Author | : Cipriano de Rore |
Publisher | : |
Total Pages | : 160 |
Release | : 1943 |
Genre | : Madrigals, Italian |
ISBN | : |
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Author | : Cipriano de Rore |
Publisher | : |
Total Pages | : 160 |
Release | : 1943 |
Genre | : Madrigals, Italian |
ISBN | : |
Author | : Angela Jane Lloyd |
Publisher | : |
Total Pages | : 316 |
Release | : 1996 |
Genre | : Musical intervals and scales |
ISBN | : |
Author | : Jessie Ann Owens |
Publisher | : Oxford University Press, USA |
Total Pages | : 368 |
Release | : 1998 |
Genre | : Composers |
ISBN | : 0195129040 |
Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.
Author | : Timothy R. McKinney |
Publisher | : Routledge |
Total Pages | : 365 |
Release | : 2016-03-23 |
Genre | : Music |
ISBN | : 1317185315 |
In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.
Author | : Susan McClary |
Publisher | : Univ of California Press |
Total Pages | : 387 |
Release | : 2004-12-13 |
Genre | : History |
ISBN | : 0520234936 |
A study of the transition from modal to tonal music in Western Europe, and the parallel transition from pre-modern to modern sensibilities in Western Europe, using the Italian madrigal as a case study.
Author | : Laurie Stras |
Publisher | : Cambridge University Press |
Total Pages | : 417 |
Release | : 2018-09-27 |
Genre | : Music |
ISBN | : 1107154073 |
Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.
Author | : Alfred Einstein |
Publisher | : Princeton University Press |
Total Pages | : 365 |
Release | : 2019-08-06 |
Genre | : Music |
ISBN | : 0691655847 |
Volume 3 of 3. This monumental three-volume work on the Italian madrigal from its beginnings about 1500 to its decline in the 17th century is based on the research of 40 years, and is a cultural history of the development of Italian music. Mr. Einstein, renowned musicologist, supplies a background and a sense of proportion to the field: he gives the right order to the single composers in the evolution fo the madrigal, attaches new values to old names, and places in the foreground the outstanding, but until now rather neglected, personality of Cipriano de Rore. His work is not, however, purely musicological; his object is to inquire into the functions of secular music in Italian life during the Cinquecento, and to contribute to our knowledge and understanding of that great century in general. Translated from the German by Oliver Strunk, Roger Sessions and Alexander H. Krappe. Originally published in 1948. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Louis Dean Nuernberger |
Publisher | : |
Total Pages | : 386 |
Release | : 1963 |
Genre | : Part songs, Italian |
ISBN | : |
Author | : Alfred Einstein |
Publisher | : |
Total Pages | : |
Release | : 1949 |
Genre | : Composers, Italian |
ISBN | : |
Author | : Angela Jane Lloyd |
Publisher | : |
Total Pages | : 452 |
Release | : 1996 |
Genre | : Musical intervals and scales |
ISBN | : |