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The Lyric Speakers of Old English Poetry

The Lyric Speakers of Old English Poetry
Author: Lois Bragg
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 174
Release: 1991
Genre: Literary Criticism
ISBN: 9780838634035

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This work is a treatment of over thirty Old English lyrics including prayers, riddles, charms, the epilogues to Cynewulf's four signed poems, lyric interludes from Beowulf, and poems from the Anglo-Saxon Chronicle.


The Lyric Voice in English Theology

The Lyric Voice in English Theology
Author: Elizabeth S. Dodd
Publisher: Bloomsbury Publishing
Total Pages: 201
Release: 2023-09-21
Genre: Religion
ISBN: 0567670325

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In this book, Elizabeth S. Dodd traces the contours of a lyric theology through the lens of English lyric tradition. She addresses the dominance of narrative and drama in contemporary theological aesthetics by drawing on recent developments in lyric theory. Informed by the work of critics such as Jonathan Culler, Dodd explores the significance of lyric for theological discourse. Lyric is presented here as a short, musical, expressive and personal form that is also fragmentary, embodied, socially located and performative. The main chapters address key moments in English lyric tradition. This selective approach aims to expand the theological gaze beyond the monochromatic features of the traditional canon. It covers Anglo-Saxon hymns, medieval lullaby carols, early-modern sonnets and the prophetic poetry of Romanticism, but also Grime and hip hop, performance poetry, social media poetry and Geoffrey Hill.


The Voices of Medieval English Lyric

The Voices of Medieval English Lyric
Author: Anne L. Klinck
Publisher: McGill-Queen's Press - MQUP
Total Pages:
Release: 2019-11-28
Genre: Poetry
ISBN: 0228000173

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What was the medieval English lyric? Moving beyond the received understanding of the genre, The Voices of Medieval English Lyric explores, through analysis, discussion, and demonstration, what the term "lyric" most meaningfully implies in a Middle English context. A critical edition of 131 poems that illustrate the range and rich variety of lyric poetry from the mid-twelfth century to the early sixteenth century, The Voices of Medieval English Lyric presents its texts - freshly edited from the manuscripts - in thirteen sections emphasizing contrasting and complementary voices and genres. As well as a selection of religious poetry, the collection includes a high proportion of secular lyrics, many on love and sexuality, both earnest and humorous. In general, major authors who have been covered thoroughly elsewhere are excluded from the edited texts, but some, especially Chaucer, are quoted or mentioned as illuminating comparisons. Charles d'Orléans and the Scots poets Robert Henryson and William Dunbar add an extra-national dimension to a single-language collection. Textual and thematic notes are provided, as well as versions of the poems in Latin or French when these exist. Adopting new perspectives, The Voices of Medieval English Lyric offers an up-to-date, accessible, and distinctive take on Middle English poetry.


Direct Speech in Beowulf and Other Old English Narrative Poems

Direct Speech in Beowulf and Other Old English Narrative Poems
Author: Élise Louviot
Publisher: Boydell & Brewer
Total Pages: 298
Release: 2016
Genre: Language Arts & Disciplines
ISBN: 1843844346

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A new examination of the little-studied phenomena of Direct Speech in Old English poetry. Some of the most celebrated passages of Old English poetry are speeches: Beowulf and Unferth's verbal contest, Hrothgar's words of advice, Satan's laments, Juliana's words of defiance, etc. Yet Direct Speech, as a stylistic device, has remained largely under-examined and under-theorized in studies of the corpus. As a consequence, many analyses are unduly influenced by anachronistic conceptions of Direct Speech, leading to problematic interpretations, not least concerning irony and implicit characterisation. This book uses linguistic theories to reassess the role of Direct Speech in Old English narrative poetry. Beowulf is given a great deal of attention, because it is amajor poem and because it is the focus of much of the existing scholarship on this subject, but it is examined in a broader poetic context: the poem belongs to a wider tradition and thus needs to be understood in that context. The texts examined include several major Old English narrative poems, in particular the two Genesis, Christ and Satan, Andreas, Elene, Juliana and Guthlac A. Elise Louviot is a Lecturer at the University of Reims Champagne-Ardenne (France) and a specialist of Old English poetry. Her research interests include orality, tradition, formulas and the linguistic expression of subjectivity.


The Composition of Old English Poetry

The Composition of Old English Poetry
Author: H. Momma
Publisher: Cambridge University Press
Total Pages: 228
Release: 1997-03-28
Genre: Foreign Language Study
ISBN: 9780521554817

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This 'prosodical' syntax is intended to replace the famous syntactic laws of Hans Kuhn through its greater accuracy and wider range of application.


The Shapes of Early English Poetry

The Shapes of Early English Poetry
Author: Eric Weiskott
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 324
Release: 2019-04-01
Genre: Literary Criticism
ISBN: 3110626608

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This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality.