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The Lover's Melancholy

The Lover's Melancholy
Author: John Ford
Publisher: Oxford University Press, USA
Total Pages: 422
Release: 1995
Genre: Drama
ISBN:

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Ford wrote darkly about sexual and political passion, thwarted ambition, and incest. This selection also shows his ability to portray the poignancy of love as well as to write entertaining comedy and creat concincing roles for women. His Annabella, Hippolita, Pentea, Calantha, and KatherinrGordon rank among the most dramatically powerful female characters on the post-Shakespearean stage. Setting Ford's earliest surviving independently-written play, The Lover's Melancholy, alongside his three best-known works, this edition includes an introduction with sections on each play addressing gender issues, modern relevance, and staging possibilities. Under the General editorship ofMichael Cordner, of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation, supplemented by detailed annotation.


The Lover's Melancholy

The Lover's Melancholy
Author: John Ford
Publisher: Manchester University Press
Total Pages: 186
Release: 1985
Genre: English drama
ISBN: 9780719015335

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The Lovers Melancholy

The Lovers Melancholy
Author:
Publisher:
Total Pages:
Release: 1994
Genre:
ISBN:

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Depression and Melancholy, 1660-1800 vol 4

Depression and Melancholy, 1660-1800 vol 4
Author: Leigh Wetherall Dickson
Publisher: Taylor & Francis
Total Pages: 389
Release: 2024-08-01
Genre: History
ISBN: 1040248837

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As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.


Melancholy

Melancholy
Author: László F. Földényi (Foldenyi)
Publisher: Yale University Press
Total Pages: 360
Release: 2016-04-26
Genre: Literary Criticism
ISBN: 0300220693

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Alberto Manguel praises the Hungarian writer László Földényi as “one of the most brilliant essayists of our time.” Földényi’s extraordinary Melancholy, with its profusion of literary, ecclesiastical, artistic, and historical insights, gives proof to such praise. His book, part history of the term melancholy and part analysis of the melancholic disposition, explores many centuries to explore melancholy’s ambiguities. Along the way Földényi discovers the unrecognized role melancholy may play as a source of energy and creativity in a well-examined life. Földényi begins with a tour of the history of the word melancholy, from ancient Greece to the medieval era, the Renaissance, and modern times. He finds the meaning of melancholy has always been ambiguous, even paradoxical. In our own times it may be regarded either as a psychic illness or a mood familiar to everyone. The author analyzes the complexities of melancholy and concludes that its dual nature reflects the inherent tension of birth and mortality. To understand the melancholic disposition is to find entry to some of the deepest questions one’s life. This distinguished translation brings Földényi’s work directly to English-language readers for the first time.


Melancholy and the Secular Mind in Spanish Golden Age Literature

Melancholy and the Secular Mind in Spanish Golden Age Literature
Author: Teresa Scott Soufas
Publisher: University of Missouri Press
Total Pages: 224
Release: 1990
Genre: Literary Criticism
ISBN: 9780826207142

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"Employing a broad historical perspective that forces the reevaluation of historical and literary commonplaces, Soufas artfully illuminates the complex responses of Spanish Golden Age authors to major shifts in European intellectual outlook during the late sixteenth and early seventeenth century."--Publishers website.


The Beauty of Melancholy and British Women Writers, 1670-1720

The Beauty of Melancholy and British Women Writers, 1670-1720
Author: Laura Alexander
Publisher: Cambridge Scholars Publishing
Total Pages: 112
Release: 2019-11-15
Genre: Literary Criticism
ISBN: 1527543560

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This book considers melancholy language in representative works by several British women writers in late Stuart England. To understand how these women writers understood and reframed the discussion about melancholy and women’s experience of suffering in their art, it turns to the twentieth-century French feminist theorist Julia Kristeva, whose radical work on melancholy in Black Sun: Depression and Melancholia (1989) provides an alternative psychoanalytic perspective for considering melancholy discourse created by women experiencing alienation, depression, and anguish in earlier periods. Kristeva offers a theoretical lens for understanding loss as a significant and ongoing perspective on life experience that finds expression through art and language. This text argues that early women writers created a new expressive mode, revising existing models to account for their own losses during a time of cultural and political transitioning in England. These writers provide a melancholy aesthetic in their works or depict depressed female figures reflecting artistic angst and a new discourse within language for articulating pain.