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The Love Story in Shakespearean Comedy

The Love Story in Shakespearean Comedy
Author: Anthony J. Lewis
Publisher: University Press of Kentucky
Total Pages: 422
Release: 2021-10-21
Genre: Drama
ISBN: 0813184827

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In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.


The Comedy of Errors

The Comedy of Errors
Author: William Shakespeare
Publisher:
Total Pages: 94
Release: 1904
Genre: English drama
ISBN:

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Shakespeare and the Romance Tradition

Shakespeare and the Romance Tradition
Author: E. C. Pettet
Publisher: New York : Haskell House Publishers
Total Pages: 216
Release: 1976
Genre: Drama
ISBN:

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A key work in Shakespeare criticism & one of the pioneering modern studies of romance & romantic love in Shakespearean comedy.


Shakespeare's cinema of love

Shakespeare's cinema of love
Author: R. S. White
Publisher: Manchester University Press
Total Pages: 342
Release: 2016-10-03
Genre: Performing Arts
ISBN: 1526107813

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This engaging and stimulating book argues that Shakespeare's plays significantly influenced movie genres in the twentieth century, particularly in films concerning love in the classic Hollywood period. Shakespeare's 'green world' has a close functional equivalent in 'tinseltown' and on 'the silver screen', as well as in hybrid genres in Bollywood cinema. Meanwhile, Romeo and Juliet continues to be an enduring source for romantic tragedy on screen. The nature of generic indebtedness has not gained recognition because it is elusive and not always easy to recognise. The book traces generic links between Shakespeare's comedies of love and screen genres such as romantic comedy, 'screwball' comedy and musicals, as well as clarifying the use of common conventions defining the genres, such as mistaken identity, 'errors', disguise and 'shrew-taming'. Speculative, challenging and entertaining, the book will appeal to those interested in Shakespeare, movies and the representation of love in narratives.


Shakespeare's Comedy of Love

Shakespeare's Comedy of Love
Author: Alexander Leggatt
Publisher:
Total Pages: 272
Release: 1973
Genre:
ISBN:

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The Fool's Girl

The Fool's Girl
Author: Celia Rees
Publisher: A&C Black
Total Pages: 321
Release: 2011-04-04
Genre: Juvenile Fiction
ISBN: 0747597340

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Nominated for the Carnegie Medal 2011 Shakespeare in Love meets Twelfth Night - A gripping and evocative historical novel by bestselling Celia Rees


Shakespeare's Comedies of Love

Shakespeare's Comedies of Love
Author: Richard Paul Knowles
Publisher: University of Toronto Press
Total Pages: 345
Release: 2008-01-01
Genre: Literary Criticism
ISBN: 0802039537

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Shakespeare's Comedies of Love is a tribute to Alexander Leggatt, a critic who has shaped the way the world understands Shakespeare and his comedies.


As You Like it

As You Like it
Author: William Shakespeare
Publisher:
Total Pages: 122
Release: 1810
Genre:
ISBN:

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Love and dramatic genre - Approaches to the topic of love in three Shakespearean plays

Love and dramatic genre - Approaches to the topic of love in three Shakespearean plays
Author: Thomas Eger
Publisher: GRIN Verlag
Total Pages: 59
Release: 2006-06-15
Genre: Literary Criticism
ISBN: 3638510271

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Examination Thesis from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,3, Bielefeld University, language: English, abstract: "Love" is a central topic in Shakespeare′s plays. Many of his couples have gained a status of immortality: Antony and Cleopatra, Romeo and Juliet, or Beatrice and Benedick are only a few examples. These lovers share one experience, which Lysander in "A Midsummer Night′s Dream" sums up very clearly: "The course of true love never did run smooth ..." (1,1,134) This dilemma is the "raw material" I am interested in. I will take three Shakespearean plays with "love" as their central issue and examine the protagonists′ courses of love in them. This involves the beginning, the obstacles in the way, the reactions to these obstacles and the final failure or success to overcome them. The plays chosen are "Romeo and Juliet", "All′s Well that Ends Well", and "The Taming of the Shrew". In the First Folio edition the first one is classified as belonging to the literary form of "tragedy", the latter two as "comedies". This leads me to the second element in the title, which is "dramatic genre". What Northrop Frye says about comedy is also valid for tragedy: "If a play in a theatre is subtitled ′a comedy′, information is conveyed to a potential audience about what kind of thing to expect, and this type of information has been intelligible since before the days of Aristophanes." One such expectation concerns a play′s mood. Here lies a fundamental difference between tragedy and comedy. Generally speaking, the audience expects that a comedy creates a happy mood and a tragedy a sad one. However, I am not alone finding that "Romeo" is a rather happy play over long stretches, whereas "The Taming" and "All′s Well" are anything but thoroughly happy pieces. In these three dramas Shakespeare only partly fulfils the expectations, which are evoked. Their generic structure does not generate a consistent mood. So what are the causes of this inconsistency?


Fair Em

Fair Em
Author: Shakespeare
Publisher: Good Press
Total Pages: 89
Release: 2021-05-19
Genre: Drama
ISBN:

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Fair Em' is an Elizabethan-era comedy written in 1590. It explores the story of William the Conqueror, who falls in love with a Danish princess, Blanch, after looking at her portrait. So, he disguises himself as a knight called Sir Robert of Windsor and travels to the Danish court. But things take an unexpected turn when he rejects the princess in favor of Mariana, a captive of the Danish King Zweno.