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The Literature of American Music in Books and Folk Music Collections

The Literature of American Music in Books and Folk Music Collections
Author: David Horn
Publisher: Metuchen, N.J. : Scarecrow Press
Total Pages: 584
Release: 1977
Genre: Literary Criticism
ISBN:

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'Anyone doing work in any aspect of American music must begin with this bibliography... an important acquisition for all libraries.'--CHOICE


The Literature of American Music in Books and Folk Music Collections

The Literature of American Music in Books and Folk Music Collections
Author: David Horn
Publisher: Metuchen, N.J. : Scarecrow Press
Total Pages: 602
Release: 1988
Genre: Music
ISBN:

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_Anyone doing work in any aspect of American music must begin with this bibliography... an important acquisition for all libraries._--CHOICE


The Literature of American Music in Books and Folk Music Collections

The Literature of American Music in Books and Folk Music Collections
Author: David Horn
Publisher: Metuchen, N.J. : Scarecrow Press
Total Pages: 598
Release: 1988
Genre: Music
ISBN:

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_Anyone doing work in any aspect of American music must begin with this bibliography... an important acquisition for all libraries._--CHOICE


Romancing the Folk

Romancing the Folk
Author: Benjamin Filene
Publisher: UNC Press Books
Total Pages: 344
Release: 2000
Genre: Music
ISBN: 9780807848623

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In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo


Harry Smith's Anthology of American Folk Music

Harry Smith's Anthology of American Folk Music
Author: Ross Hair
Publisher: Taylor & Francis
Total Pages: 279
Release: 2016-12-08
Genre: Music
ISBN: 1317123581

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Released in 1952, The Anthology of American Folk Music was the singular vision of the enigmatic artist, musicologist, and collector Harry Smith (1923–1991). A collection of eighty-four commercial recordings of American vernacular and folk music originally issued between 1927 and 1932, the Anthology featured an eclectic and idiosyncratic mixture of blues and hillbilly songs, ballads old and new, dance music, gospel, and numerous other performances less easy to classify. Where previous collections of folk music, both printed and recorded, had privileged field recordings and oral transmission, Smith purposefully shaped his collection from previously released commercial records, pointedly blurring established racial boundaries in his selection and organisation of performances. Indeed, more than just a ground-breaking collection of old recordings, the Anthology was itself a kind of performance on the part of its creator. Over the six decades of its existence, however, it has continued to exert considerable influence on generations of musicians, artists, and writers. It has been credited with inspiring the North American folk revival—"The Anthology was our bible", asserted Dave Van Ronk in 1991, "We all knew every word of every song on it"—and with profoundly influencing Bob Dylan. After its 1997 release on CD by Smithsonian Folkways, it came to be closely associated with the so-called Americana and Alt-Country movements of the late 1990s and early 2000s. Following its sixtieth birthday, and now available as a digital download and rereleased on vinyl, it is once again a prominent icon in numerous musical currents and popular culture more generally. This is the first book devoted to such a vital piece of the large and complex story of American music and its enduring value in American life. Reflecting the intrinsic interdisciplinarity of Smith’s original project, this collection contains a variety of new perspectives on all aspects of the Anthology.


"The Music of American Folk Song" and Selected Other Writings on American Folk Music

Author: Ruth Crawford Seeger
Publisher: University Rochester Press
Total Pages: 220
Release: 2001
Genre: Music
ISBN: 9781580460958

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This is the first publication of an annotated monograph by the noted composer and folksong scholar Ruth Crawford Seeger. Originally written as a foreword for the 1940 book Our Singing Country, it was considered too long and was replaced by a much shorter version. According to her stepson, Pete Seeger, when the original was not included "Ruth suffered one of the biggest disappointments of the last ten years of her life. It just killed her . . . She was trying to analyze the whole style and problem of performing this music." Along with her children Mike and Peggy Seeger, he has long desired to see this work in print as it was meant to be read. The manuscript has been edited from several varying sources by Larry Polansky, with the assistance of Seeger's biographer Judith Tick. It is divided into two sections: I. "A Note on Transcription" and II. "Notes on the Songs and on Manners of Singing." Seeger examines all aspects of the relationship between singer, song, notation, the eventual performer, and the transcriber. In Section I, Seeger develops a complex and well-organized system of notation for these songs which is meant to be both descritive (transcription as cultural preservation) and prescriptive (she intended that others would be able to perform these songs). In Section II, she provides an interpretive theory for performance of this music, and suggests how performers might make the songs "their own" through a deep knowledge of the original styles. Ruth Crawford Seeger considered this work to be both a major accomplishment and a central statement of her own ideas on the topic. Larry Polansky is Associate Professor of Music at Dartmouth College, and a well-known composer and theorist on American music. Judith Tick is Professor of Music at Northeastern University and author of the first major biography of Ruth Crawford Seeger.


The Literature of American Music

The Literature of American Music
Author: Exeter University Library
Publisher:
Total Pages: 188
Release: 1972
Genre: Marine biology
ISBN:

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Literature of American Music III, 1983-1992

Literature of American Music III, 1983-1992
Author: Guy A. Marco
Publisher:
Total Pages: 488
Release: 1996
Genre: Music
ISBN:

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Literature of American Music III, 1983-1992 is the second supplement to the original Literature of American Music in Books and Folk Music Collections. Taken together, the three volumes provide a comprehensive inventory of the 5,100 books representing the core literature on American music. This volume cites and critically annotates monographs on American music published from 1983 to 1992, but does not include literature in folk music collections. More than 1,300 entries cover all aspects of American music, including folk, blues, jazz, rock, music of major cities, festivals, the music industry, instruments, music education, and music for TV and film. Entries are arranged according to Library of Congress classification numbers, which allows librarians to check their own holdings. Each citation provides full imprint data, ISBN, facts about earlier editions, series notes, references to reviews in standard media, descriptions of favorable and unfavorable features, and special notes of reference elements such as indexes and bibliographies. Includes title and subject indexes. Author indexing is included in the Checklist of Writings on American Music, 1640-1992.


Checklist of Writings on American Music, 1640-1992

Checklist of Writings on American Music, 1640-1992
Author: Guy A. Marco
Publisher: Scarecrow Press
Total Pages: 258
Release: 1996
Genre: Literary Criticism
ISBN: 9780810831339

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Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.


Bibliographical Handbook of American Music

Bibliographical Handbook of American Music
Author: Donald William Krummel
Publisher: University of Illinois Press
Total Pages: 288
Release: 1987
Genre: Music
ISBN: 9780252014505

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