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The Literature/film Reader

The Literature/film Reader
Author: James Michael Welsh
Publisher: Scarecrow Press
Total Pages: 396
Release: 2007
Genre: Literary Criticism
ISBN: 9780810859494

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From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history--often a separate category of film study--can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.


The Graham Greene Film Reader

The Graham Greene Film Reader
Author: Graham Greene
Publisher: Hal Leonard Corporation
Total Pages: 784
Release: 1994
Genre: Performing Arts
ISBN: 9781557831880

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Gathers Greene's film writings, and offers a brief introduction to the role of motion pictures in his life and career


The Religion and Film Reader

The Religion and Film Reader
Author: Jolyon P. Mitchell
Publisher:
Total Pages: 500
Release: 2007
Genre: Performing Arts
ISBN:

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Film is now widely studied in theology and religious studies departments. This volume explores key topics including, early responses to film, directors, films and audiences, cultural and social contexts, biblical connections, theological approaches and religious studies perspectives, amongst others.


Transnational Cinema

Transnational Cinema
Author: Steven Rawle
Publisher: Bloomsbury Publishing
Total Pages: 405
Release: 2018-01-24
Genre: Performing Arts
ISBN: 1350306673

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This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, including genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact. It is an excellent course companion for undergraduate students of film, cinema, media and cultural studies studying transnational and global cinema, and provides both students and lovers of film alike with a strong grounding in this timely field of film studies.


Film and Literature

Film and Literature
Author: Timothy Corrigan
Publisher:
Total Pages: 392
Release: 1999
Genre: Motion pictures and literature
ISBN:

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This book is a wide-ranging introduction to the long history and provocative debates about the interactions between film and literature.KEY TOPICS: Film and Literature: A Reader presents essays from a variety of cultures that address the major issues in the exchange between film and literature since the beginning of the twentieth century. The book provides landmark discussions of different genres and practices (such as poetry and movies or film scripts as literature) through writings by such figures as Vachel Lindsay, Walter Benjamin, and Alexander Astruc. It presents a concise, but detailed history of film and literature and the critical terms and techniques used in film and literary analysis as well as a detailed history of the bond between film and literature, from theatrical narratives of the silent film era to recent blockbuster adaptations of Shakespeare and Jane Austen. It also features introductions to each essay and suggests how the essays may be used to analyze works involving film and literature. An essential resource for every reader interested in film.


Horror, The Film Reader

Horror, The Film Reader
Author: Mark Jancovich
Publisher: Routledge
Total Pages: 197
Release: 2002-01-10
Genre: Performing Arts
ISBN: 1134563752

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Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.


The Cambridge Companion to Literature on Screen

The Cambridge Companion to Literature on Screen
Author: Deborah Cartmell
Publisher: Cambridge University Press
Total Pages: 389
Release: 2007-05-10
Genre: Literary Criticism
ISBN: 1139827553

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This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.


Experimental Cinema

Experimental Cinema
Author: Wheeler W. Dixon
Publisher: Psychology Press
Total Pages: 372
Release: 2002
Genre: Experimental films
ISBN: 9780415277877

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Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.


Literature into Film

Literature into Film
Author: Linda Costanzo Cahir
Publisher: McFarland
Total Pages: 317
Release: 2014-12-24
Genre: Performing Arts
ISBN: 0786482990

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For most people, film adaptation of literature can be summed up in one sentence: "The movie wasn't as good as the book." This volume undertakes to show the reader that not only is this evaluation not always true but sometimes it is intrinsically unfair. Movies based on literary works, while often billed as adaptations, are more correctly termed translations. A director and his actors translate the story from the written page into a visual presentation. Depending on the form of the original text and the chosen method of translation, certain inherent difficulties and pitfalls are associated with this change of medium. So often our reception of a book-based movie has more to do with our expectations and reading of the literature than with the job that the movie production did or did not do. Avoiding these biases and fairly evaluating any particular literary-based film takes an awareness of certain factors. Written with a formalistic rather than historical approach, this work presents a comprehensive guide to literature-based films, establishing a contextual and theoretical basis to help the reader understand the relationships between such movies and the original texts as well as the reader's own individual responses to these productions. To this end, it focuses on recognizing and appreciating the inherent difficulties encountered when basing a film on a literary work, be it a novel, novella, play or short story. Individual chapters deal with the specific issues and difficulties raised by each of these genres, providing an overview backed up by case studies of specific film translations. Films and literary works receiving this treatment include The Unbearable Lightness of Being, The Manchurian Candidate (1962), Lady Windemere's Fan by Oscar Wilde and Shakespeare's Henry V. Interspersed throughout the text are suggestions for activities the film student or buff can use to enhance his or her appreciation and understanding of the films. Instructors considering this book for use in a course may request an examination copy here.


Film/literature/heritage

Film/literature/heritage
Author: Ginette Vincendeau
Publisher: British Film Institute
Total Pages: 344
Release: 2001
Genre: Literary Criticism
ISBN:

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