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| Author | : James M. Garrett |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2016-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 1134782063 |
Shedding fresh light on Wordsworth's contested relationship with an England that changed dramatically over the course of his career, James Garrett places the poet's lifelong attempt to control his literary representation within the context of national ideas of self-determination represented by the national census, national survey, and national museum. Garrett provides historical background on the origins of these three institutions, which were initiated in Britain near the turn of the nineteenth century, and shows how their development converged with Wordsworth's own as a writer. The result is a new narrative for Wordsworth studies that re-integrates the early, middle, and late periods of the poet's career. Detailed critical discussions of Wordsworth's poetry, including works that are not typically accorded significant attention, force us to reconsider the usual view of Wordsworth as a fading middle-aged poet withdrawing into the hills. Rather, Wordsworth's ceaseless reworking of earlier poems and the flurry of new publications between 1814 and 1820 reveal Wordsworth as an engaged public figure attempting to 'write the nation' and position himself as the nation's poet.
| Author | : Ira Livingston |
| Publisher | : U of Minnesota Press |
| Total Pages | : 276 |
| Release | : 1997-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780816627950 |
Arrow of Chaos navigates through postmodern co-ordinates such as chaos theory and fractals, mapping the ongoing mutations of Romanticism in postmodern culture and t he inklings of the postmodern already at work in Romanticism . '
| Author | : Michael Gamer |
| Publisher | : Cambridge University Press |
| Total Pages | : 331 |
| Release | : 2017-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 1108132812 |
This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers.
| Author | : Marian Veevers |
| Publisher | : Simon and Schuster |
| Total Pages | : 213 |
| Release | : 2018-04-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1681777223 |
Jane Austen and Dorothy Wordsworth were born just four years apart, in a world torn between heady revolutionary ideas and fierce conservatism, but their lives have never been examined together before. They both lived in Georgian England, navigated strict social conventions and new ideals, and they were both influenced by Dorothy’s brother, the Romantic poet William Wordsworth, and his coterie. They were both supremely talented writers yet often lacked the necessary peace of mind in their search for self-expression. Neither ever married. Jane and Dorothy uses each life to illuminate the other. For both women, financial security was paramount and whereas Jane Austen hoped to achieve this through her writing, rather than being dependent on her family, Dorothy made the opposite choice and put her creative powers to the use of her brilliant brother, with whom she lived all her adult life. In this probing book, Marian Veevers discovers a crucial missing piece to the puzzle of Dorothy and William’s relationship and addresses enduring myths surrounding the one man who seems to have stolen Jane’s heart, only to break it . . .
| Author | : W. K. Thomas |
| Publisher | : University of Alberta |
| Total Pages | : 348 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : 9780888641359 |
Wordsworth depicted Newton, as Roubiliac may well have done in his statue of him, as voyaging, in ecstasy, through God's sensorium. In the Prelude passage from which the title A Mind For Ever Voyaging is derived, and in various others portraying Newton and science, Wordsworth seems to have written for two audiences, the general public and a much smaller, private audience, while seeking to elevate the minds of both to God. Like Pope before him, Wordsworth achieved "What oft was wrought, but ne'er so well exprest."
| Author | : William Wordsworth |
| Publisher | : |
| Total Pages | : 789 |
| Release | : 1979 |
| Genre | : Authors, English |
| ISBN | : 9780191813054 |
| Author | : Adelene Buckland |
| Publisher | : University of Chicago Press |
| Total Pages | : 314 |
| Release | : 2020-05-15 |
| Genre | : History |
| ISBN | : 022667682X |
The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of their preoccupations with the past were unprecedented and of lasting importance. The Victorians paved the way for our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain’s most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to fresh debates, while seemingly well-known histories were thrown into confusion by novel tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid picture of the Victorian world and its historical obsessions.
| Author | : Samuel Taylor Coleridge |
| Publisher | : Broadview Press |
| Total Pages | : 553 |
| Release | : 2008-08-22 |
| Genre | : Poetry |
| ISBN | : 1770481796 |
Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace.
| Author | : Anne Finch |
| Publisher | : Cambridge University Press |
| Total Pages | : 988 |
| Release | : 2019-12-19 |
| Genre | : Literary Criticism |
| ISBN | : 1108578446 |
This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661–1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and the United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This first volume provides established texts of Finch's early manuscript books, including Poems on Several Subjects and Miscellany Poems with Two Plays written under her pen name, Ardelia.
