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| Author | : Eliza Lucas Pinckney |
| Publisher | : Chapel Hill : University of North Carolina Press |
| Total Pages | : 282 |
| Release | : 1972 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Eliza Lucas Pinckney |
| Publisher | : |
| Total Pages | : 195 |
| Release | : 1972 |
| Genre | : |
| ISBN | : |
| Author | : Margaret F. Pickett |
| Publisher | : McFarland |
| Total Pages | : 225 |
| Release | : 2016-07-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1476665869 |
In 1739, Major George Lucas moved from Antigua to Charleston, South Carolina, with his wife and two daughters. Soon after their arrival, England declared war on Spain and he was recalled to Antigua to join his regiment. His wife in poor health, he left his daughter Eliza, 17, in charge of his three plantations. Following his instructions, she began experimenting with plants at the family estate on Wappoo Creek. She succeeded in growing indigo and producing a rich, blue dye from the leaves, thus bringing a profitable new cash crop to Carolina planters. While her accomplishments were rare for a young lady of the 18th century, they were not outside the scope of what was expected of a woman at that time. This biography, drawn from her surviving letters and other sources, chronicles Eliza Pinckney's life and explores the 18th century world she inhabited.
| Author | : Pamela Bauer Mueller |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : |
| ISBN | : 9780980916317 |
While managing three plantations, sixteen-year-old Eliza Lucas changes agriculture in colonial South Carolina when she develops indigo as an important cash crop.
| Author | : Susan Belasco |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1864 |
| Release | : 2020-04-03 |
| Genre | : Literary Criticism |
| ISBN | : 1119653355 |
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
| Author | : Catherine E. McKinley |
| Publisher | : A&C Black |
| Total Pages | : 269 |
| Release | : 2012-08-01 |
| Genre | : Crafts & Hobbies |
| ISBN | : 1408822369 |
Indigo is the rich, electrifying history of a precious dye: its relationship to the trans-Atlantic slave trade, its profound influence on fashion, and its spiritual significance - all very much alive today. But it is also the story of a personal quest: Catherine McKinley's ancestors include a clan of Scots who wore indigo tartan, several generations of Jewish 'rag traders' and Massachusetts textile factory owners, and African slaves who were traded along the same Saharan routes as indigo. Her journey takes her to nine West African countries and is resplendent with powerful lessons of heritage and history which shape the way she understands her world at home.
| Author | : Frances Leigh Williams |
| Publisher | : Houghton Mifflin Harcourt P |
| Total Pages | : 568 |
| Release | : 1978 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Thomas Pinckney (d.1705) immigrated from England to the island of Jamaica in 1688, and immigrated to South Carolina in 1692. He married twice. Descendants listed lived chiefly in South Carolina. The brothers, Charles Cotesworth Pinckney (1746-1825) and Thomas Pinckney (1750-1828), were particularly effective during the Revolutionary War and during the creation and ratification of the Constitution.
| Author | : Andrea Feeser |
| Publisher | : University of Georgia Press |
| Total Pages | : 161 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 0820338176 |
Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves—both black and Native American—made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories—uncovered for the first time during her research—of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.
| Author | : William J. Scheick |
| Publisher | : University Press of Kentucky |
| Total Pages | : 162 |
| Release | : 2021-10-21 |
| Genre | : Literary Criticism |
| ISBN | : 0813185130 |
Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy of the universe and men's and women's places in it? Colonial American women relied on the same authorities and traditions as did colonial men, but they encountered special difficulties validating themselves in writing. William Scheick explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This study features the poetry of Mary English and Anne Bradstreet, the letter-journals of Esther Edwards Burr and Sarah Prince, the autobiographical prose of Elizabeth Hanson and Elizabeth Ashbridge, and the political verse of Phyllis Wheatley. These works, along with the writings of other colonial women, provide especially noteworthy instances of bifurcations emanating from American colonial women's conflicted confiscation of male authority. Scheick reveals subtle authorial uneasiness and subtextual tensions caused by the attempt to draw legitimacy from male authorities and traditions.
| Author | : Ras Michael Brown |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2012-08-27 |
| Genre | : History |
| ISBN | : 1139561049 |
African-Atlantic Cultures and the South Carolina Lowcountry examines perceptions of the natural world revealed by the religious ideas and practices of African-descended communities in South Carolina from the colonial period into the twentieth century. Focusing on Kongo nature spirits known as the simbi, Ras Michael Brown describes the essential role religion played in key historical processes, such as establishing new communities and incorporating American forms of Christianity into an African-based spirituality. This book illuminates how people of African descent engaged the spiritual landscape of the Lowcountry through their subsistence practices, religious experiences and political discourse.
