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| Author | : Eric Gill |
| Publisher | : [Westerham] : Eva Svensson |
| Total Pages | : 0 |
| Release | : 1976 |
| Genre | : Lettering |
| ISBN | : 9780903696043 |
| Author | : Eric Gill |
| Publisher | : |
| Total Pages | : 63 |
| Release | : 1977 |
| Genre | : Lettering |
| ISBN | : 9780903696043 |
| Author | : Eric Gill |
| Publisher | : [Westerham] : Eva Svensson |
| Total Pages | : 76 |
| Release | : 1976 |
| Genre | : Alphabets |
| ISBN | : |
| Author | : Robert Harling |
| Publisher | : |
| Total Pages | : 63 |
| Release | : 1978 |
| Genre | : Type and type-founding |
| ISBN | : |
| Author | : Roy Brewer |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 1973 |
| Genre | : Art |
| ISBN | : |
| Author | : Eric Gill |
| Publisher | : [Westerham] : Eva Svensson |
| Total Pages | : 76 |
| Release | : 1976 |
| Genre | : Alphabets |
| ISBN | : |
| Author | : David Peace |
| Publisher | : David R. Godine Publisher |
| Total Pages | : 216 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
When the prolific master artist-craftsman Eric Gill turned his talents to inscriptional lettering, he created some of the most elegant monuments known. All 900 are catalogued here, from his first sonte inscription in 1901 to his design for his own gravestone in 1940.
| Author | : Simon Garfield |
| Publisher | : Profile Books |
| Total Pages | : 352 |
| Release | : 2010-10-21 |
| Genre | : Reference |
| ISBN | : 1847652921 |
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.
| Author | : Neil Macmillan |
| Publisher | : Yale University Press |
| Total Pages | : 218 |
| Release | : 2006-01-01 |
| Genre | : Design |
| ISBN | : 9780300111514 |
Review: "This illustrated A-Z features outstanding type designers from around the world, from Gutenberg to the present day. Arranged alphabetically by designer's name, the book contains over 260 biographical profiles. Entries are illustrated by key typefaces taken from a wide range of sources, including type specimens, original posters, private press editions and magazine covers, and also give a list of work and, where applicable, further reading references and a website address. An essential reference for typographers, graphic designers and students, the book also features a full index and eight short texts by leading typographers - Jonathan Barnbrook, Erik van Blokland, Clive Bruton, John Downer, John Hudson, Jean Francois Porchez, Erik Spiekermann and Jeremy Tankard - that cover a variety of different aspects of type design, including typeface revivals, font piracy, designing fonts for corporate identities and the role of nationality in type design."--BOOK JACKET
| Author | : Eric Gill |
| Publisher | : David R. Godine Publisher |
| Total Pages | : 166 |
| Release | : 1988 |
| Genre | : Art |
| ISBN | : 9780879239503 |
An Essay on Typography was first published in 1931, instantly recognized as a classic, and has long been unavailable. It represents Gill at his best: opinionated, fustian, and consistently humane. It is his only major work on typography and remains indispensable for anyone interested in the art of letter forms and the presentation of graphic information. This manifesto, however, is not only about letters "š€š" their form, fit, and function "š€š" but also about man's role in an industrial society. As Gill wrote later, it was his chief object "to describe two worlds "š€š" that of industrialism and that of the human workman "š€š" and to define their limits." His thinking about type is still provocative. Here are the seeds of modern advertising: unjustified lines, tight word and letter spacing, ample leading. Here is vintage Gill, as polemical as he is practical, as much concerned about the soul of man as the work of man; as much obsessed by the ends as by the means.
