The Later Renaissance Classic Reprint PDF Download

Excerpt from The American Renaissance It should likewise be understood that though this volume arises from a lively intere'st both in art and in education it is not the product of a professional experience. The author is guiltless, either of painting or of teaching others to paint. The chapters which follow represent a layman's point of view. But they would not have come into being at all had there not been a conviction in the mind of the author and in the minds of those who have encouraged and abetted this enterprise that the layman has rights, both in art and in education. He is, in fact, the most important as he sometimes seems to be the most neglected element In the situation. I hesitate to define art, partly because I know I shall invite criticism If I do so, and partly because I do not know how. But in at least one sense it is a medium of communication. It is not only a language through which the artist conveys a message to his fellow men, but also a device by the aid of which the latter reach an understanding among themselves. Those who love Botticelli or Degas are not strangers. But a medium of com munication may be considered successful only to the extent that it communicates. If the layman cannot understand the artistic message of his generation something is wrong with his education or with the education of the artist. Something must be done to re-educate one or both before there can be an aesthetic revival that is, before a given generation can utter forcibly and intelligibly its characteristic criticism of life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.