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| Author | : Ishmael Reed |
| Publisher | : Dalkey Archive Press |
| Total Pages | : 194 |
| Release | : 2000 |
| Genre | : Fiction |
| ISBN | : 9781564782366 |
"The Last Days of Louisiana Red blends paradox, hyperbole, understatement and signifyin' so expertly you can almost hear a droll black voice telling the tales as you read it." The New Republic
| Author | : William L. Andrews |
| Publisher | : Oxford University Press |
| Total Pages | : 514 |
| Release | : 2001-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 0198031750 |
A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman. Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature.
| Author | : Ishmael Reed |
| Publisher | : Open Road Media |
| Total Pages | : 358 |
| Release | : 2013-01-29 |
| Genre | : Fiction |
| ISBN | : 1453287973 |
DIVDIVIshmael Reed’s inspired fable of the ragtime era, in which a social movement threatens to suppress the spread of black culture—hailed by Harold Bloom as one of the five hundred greatest books of the Western canon/divDIV In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the “Jes Grew” epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they’ll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a “Talking Android,” an African American who will infiltrate the unruly black communities and help crush the outbreak. But PaPa LaBas, a houngan voodoo priest, is determined to keep his ancient culture—including a key spiritual text—alive. /divDIV /divDIVSpanning a dizzying host of genres, from cinema to academia to mythology, Mumbo Jumbo is a lively ride through a key decade of American history. In addition to ragtime, blues, and jazz, Reed’s allegory draws on the Harlem Renaissance, the Back to Africa movement, and America’s occupation of Haiti. His style throughout is as avant-garde and vibrant as the music at its center./divDIV /divDIVThis ebook features an illustrated biography of Ishmael Reed including rare images of the author./div/div
| Author | : Norman Harris |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 208 |
| Release | : 1988 |
| Genre | : African Americans |
| ISBN | : 9781617033704 |
| Author | : |
| Publisher | : Pelican Publishing |
| Total Pages | : 40 |
| Release | : |
| Genre | : Cooking, Cajun |
| ISBN | : 9781455613205 |
Illustrations and rhythmic text celebrate edible treats that characterize Louisiana, such as beignets and po boys. Includes facts about the foods mentioned and a recipe for red beans and rice.
| Author | : William W. Cook |
| Publisher | : University of Chicago Press |
| Total Pages | : 466 |
| Release | : 2011-06-07 |
| Genre | : Literary Criticism |
| ISBN | : 0226789985 |
Constraints on freedom, education, and individual dignity have always been fundamental in determining who is able to write, when, and where. Considering the singular experience of the African American writer, William W. Cook and James Tatum here argue that African American literature did not develop apart from canonical Western literary traditions but instead grew out of those literatures, even as it adapted and transformed the cultural traditions and religions of Africa and the African diaspora along the way.Tracing the interaction between African American writers and the literatures of ancient Greece and Rome, from the time of slavery and its aftermath to the civil rights era and on into the present, the authors offer a sustained and lively discussion of the life and work of Phillis Wheatley, Frederick Douglass, Ralph Ellison, and Rita Dove, among other highly acclaimed poets, novelists, and scholars. Assembling this brilliant and diverse group of African American writers at a moment when our understanding of classical literature is ripe for change, the authors paint an unforgettable portrait of our own reception of “classic” writing, especially as it was inflected by American racial politics.
| Author | : Ronder Scott |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005-08 |
| Genre | : |
| ISBN | : 9781420866070 |
Hannah Triland is on a fast road to hell in this mind- twisting novel about strip club fantasy love. Club Sense is about a court- case that can leave Hannah in prison for years if she can't prove her innocence to a jury. Kevin Haykelia, the white male, who stole Hannah's heart on September 11th 2001, harbors a horrible secret that Hannah has to uncover if she wants to live to see her twenty-third birthday. The car accident caused by Hannah and Kevin put Larry Potter in a coma. Hannah is charged with a DWI and vehicular homicide. Hannah has to pay restitution to the victim's family. Also, Hannah has to fight for her life in this highly emotional drama about a black exotic dancer living life in the fast lane. She meets Antoine Hill, a very handsome doctor, who sweeps her off her feet and gives her more than she could have ever dreamed, but only one thing stands between them, he is married. Hannah is the most lovable female protagonist of all time because through all the intense drama she still manages to make it to class. Hannah will fight with wit, intelligence, and the hustler's mentality that lives inside her soul to overcome the vicious circle of destruction that Kevin Haykelia, the antagonist, has set up for her. Acclaim "When you read this book you will not want to put it down until you have read the entire book. It is a modern day work of literature that takes you inside the mind of the young and beautiful Hannah Triland." ------------ Danielle Thomas
| Author | : Ishmael Reed |
| Publisher | : Dalkey Archive Press |
| Total Pages | : 194 |
| Release | : 2000-03-01 |
| Genre | : Fiction |
| ISBN | : 1564787443 |
"Folks. This here is the story of the Loop Garoo Kid. A cowboy so bad he made a working posse of spells phone in sick. A bullwhacker so unfeeling he left the print of winged mice on hides of crawling women. A desperado so onery he made the Pope cry and the most powerful of cattlemen shed his head to the Executioner's swine." And so begins the HooDoo Western by Ishmael Reed, author of Mumbo Jumbo and one of America's most innovative and celebrated writers. Reed demolishes white American history and folklore as well as Christian myth in this masterful satire of contemporary American life. In addition to the black, satanic Loop Garoo Kid, Yellow Back Radio Broke-Down features Drag Gibson (a rich, slovenly cattleman), Mustache Sal (his nymphomaniac mail-order bride), Thomas Jefferson and many others in a hilarious parody of the old Western.
| Author | : Ishmael Reed |
| Publisher | : Dalkey Archive Press |
| Total Pages | : 174 |
| Release | : 1999 |
| Genre | : Fiction |
| ISBN | : 9781564782250 |
"For all the talk of the black aesthetic, few black novelists have broken sharply with the traditional devices of the realistic novel. One writer who departs from such conventions, however, is Ishmael Reed. . . . The Free-Lance Pallbearers uses an explosive combination of straightforward English prose, exaggerated black dialect, hip jargon, advertising slogans and long, howling uppercase screams." Newsweek
| Author | : Tracey E. W. Laird |
| Publisher | : Oxford University Press |
| Total Pages | : 224 |
| Release | : 2004-12-09 |
| Genre | : Music |
| ISBN | : 019029051X |
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman. Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine." Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.
