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The Languages of World Literature

The Languages of World Literature
Author: Achim Hölter
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 685
Release: 2024-01-16
Genre:
ISBN: 3110641925

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The Languages of World Literature

The Languages of World Literature
Author: Achim Hermann Hölter
Publisher: de Gruyter
Total Pages: 0
Release: 2024
Genre: Literary Criticism
ISBN: 9783110574333

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This five-volume work presents the collected papers of the twenty-first congress of the International Comparative Literature Association (ICLA), which took place at the University of Vienna (Austria) from July 21st to July 27th 2016 and was dedicated to the general topic "The Many Languages of Comparative Literature". The contributions gathered in these volumes explore many of the countless ways in which language shapes not only ?national? literatures and ?world literature?, but also the discipline of comparative literature itself. As a whole, these proceedings highlight the opportunities and the challenges associated with the multilingualism of both the discipline and the objects of its study. Yet they also go beyond reflections on the scholarly language of comparative literature in order to investigate how language functions within diverse literary texts and their contexts. Contributors to this compilation are concerned, amongst other aspects, with the way the language used by different social and ethnic groups feeds into literary texts; with the vocabulary of theoretical and cultural discourses such as gender studies and ecocriticism; and with language in a metaphorical sense, as referring to certain codes, forms, or styles. Moving between the discussion of literature itself and the observation of how literature is being discussed, this collection testifies to the polyglot, diverse, and ever-evolving state of the discipline.


Recoding World Literature

Recoding World Literature
Author: B. Venkat Mani
Publisher: Fordham Univ Press
Total Pages: 360
Release: 2016-12-01
Genre: Social Science
ISBN: 0823273423

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Winner, 2018 Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures, Modern Language Association Winner, 2018 German Studies Association DAAD Book Prize in Germanistik and Cultural Studies. From the current vantage point of the transformation of books and libraries, B. Venkat Mani presents a historical account of world literature. By locating translation, publication, and circulation along routes of “bibliomigrancy”—the physical and virtual movement of books—Mani narrates how world literature is coded and recoded as literary works find new homes on faraway bookshelves. Mani argues that the proliferation of world literature in a society is the function of a nation’s relationship with print culture—a Faustian pact with books. Moving from early Orientalist collections, to the Nazi magazine Weltliteratur, to the European Digital Library, Mani reveals the political foundations for a history of world literature that is at once a philosophical ideal, a process of exchange, a mode of reading, and a system of classification. Shifting current scholarship’s focus from the academic to the general reader, from the university to the public sphere, Recoding World Literature argues that world literature is culturally determined, historically conditioned, and politically charged.


Major Versus Minor?

Major Versus Minor?
Author: Theo d' Haen
Publisher:
Total Pages: 0
Release: 2015
Genre: Communication in literature
ISBN: 9789027201287

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In this book, the possible banes and benefits of globalization are illuminated from many different viewpoints by scholars based in Africa, Asia, Europe, North America, and Oceania.


Universal Localities

Universal Localities
Author: Galin Tihanov
Publisher: Springer Nature
Total Pages: 254
Release: 2022-07-02
Genre: Literary Criticism
ISBN: 3662623323

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The volume features the work of leading scholars from the US, UK, Germany, China, Spain, and Russia and presents an important contribution to current debates on world literature. The contributions discuss various facets of the historically changing role and status of language in the construction of notions of universality and locality, of difference, foreignness, and openness; they explore the relationship between world literature and bilingualism, supranational languages, dialects, and linguistic inbetweenness. They also examine the larger social and political stakes behind both foundational and more recent attempts to articulate ideas of world literature. Mapping the space between philology, anthropology, and ecohumanities, the essays in this volume approach world literature with sophisticated methodological toolkits and open up new opportunities for engaging with this important discursive framework.


Multilingual Literature as World Literature

Multilingual Literature as World Literature
Author: Jane Hiddleston
Publisher: Bloomsbury Publishing USA
Total Pages: 328
Release: 2021-05-06
Genre: Literary Criticism
ISBN: 1501360116

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Multilingual Literature as World Literature examines and adjusts current theories and practices of world literature, particularly the conceptions of world, global and local, reflecting on the ways that multilingualism opens up the borders of language, nation and genre, and makes visible different modes of circulation across languages, nations, media and cultures. The contributors to Multilingual Literature as World Literature examine four major areas of critical research. First, by looking at how engaging with multilingualism as a mode of reading makes visible the multiple pathways of circulation, including as aesthetics or poetics emerging in the literary world when languages come into contact with each other. Second, by exploring how politics and ethics contribute to shaping multilingual texts at a particular time and place, with a focus on the local as a site for the interrogation of global concerns and a call for diversity. Third, by engaging with translation and untranslatability in order to consider the ways in which ideas and concepts elude capture in one language but must be read comparatively across multiple languages. And finally, by proposing a new vision for linguistic creativity beyond the binary structure of monolingualism versus multilingualism.


How to Read World Literature

How to Read World Literature
Author: David Damrosch
Publisher: John Wiley & Sons
Total Pages: 216
Release: 2017-07-10
Genre: Literary Criticism
ISBN: 1119009243

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The new edition of this highly popular guide, How to Read World Literature, addresses the unique challenges and joys faced when approaching the literature of other cultures and eras. Fully revised to address important developments in World Literature, and generously expanded with new material, this second edition covers a wide variety of genres – from lyric and epic poetry to drama and prose fiction – and discusses how each form has been used in different eras and cultures. An ideal introduction for those new to the study of World Literature, as well as beginners to ancient and foreign literature, this book offers a variety of "modes of entry" to reading these texts. The author, a leading authority in the field, draws on years of teaching experience to provide readers with ways of thinking creatively and systematically about key issues, such as reading across time and cultures, reading works in translation, emerging global perspectives, postcolonialism, orality and literacy, and more. Accessible and enlightening, offers readers the tools to navigate works as varied as Homer, Sophocles, Kalidasa, Du Fu, Dante, Murasaki, Moliere, Kafka, Wole Soyinka, and Derek Walcott Fully revised and expanded to reflect the changing face of the study of World Literature, especially in the English-speaking world Now includes more major authors featured in the undergraduate World Literature syllabus covered within a fuller critical context Features an entirely new chapter on the relationship between World Literature and postcolonial literature How to Read World Literature, Second Edition is an excellent text for undergraduate and postgraduate courses in World Literature. It is also a fascinating and informative read for all readers with an interest in foreign and ancient literature and the history of civilization.


Literary Translation

Literary Translation
Author: Ida Klitgård
Publisher: Museum Tusculanum Press
Total Pages: 158
Release: 2006
Genre: Language Arts & Disciplines
ISBN: 9788763504935

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This volume of 'Angles on the English-Speaking World' discusses the intriguing inter-relatedness between the concepts and phenomena of world literature and translation. The term 'worlding', presented by Ástráður Eysteinsson in this collection, is coined by Sarah Lawell in her book Reading World Literature (1994) where it denotes the reader's pleasurable 'reading' of the meeting of 'worlds' in a literary translation -- i.e. the meeting of the different cultural environments embodied in a translation from one language into another. Through such reading, the reader in fact participates in creating true 'world literature'. This is a somewhat unorthodox conception of world literature, conventionally defined as 'great literature' shelved in a majestic, canonical library. In the opening article sparking off the theme of this collection, Eysteinsson asks: "Which text does the concept of world literature refer to? It can hardly allude exclusively to the original, which the majority of the work's readers may never get to know. On the other hand, it hardly refers to the various translations as seen apart from the original. It seems to have a crucial bearing on the border between the two, and on the very idea that the work merits the move across this linguistic and cultural border, to reside in more than two languages". Picking up on this question at issue, all the essays in this collection throw light on the problematic mechanics of cultural encounters when 'reading the world' in literary translation, i.e. in the texts themselves as well as in the ways in which they have become institutionalised as 'world literature'.


Worldmaking

Worldmaking
Author: Tom Clark
Publisher: John Benjamins Publishing Company
Total Pages: 235
Release: 2017-01-19
Genre: Literary Criticism
ISBN: 9027266166

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In 1978, Nelson Goodman explored the relation of “worlds” to language and literature, formulating the term, “worldmaking” to suggest that many other worlds can as plausibly exist as the “world” we know right now. We cannot catch or know “the world” as such: all we can catch are the world versions - descriptions, views or workings of the world – that are expressed in symbolic systems (words, music, dancing, visual representations). Over the twenty-five years since then, creative works have played a crucial role in realigning, reshaping and renegotiating our understandings of how worlds can be made and preserved in the face of globalizing trends. The volume is divided into three sections, each engaging with worlds as malleable constructs. Central to all of the contributions is the question: how can we understand the relationships between natural, political, cultural, fictional, literary, linguistic and virtual worlds, and why does this matter?


World Literature as Discovery

World Literature as Discovery
Author: Zhang Longxi
Publisher: Taylor & Francis
Total Pages: 179
Release: 2023-09-15
Genre: Literary Criticism
ISBN: 1000933415

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The rise of world literature is the most noticeable phenomenon in literary studies in the twenty-first century. However, truly well-known and globally circulating works are all canonical works of European or Western literature, while non-European and even "minor" European literatures remain largely unknown beyond their culture of origin. World Literature as Discovery: Expanding the World Literary Canon argues that world literature for our time must go beyond Eurocentrism and expand the canon to include great works from non-European and "minor" European literatures. As much of the world’s literature remains untranslated and unknown, the expansion will be an exciting process of discovery. By discussing fundamental questions around canon, circulation, aesthetic values, translation, cosmopolitanism, and the literary universal, Zhang Longxi proposes a new and liberating concept of world literature that will shape world literature worthy of its name. This book speaks for a more inclusive idea of world literature and shows students and scholars alike that all the literary traditions, particularly non-European traditions, will be able to make important contributions and expand the canon of world literature.