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| Author | : Gianfranco Bettetini |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 212 |
| Release | : 2018-12-03 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110881527 |
No detailed description available for "The Language and Technique of the Film".
| Author | : Robert Edgar |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 217 |
| Release | : 2015-08-27 |
| Genre | : Art |
| ISBN | : 1472575253 |
An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen. Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image. With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.
| Author | : Daniel Arijon |
| Publisher | : |
| Total Pages | : 650 |
| Release | : 1991 |
| Genre | : Performing Arts |
| ISBN | : |
A unique guide to the visual narrative techniques that form the "language" of filmmaking. This language is basic to the very positioning and moving of players and cameras, as well as the sequencing and pacing of images. It does not date as new technologies alter the means of capturing images on film and tape. The guidelines offered here will inform almost every choice that the director, the cinematographer, and the editor will make. Through lucid text and more than 1,500 illustrations, Arijon presents visual narrative formulas that will enlighten anyone involved in the motion picture and television industry (including producers, writers, and animators).--From publisher description.
| Author | : James Monaco |
| Publisher | : New York : Oxford University Press |
| Total Pages | : 568 |
| Release | : 1981 |
| Genre | : Performing Arts |
| ISBN | : |
Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.
| Author | : Gautam Kundu |
| Publisher | : McFarland |
| Total Pages | : 205 |
| Release | : 2007-10-08 |
| Genre | : Literary Criticism |
| ISBN | : 0786431342 |
This work explores the many ways in which the developing film industry of the early twentieth century influenced the writings of F. Scott Fitzgerald, focusing specifically on his novels This Side of Paradise, The Great Gatsby, Tender Is the Night, and the incomplete The Last Tycoon. The Beautiful and the Damned is also discussed briefly. Early chapters examine Fitzgerald's literary adaptation of visual film techniques (pans, freeze frames, slow motion) and aural cinematic concepts (sound effects, diegetic sound) within his most popular novels. The final chapter summarizes the effect such techniques had in augmenting and defining Fitzgerald's unique literary style.
| Author | : Andrew Klevan |
| Publisher | : Taylor & Francis |
| Total Pages | : 209 |
| Release | : 2011-04-26 |
| Genre | : History |
| ISBN | : 1136728295 |
The Language and Style of Film Criticism brings together original essays from an international range of academics and film critics highlighting the achievements, complexities and potential of film criticism. In recent years, in contrast to the theoretical, historical and cultural study of film, film criticism has been relatively marginalised, especially within the academy. This book highlights the distinctiveness of film criticism and addresses ways in which it can take a more central place within the academy and develop in dynamic ways outside it. The Language and Style of Film Criticism is essential reading for academics, teachers, students and journalists who wish to understand and appreciate the language and style of film criticism.
| Author | : Jean-Claude Carrière |
| Publisher | : Pantheon |
| Total Pages | : 248 |
| Release | : 1994 |
| Genre | : Performing Arts |
| ISBN | : |
Carriere, whose screenwriting credits include The Tin Drum, The Unbearable Lightness of Being, and Cyrano de Bergerac, explores the vocabulary of the visual language of film. Filled with anecdote and insight, this book provides readers with an illuminating new way to see and enjoy the movies.
| Author | : Mark de Valk |
| Publisher | : Routledge |
| Total Pages | : 378 |
| Release | : 2013-05-02 |
| Genre | : Performing Arts |
| ISBN | : 1136508511 |
The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today’s ‘digital film’ productions. It reflects on how critical analysis’ of film underpins practice and story, and how developing an autonomous ‘vision’ will best aid student creativity. The Film Handbook offers practical guidance on a range of traditional and independent ‘guerrilla’ film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms. The Film Handbook relates theory to the filmmaking process and includes: • documentary, narrative and experimental forms, including deliberations on ‘reading the screen’, genre, mise-en-scène, montage, and sound design • new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music • the short film form, theories of transgressive and independent ‘guerrilla’ filmmaking, the avant-garde and experimental as a means of creative expression • preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work.
| Author | : Michael Ondaatje |
| Publisher | : A&C Black |
| Total Pages | : 552 |
| Release | : 2012-12-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1408840839 |
During the filming of his celebrated novel THE ENGLISH PATIENT, Michael Ondaatje became increasingly fascinated as he watched the veteran editor Walter Murch at work. THE CONVERSATIONS, which grew out of discussions between the two men, is about the craft of filmmaking and deals with every aspect of film, from the first stage of script writing to the final stage of the sound mix. Walter Murch emerged during the 1960s at the centre of a renaissance of American filmmakers which included the directors Francis Coppola, George Lucas and Fred Zinneman. He worked on a whole raft of great films including the three GODFATHER films, JULIA, AMERICAN GRAFFITI, APOCALYPSE NOW, THE UNBEARABLE LIGHTNESS OF BEING and many others. Articulate, intellectual, humorous and passionate about his craft and its devices, Murch brings his vast experience and penetrating insights to bear as he explains how films are made, how they work, how they go wrong and how they can be saved. His experience on APOCALYPSE NOW - both originally and more recently when the film was completely re-cut - and his work with Anthony Minghella on THE ENGLISH PATIENT provide illuminating highlights.
| Author | : John Reich |
| Publisher | : Open SUNY Textbooks |
| Total Pages | : |
| Release | : 2017-07-10 |
| Genre | : |
| ISBN | : 9781942341475 |
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.
