The Langkasuka Cookbook
| Author | : Roslisham Ismail |
| Publisher | : |
| Total Pages | : |
| Release | : 2012 |
| Genre | : Cooking, Malaysian |
| ISBN | : 9781921503504 |
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The Langkasuka Cookbook PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Langkasuka Cookbook PDF full book. Access full book title The Langkasuka Cookbook.
Curating Art
| Author | : Janet Marstine |
| Publisher | : Routledge |
| Total Pages | : 585 |
| Release | : 2021-12-30 |
| Genre | : Social Science |
| ISBN | : 1317416651 |
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Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains.
Contemporary Asian Art and Exhibitions
| Author | : Caroline Turner |
| Publisher | : ANU Press |
| Total Pages | : 278 |
| Release | : 2014-10-03 |
| Genre | : Art |
| ISBN | : 1925022005 |
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“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.
A Sociolinguistic History of Early Identities in Singapore
| Author | : Phyllis Ghim-Lian Chew |
| Publisher | : Springer |
| Total Pages | : 421 |
| Release | : 2012-11-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 113701234X |
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What role does race, geography, religion, orthography and nationalism play in the crafting of identities? What are the origins of Singlish? This book offers a thorough investigation of old and new identities in Asia's most global city, examined through the lens of language.
Malaysia, Singapore & Brunei
| Author | : Chris Rowthorn |
| Publisher | : |
| Total Pages | : 720 |
| Release | : 2001 |
| Genre | : Brunei |
| ISBN | : |
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At the crossroads of Asia, Malaysia, Singapore and Brunei offer a travel experience unlike any other. Go fast, go slow, hit the streets or get off the beaten track - this insiders' guide shows you how. * more than 80 maps, including full-colour regional map * insights to light your way in deepest, darkest Borneo * climb high, dive deep, shop till you drop and eat till you pop * trains, planes and automobiles, buses, bicycles, boots and boats - we'll get you there and around * user-friendly Malay language chapter
A History of Pahang
| Author | : William Linehan |
| Publisher | : |
| Total Pages | : 217 |
| Release | : 2020 |
| Genre | : Pahang (Malaysia) |
| ISBN | : 9789672438083 |
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Modernism and the Art of Muslim South Asia
| Author | : Iftikhar Dadi |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 356 |
| Release | : 2010-05-15 |
| Genre | : Art |
| ISBN | : 0807895962 |
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This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
The Birth of Chinese Feminism
| Author | : Lydia He Liu |
| Publisher | : Columbia University Press |
| Total Pages | : 326 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 023116291X |
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The book repositions He-Yin Zhen as central to the development of feminism in China, juxtaposing her writing with fresh translations of works by two of her better-known male interlocutors. The editors begin with a detailed portrait of He-Yin Zhen's life and an analysis of her thought in comparative terms. They then present annotated translations of six of her major essays, as well as two foundational tracts by her male contemporaries, Jin Tianhe (1873-1947) and Liang Qichao (1873-1929), to which He-Yin's work responds and with which it engages. Jin Tianhe, a poet and educator, and Liang Qichao, a philosopher and journalist, understood feminism as a paternalistic cause that "enlightened" male intellectuals like themselves should defend. Zhen counters with an alternative conception of feminism that draws upon anarchism and other radical trends in thought.
Ei Arakawa
| Author | : Verlag der Buchhandlung Walther König Köln |
| Publisher | : Verlag Der Buchhandlung Walther Konig |
| Total Pages | : 416 |
| Release | : 2021-07-30 |
| Genre | : |
| ISBN | : 9783960987697 |
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Erika Lindstrom, Eva Birkenstock, John Kelsey, Jutta Koether, Reiko Tomii, Sarah Chow
Return Engagements
| Author | : Viet Lê |
| Publisher | : Duke University Press |
| Total Pages | : 244 |
| Release | : 2021-04-12 |
| Genre | : Art |
| ISBN | : 1478012935 |
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In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art.
