The Lack of Interest in Maria Eichhorn's Work
Author | : Elizabeth Allison Ferrell |
Publisher | : |
Total Pages | : 74 |
Release | : 2006 |
Genre | : |
ISBN | : |
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Author | : Elizabeth Allison Ferrell |
Publisher | : |
Total Pages | : 74 |
Release | : 2006 |
Genre | : |
ISBN | : |
Author | : Gail Feigenbaum |
Publisher | : Getty Publications |
Total Pages | : 234 |
Release | : 2012 |
Genre | : Art |
ISBN | : 1606061224 |
"This volume of essays offers new arguments regarding the significance of the social biography of art and the transformative power of ownership. It realigns the traditional art-historical paradigm that focuses on the moment of an object's origin and instead considers the longue durée of ownership. Whereas the term provenance may call to mind little more than a list of owners or the legal questions raised by competing entitlement claims, the essays in this book demonstrate that a nuanced approach recuperates important, even dramatic, aspects of the history of art. The authors present a broad perspective on provenance, investigating examples from Europe, Asia, Africa, and the Americas, and from ancient archaeology to conceptual art. They explore how stories of ownership are attached to objects, analyze important distinctions between provenance and provenience, and show how provenance can be monetized, politicized, suppressed, or otherwise instrumentalized."--Page 4 of cover.
Author | : Maria Eichhorn |
Publisher | : Walther Konig Verlag |
Total Pages | : 316 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
The exhibition and this accompanying text "is little more than a literal presentation of a series of standard documents that have to be drawn up and signed when establishing a public limited company."
Author | : Alexander Alberro |
Publisher | : MIT Press |
Total Pages | : 248 |
Release | : 2006-10-27 |
Genre | : Art |
ISBN | : |
Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s. Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art. Distributed for the Generali Foundation, Vienna.
Author | : Helen Carr |
Publisher | : Bloomsbury Publishing |
Total Pages | : 355 |
Release | : 2018-05-17 |
Genre | : Law |
ISBN | : 1509914579 |
This book explores the emergent and internationally widespread phenomenon of precariousness, specifically in relation to the home. It maps the complex reality of the insecure home by examining the many ways in which precariousness is manifested in legal and social change across a number of otherwise very different jurisdictions. By applying innovative work done by socio-legal scholars in other fields such as labour law and welfare law to the home, Law and the Precarious Home offers a broader theoretical understanding of contemporary 'precarisation' of law and society. It will enable reflections upon differential experience of home dependent upon class, race and gender from a range of local, national and cross-national perspectives. Finally it will explore the pluralisation of ideas of home in subjective experience, social reality and legal form. The answers offered in this book reflect the expertise and standing of the assembled authors who are international leaders in their field, with decades of first-hand practical and intellectual engagement with the area.
Author | : |
Publisher | : |
Total Pages | : 468 |
Release | : 2002 |
Genre | : Art, Modern |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 726 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
Author | : Mathieu Copeland |
Publisher | : Jrp Ringier |
Total Pages | : 534 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
Edited by Matthieu Copeland, Clive Phillpot, John Armleder, Mai-Thu Perret.
Author | : Gianmaria Ajani |
Publisher | : BRILL |
Total Pages | : 90 |
Release | : 2020-09-25 |
Genre | : Art |
ISBN | : 9004442685 |
AI as an “autonomous author” urges the law to rethink authorship. Policy makers should consider a reformative conception of AI in copyright law looking at innovative theories in robot law, where new frames for a legal personhood of artificial agents are proposed.
Author | : Leontine Coelewij |
Publisher | : Koenig Books |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Art publishing |
ISBN | : 9783863358242 |
"Surveys the life and work of the man widely known as 'the godfather of conceptual art.' Accompanying the eponymous exhibition at the Stedelijk Museum Amsterdam, it is the first comprehensive attempt to chart Siegelaub's activities as a curator, publisher, bibliographer, and collector across different realms, from conceptual art and mass media to politics and textiles"--Back cover.