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The Kantian Sublime and the Revelation of Freedom

The Kantian Sublime and the Revelation of Freedom
Author: Robert R. Clewis
Publisher: Cambridge University Press
Total Pages: 273
Release: 2009-04-09
Genre: Philosophy
ISBN: 0521516684

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This book shows how certain crucial concepts in Kant's aesthetics and practical philosophy fit together and deepen our understanding of his thought.


The Theory of the Sublime from Longinus to Kant

The Theory of the Sublime from Longinus to Kant
Author: Robert Doran
Publisher: Cambridge University Press
Total Pages: 329
Release: 2015-07-16
Genre: Art
ISBN: 1107101530

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The first in-depth treatment of the major theories of the sublime from Longinus to Kant.


Francesca Woodman and the Kantian Sublime

Francesca Woodman and the Kantian Sublime
Author: Claire Raymond
Publisher: Routledge
Total Pages: 224
Release: 2017-07-05
Genre: Art
ISBN: 1351566679

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In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.


The Kantian Sublime

The Kantian Sublime
Author: Paul Crowther
Publisher: Oxford University Press
Total Pages: 188
Release: 1989
Genre: Philosophy
ISBN: 0198239319

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In recent years Kant's aesthetic theory has been the subject of a widespread revival of interest amongst English-speaking philosophers. This revival, however, has not so far encompassed Kant's aesthetic of the sublime. This neglect is unfortunate because, amongst Continental philosophers, the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Paul Crowther thus breaks new ground by providing what is probably the first monograph in any language to be devoted exclusively to Kant's theory of the sublime.


The Sublime in Modern Philosophy

The Sublime in Modern Philosophy
Author: Emily Brady
Publisher: Cambridge University Press
Total Pages: 241
Release: 2013-08-12
Genre: Philosophy
ISBN: 1107276268

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In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.


Observations on the Feeling of the Beautiful and Sublime

Observations on the Feeling of the Beautiful and Sublime
Author: Kant/Goldthwait
Publisher:
Total Pages: 0
Release: 2004
Genre: PHILOSOPHY
ISBN: 9780520352803

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When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.


The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)

The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)
Author: Immanuel Kant
Publisher: Good Press
Total Pages: 318
Release: 2024-01-09
Genre: Philosophy
ISBN:

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The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.


Cosmological Aesthetics through the Kantian Sublime and Nietzschean Dionysian

Cosmological Aesthetics through the Kantian Sublime and Nietzschean Dionysian
Author: Erman Kaplama
Publisher: Rowman & Littlefield
Total Pages: 222
Release: 2013-12-12
Genre: Philosophy
ISBN: 0761862595

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Erman Kaplama explores the principle of transition (Übergang) from metaphysics to physics developed by Kant in his unfinished magnum opus, Opus Postumum. Drawing on the Heraclitean logos and Kant’s notions of sense-intuition (Anschauung) and reflective judgment, Kaplama interprets transition as an aesthetic principle. He revises the idea of nature (phusis) as the principle of motion referring to Heraclitus’ cosmology as well as Heidegger’s and Nietzsche’s lectures on the pre-Socratics. Kaplama compares the Kantian sublime and Nietzschean Dionysian as aesthetic theories representing the transition from the sensible to supersensible and as cosmological theories that consider human nature (ethos) as an extension of nature. In light of such Nietzschean notions as the eternal recurrence and will to power, the Dionysian is shown to trigger the transition by which nature and art are redefined. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh’s Starry Night in an excursus.


Coleridge and the Concept of Nature

Coleridge and the Concept of Nature
Author: Raimonda Modiano
Publisher: Springer
Total Pages: 283
Release: 1985-08-12
Genre: Literary Criticism
ISBN: 1349071358

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The Sublime

The Sublime
Author: Timothy M. Costelloe
Publisher: Cambridge University Press
Total Pages: 319
Release: 2012-07-30
Genre: History
ISBN: 0521143675

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This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.