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| Author | : Music Academy (Chennai, India) |
| Publisher | : |
| Total Pages | : 246 |
| Release | : 2001 |
| Genre | : Music |
| ISBN | : |
Vols. 2- include the Proceedings of the Madras Music Conference, 1930-
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2014 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 698 |
| Release | : 1961 |
| Genre | : Music |
| ISBN | : |
Vols. 2- include the Proceedings of the Madras Music Conference, 1930-
| Author | : E.D Kunst |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 362 |
| Release | : 2012-12-06 |
| Genre | : Music |
| ISBN | : 9401020469 |
This booklet hardly needs a preface; the contents, I think. speak for themselves.It contains a short and carefully brought up to date resume of all that I. as a private University Lecturer in Amsterdam. have tried to teach my pupils. It is intended as a general introduction to ethnomusicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for selftuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J.K. PREFACE TO THE SECOND EDITION My request for critical remarks and desiderata has not been ignored. My sincere thanks to all who took the trouble to let me know what they missed in my booklet. Through their collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam. under the title 'Musicologica'. I have taken care to add many particulars from non-European sources. with the result that now the book is no longer so Europe-centric as it was. Furthermore, I have done my best to mention in a special bibliography all the more important ethnomusicological publications, with the exception of those issued in the Russian, Arabic. Chinese, Indonesian, Javanese.
| Author | : Jaap Kunst |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 313 |
| Release | : 2012-12-06 |
| Genre | : Music |
| ISBN | : 9401190682 |
This booklet hardly needs a preface; the contents, I think, speak for themselves. It contains a short and carefully brought up to date resume of all that I, as a private University Lecturer in Amsterdam, have tried to teach my pupils. It is intended as a general introduction to ethnomusicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for self tuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J. K. PREFACE TO THE SECOND EDITION My request for critical remarks and desiderata has not been ignored. My sincere thanks to all who took the trouble to let me know what they missed in my booklet. Through their collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam, under the title 'Musicologica'. I have taken care to add many particulars from non-European sources, with the result that now the book is no longer so Europe-centric as it was.
| Author | : Katz |
| Publisher | : BRILL |
| Total Pages | : 236 |
| Release | : 2023-07-31 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9004646086 |
These articles concern the role of the Sanskrit tradition in the performing arts in India. They consider the relations between theory and practice in music and dance with particular reference to the Sanskrit textual tradition of musicology.
| Author | : Bigamudre Chaitanya Deva |
| Publisher | : Taylor & Francis |
| Total Pages | : 200 |
| Release | : 1995 |
| Genre | : Music |
| ISBN | : 9788122407303 |
This Book Introduces To Lay Readers The Basic Concepts Of Indian Music To Aid A Fuller Appreciation. Raga. Its Melodic Base, Is Examined First, With Scales And Figures Employed Where Necessary. Chapters On Tone And Rhythm Follow.The Many Forms Of Composition - Kheval, Thumri, Kriti - Are Explained Historically, And The Lives Of The Masters Briefly Touched Upon. Also Discussed Is The Folk Base Of Classical Music - Particularly The Devotional Forms That Abound. Folk And Concert Instruments Of A Wide Range Are Described, And Their Canons Of Classification Expounded.The Author Has Covered Hindustani And Karnatak Music; The Parallel Treatment Not Only Makes For Comprehensiveness, But Brings Out Common Features To The Benefit Of Those Familiar With Either System. The Approach Being Historical, The Study Of Evolving Codes And Canons Leads Naturally To A Consideration Of Music In The Modern Milieu.Illustrated With Over 80 Drawings, The Book Is Intended To Serve As A Primer For Those At Home And Abroad Who Seek The Enrichment India'S Ancient Music Offers.
| Author | : Jaap Kunst |
| Publisher | : Springer |
| Total Pages | : 157 |
| Release | : 2012-12-06 |
| Genre | : Music |
| ISBN | : 9401506310 |
This booklet hardly needs a preface; the contents, I think, speak for themselves. It contains a short and carefully brought up to date resume of all that I, as a private University Lecturer in Amsterdam, have tried to teach my pupils. It is intended as a general introduction to ethno-musicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for self tuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J.K. PREFACE TO THE SECOND EDITION My request for critical remarks and desiderata has not been ignored. My sincere thanks to all who took the trouble to let me know what they missed in my booklet. Through their collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam, under the title 'Musicologica'. I have taken care to add many particulars from non-European sources, with the result that now the book is no longer so Europe-centric as it was.
| Author | : Fabian Bakels |
| Publisher | : Logos Verlag Berlin GmbH |
| Total Pages | : 230 |
| Release | : 2023-03-06 |
| Genre | : Music |
| ISBN | : 3832556281 |
What are the implications of establishing a university department for ethnomusicology ``in the field''? How does this affect not only the local music culture but also the development of ethnomusicology? What are the advantages/disadvantages of an ethnomusicology curriculum giving as much importance to practical training in music as to theory classes? At Kathmandu University's Department of Music in Bhaktapur, ethnomusicologists and professional musicians together support the sustainability of traditional music in Nepal by developing approaches that explore the space between ``keeping it as it is'' (conservation) and ``letting it disappear'' (non-interference). This book examines these efforts through an analysis of ethnomusicological research and teaching and the work of professional musicians involved in the development of new forms of popular music. It offers unique insights into a decades-spanning project of applied ethnomusicology, while also contributing to the discourse about musical sustainability and the localisation and practical application of ethnomusicology in South Asia and beyond.
| Author | : Helen Myers |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 578 |
| Release | : 1993 |
| Genre | : Alm |
| ISBN | : 9780393033786 |
Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.
