The Journal Of A London Playgoer From 1851 1866 PDF Download

Excerpt from The Journal of a London Playgoer From 1851 to 1866 The writer who first taught Englishmen to look for principles worth study in the common use of speech, expecting censure for choice of a topic without dignity, excused himself with this tale out of Aristotle. When Heraclitus lived, a famous Greek, there were some persons, led by curiosity to see him, who found him warming himself in his kitchen, and paused at the threshold because of the meanness of the place. But the philosopher said to them, "Enter boldly, for here too there are Gods." "The Gods" in the play-house are, indeed, those who receive outside its walls least honour among men, and they have a present right to be its Gods, I fear, not only because they are throned aloft, but also because theirs is the mind that regulates the action of the mimic world below. They rule, and why? Is not the educated man himself to blame when he turns with a shrug from the too often humiliating list of an evening's performances at all the theatres, to say lightly that the stage is ruined, and thereupon make merit of withdrawing all attention from the players? The better the stage the better the town. If the stage were what it ought to be, and what good actors heartily desire to make it, it would teach the public to appreciate what is most worthy also in the sister arts, while its own influence would be very strong for good. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.