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Euripides - The Iphigenia in Taurus

Euripides - The Iphigenia in Taurus
Author: Euripides
Publisher: Scribe Publishing
Total Pages: 98
Release: 2017-03-14
Genre:
ISBN: 9781787371576

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Euripides is rightly lauded as one of the great dramatists of all time. In his lifetime, he wrote over 90 plays and although only 18 have survived they reveal the scope and reach of his genius. Euripides is identified with many theatrical innovations that have influenced drama all the way down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. As would be expected from a life lived 2,500 years ago, details of it are few and far between. Accounts of his life, written down the ages, do exist but whether much is reliable or surmised is open to debate. Most accounts agree that he was born on Salamis Island around 480 BC, to mother Cleito and father Mnesarchus, a retailer who lived in a village near Athens. Upon the receipt of an oracle saying that his son was fated to win "crowns of victory," Mnesarchus insisted that the boy should train for a career in athletics. However, what is clear is that athletics was not to be the way to win crowns of victory. Euripides had been lucky enough to have been born in the era as the other two masters of Greek Tragedy; Sophocles and schylus. It was in their footsteps that he was destined to follow. His first play was performed some thirteen years after the first of Socrates plays and a mere three years after schylus had written his classic The Oristria. Theatre was becoming a very important part of the Greek culture. The Dionysia, held annually, was the most important festival of theatre and second only to the fore-runner of the Olympic games, the Panathenia, held every four years, in appeal. Euripides first competed in the City Dionysia, in 455 BC, one year after the death of schylus, and, incredibly, it was not until 441 BC that he won first prize. His final competition in Athens was in 408 BC. The Bacchae and Iphigenia in Aulis were performed after his death in 405 BC and first prize was awarded posthumously. Altogether his plays won first prize only five times. Euripides was also a great lyric poet. In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise." His lyric skills however are not just confined to individual poems: "A play of Euripides is a musical whole....one song echoes motifs from the preceding song, while introducing new ones." Much of his life and his whole career coincided with the struggle between Athens and Sparta for hegemony in Greece but he didn't live to see the final defeat of his city. Euripides fell out of favour with his fellow Athenian citizens and retired to the court of Archelaus, king of Macedon, who treated him with consideration and affection. At his death, in around 406BC, he was mourned by the king, who, refusing the request of the Athenians that his remains be carried back to the Greek city, buried him with much splendor within his own dominions. His tomb was placed at the confluence of two streams, near Arethusa in Macedonia, and a cenotaph was built to his memory on the road from Athens towards the Piraeus.


A Commentary on Euripides' Iphigenia in Tauris

A Commentary on Euripides' Iphigenia in Tauris
Author: Poulheria Kyriakou
Publisher: Walter de Gruyter
Total Pages: 517
Release: 2012-02-14
Genre: Drama
ISBN: 3110926601

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This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play’s treatment of myth, its intricate structure, presentation of character, and place in Euripides’ work. In particular it offers fresh insights into the play’s relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters’ present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides’ career.


Iphigenia in Tauris

Iphigenia in Tauris
Author: Euripides
Publisher:
Total Pages: 128
Release: 1915
Genre: American literature
ISBN:

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Proof, corrected, and inscribed "To Gladys, Fellow Olympian, from Hal, 1957." Witter Bynner's translation into English of Euripides's Iphigenia in Taurica.


Iphigenia in Tauris

Iphigenia in Tauris
Author: Euripides
Publisher: Bolchazy-Carducci Publishers
Total Pages: 220
Release: 1984
Genre: Drama
ISBN: 9780865160606

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Iphigenia in Tauris

Iphigenia in Tauris
Author: Euripides
Publisher:
Total Pages: 104
Release: 1915
Genre: Iphigenia in Tauris (Choreographic work : Duncan, Isadora)
ISBN:

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Euripides' Iphigenia Among the Taurians

Euripides' Iphigenia Among the Taurians
Author: Isaac Flagg
Publisher: Literary Licensing, LLC
Total Pages: 202
Release: 2014-03
Genre:
ISBN: 9781497980969

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This Is A New Release Of The Original 1891 Edition.