The Ink Dark Moon
Author | : |
Publisher | : Macmillan Reference USA |
Total Pages | : 136 |
Release | : 1988 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : |
Publisher | : Macmillan Reference USA |
Total Pages | : 136 |
Release | : 1988 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Ono no Komachi |
Publisher | : Vintage |
Total Pages | : 241 |
Release | : 2015-01-21 |
Genre | : Poetry |
ISBN | : 0804153590 |
These translated poems were written by two women of the Heian court of Japan between the ninth and eleventh centuries A.D. The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.
Author | : Zoë Marriott |
Publisher | : Candlewick Press |
Total Pages | : 465 |
Release | : 2012 |
Genre | : Juvenile Fiction |
ISBN | : 0763653446 |
Trained in the magical art of shadow-weaving, sixteen-year-old Suzume, who is able to re-create herself in any form, is destined to use her skills to steal the heart of a prince in a revenge pot.
Author | : Michael Theune |
Publisher | : Teachers & Writers Collaborative |
Total Pages | : 268 |
Release | : 2007 |
Genre | : Education |
ISBN | : |
Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.
Author | : Jane Hirshfield |
Publisher | : Bloodaxe Books |
Total Pages | : 68 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : |
In her three lectures, Hirshfield examines the roles of hiddenness, uncertainty and surprise as they appear in poetry and other works of literature, in the life and psyche of the writer, and in the broader life of the culture as a whole.
Author | : Ono no Komachi |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 1990-10-03 |
Genre | : Poetry |
ISBN | : 0679729585 |
These translated poems were written by two women of the Heian court of Japan between the ninth and eleventh centuries A.D. The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.
Author | : Jane Hirshfield |
Publisher | : Harper Collins |
Total Pages | : 186 |
Release | : 2010-05-04 |
Genre | : Poetry |
ISBN | : 0062008595 |
“Jane Hirshfield is one of our finest, most memorable contemporary poets.” —David Baker, The American Poet "Hirshfield's poems . . . send ripples across the reflecting pool of our collective consciousness.” — Booklist (starred review) A profound, generous, and masterful sixth collection by one of the preeminent American poets of her generation, After explores incarnation, transience, and our intimate connection with others and with all existence. Jane Hirshfield’s alert, incisive, and compassionate poems examine the human condition through subjects ranging from sparseness, possibility, judgment, and hidden grief to global warming, insomnia, the meanings to be found in generally overlooked parts of speech, and the metaphysics of sneezing. In respective series of “assays” (meditative imaginative accountings) and “pebbles” (each a “brief, easily pocketable perception that remains incomplete until the reader’s own response awakens inside it”), Hirshfield explores a poetry-making that looks simultaneously outward and inward, finding resonant and precise containers for the deepest currents of our inner life.
Author | : Jane Hirshfield |
Publisher | : Harper Perennial |
Total Pages | : 140 |
Release | : 1997 |
Genre | : Poetry |
ISBN | : |
Jane Hirshfield, the award-winning author of THE OCTOBER PALACE and editor of WOMEN IN PRAISE OF THE SACRED, presents a scintillating new volume of poems to be published to coincide with the hardcover release of NINE GATES, the author's primer on the reading and writing of poetry.
Author | : Faith Hunter |
Publisher | : Penguin |
Total Pages | : 400 |
Release | : 2019-02-26 |
Genre | : Fiction |
ISBN | : 0399587950 |
THE NEW YORK TIMES BESTSELLER Set in the same world as Faith Hunter's bestselling Jane Yellowrock novels, the fourth Soulwood novel stars Nell Ingram, who channels her power from the earth. Nell can draw magic from the land around her, and lately she's been using it to help the Psy-Law Enforcement Division, which solves paranormal crimes. Joining the team at PsyLED has allowed her to learn more about her powers and the world she always shunned--and to find true friends. Head agent Rick LaFleur shifts into a panther when the moon calls him, but this time, something has gone wrong. Rick calls Nell from a riverbank--he's naked, with no memory of how he came to be there, and there's a dead black cat, sacrificed in a witch circle and killed by black magic, lying next to him. Then more animals turn up dead, and team rushes to investigate. A blood-witch is out to kill. But when it seems as if their leader is involved in the crime, the bonds that hold the team together could shatter at any moment.
Author | : Natalie Diaz |
Publisher | : Graywolf Press |
Total Pages | : 116 |
Release | : 2020-03-03 |
Genre | : Poetry |
ISBN | : 1644451131 |
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.