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More Than Real

More Than Real
Author: David Shulman
Publisher: Harvard University Press
Total Pages: 349
Release: 2012-04-09
Genre: History
ISBN: 0674059913

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From the late fifteenth to the eighteenth centuries, the imagination came to be recognized in South Indian culture as the defining feature of human beings. Shulman elucidates the distinctiveness of South Indian theories of the imagination and shows how they differ radically from Western notions of reality and models of the mind.


Going Native

Going Native
Author: Shari M. Huhndorf
Publisher: Cornell University Press
Total Pages: 237
Release: 2015-01-26
Genre: Social Science
ISBN: 0801454433

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Since the 1800's, many European Americans have relied on Native Americans as models for their own national, racial, and gender identities. Displays of this impulse include world's fairs, fraternal organizations, and films such as Dances with Wolves. Shari M. Huhndorf uses cultural artifacts such as these to examine the phenomenon of "going native," showing its complex relations to social crises in the broader American society—including those posed by the rise of industrial capitalism, the completion of the military conquest of Native America, and feminist and civil rights activism. Huhndorf looks at several modern cultural manifestations of the desire of European Americans to emulate Native Americans. Some are quite pervasive, as is clear from the continuing, if controversial, existence of fraternal organizations for young and old which rely upon "Indian" costumes and rituals. Another fascinating example is the process by which Arctic travelers "went Eskimo," as Huhndorf describes in her readings of Robert Flaherty's travel narrative, My Eskimo Friends, and his documentary film, Nanook of the North. Huhndorf asserts that European Americans' appropriation of Native identities is not a thing of the past, and she takes a skeptical look at the "tribes" beloved of New Age devotees. Going Native shows how even seemingly harmless images of Native Americans can articulate and reinforce a range of power relations including slavery, patriarchy, and the continued oppression of Native Americans. Huhndorf reconsiders the cultural importance and political implications of the history of the impersonation of Indian identity in light of continuing debates over race, gender, and colonialism in American culture.


India in the Chinese Imagination

India in the Chinese Imagination
Author: John Kieschnick
Publisher: University of Pennsylvania Press
Total Pages: 320
Release: 2014-01-23
Genre: History
ISBN: 0812245601

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In this collection of original essays, leading Asian studies scholars take a new look at the way the Chinese conceived of India in their literature, art, and religious thought in the premodern era.


The French Colonial Imagination

The French Colonial Imagination
Author: Nicola Frith
Publisher: Lexington Books
Total Pages: 228
Release: 2014-04-24
Genre: Literary Criticism
ISBN: 0739180010

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The Indian uprisings (1857–58) against British rule in India represent an iconic period within the history of anti-colonial resistance. Numerous works have considered these historical events from British and Indian perspectives, but none have yet questioned how they were viewed by Britain’s foremost colonial rival in India, the French. The French Colonial Imagination examines how the potential for Britain to lose its most lucrative colony at the hands its own colonial “subjects” allowed French writers to envisage a world freed from British dominance. The uprisings offered the attractive possibility that France could undergo a colonial revival in the wake of British defeat, thereby reversing the devastating losses inflicted upon France’s former empire at the end of the Napoleonic Wars. Notable among these losses was Britain’s decision (in the Treaty of 1814) to permanently reduce France’s presence in India to five small trading posts scattered around the periphery of British territory. The extent to which to the French colonial imagination of the nineteenth century was shaped by the memories of such defeats forms a primary concern of this monograph. This investigation into French responses to the Indian uprisings reveals that French colonial discourse was determined as much by its visions of the colonized “other,” as by the dominance of their British rivals. Drawing from journalistic, historical, political, and fictional texts written during Louis Napoleon’s Second Empire (1852–70) and in the early years of the Third Republic (1870–1944), The French Colonial Imagination shows how the uprisings gave French writers the opportunity to speak out against the rapacity of British colonialism and its treatment of colonized Indians, while simultaneously constructing a competing colonial discourse that would justify further expansion in North Africa and South East Asia. Standing at a crossroads between the “loss” of Ancien Régime’s empireand the Third Republic’s ideological investment in overseas expansion, this understudied period of colonial history reveals the centrality of loss, fracture, and political emasculation as core preoccupations haunting the French colonial discourse in its quest to regain cultural and ideological ascendancy over its greatest political enemy.


The Cinematic ImagiNation [sic]

The Cinematic ImagiNation [sic]
Author: Jyotika Virdi
Publisher: Rutgers University Press
Total Pages: 284
Release: 2003
Genre: Performing Arts
ISBN: 9780813531915

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Pivoting on the nation as a central preoccupation in Hindi films, Virdi (communication and film and media studies, U. of Windsor, Canada) contends that Hindi cinema appropriates familiar Hollywood cinematic strategies for its own distinctive aesthetics and poetics. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).


The Indian Imagination

The Indian Imagination
Author: NA NA
Publisher: Springer
Total Pages: 278
Release: 2016-04-30
Genre: Literary Criticism
ISBN: 1349618233

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The Indian Imagination focuses on literary developments in English both in the colonial and postcolonial periods of Indian history. Six divergent writers - Aurobindo Ghose (Sri Aurobindo), Mulk Raj Anand, Balachandra Rajan, Nissim Ezekiel, Anita Desai, and Arun Joshi - represent a consciousness that has emerged from the confrontation between tradition and modernity. The colonial fantasy of British India was finally dissolved in the first half of this century, only to be succeeded by another fantasy, that of the reinstituted sovereign nation-state. This study argues that the two phases of history - like the two phases of Indian writing in English - together represent the sociohistorical process of colonization and decolonization and the affirmation of identity.


The Indian ImagiNation

The Indian ImagiNation
Author: Indian Association for Commonwealth Literature and Language Studies. Conference
Publisher:
Total Pages: 304
Release: 2007
Genre: India
ISBN:

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Contributed papers presented at the conference organized by the Indian Association for Commonwealth Literature and Language Studies held at Visva-Bharati, Santinketan in Feb. 3-5, 2006.


The Cambridge Handbook of the Imagination

The Cambridge Handbook of the Imagination
Author: Anna Abraham
Publisher: Cambridge University Press
Total Pages: 865
Release: 2020-06-18
Genre: Psychology
ISBN: 1108429246

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The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.


Unfortunate Destiny

Unfortunate Destiny
Author: Reiko Ohnuma
Publisher: Oxford University Press
Total Pages: 265
Release: 2017-05-01
Genre: Religion
ISBN: 0190637560

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Unfortunate Destiny focuses on the roles played by nonhuman animals within the imaginative thought-world of Indian Buddhism, as reflected in pre-modern South Asian Buddhist literature. These roles are multifaceted, diverse, and often contradictory: In Buddhist doctrine and cosmology, the animal rebirth is a most "unfortunate destiny" (durgati), won through negative karma and characterized by a lack of intelligence, moral agency, and spiritual potential. In stories about the Buddha's previous lives, on the other hand, we find highly anthropomorphized animals who are wise, virtuous, endowed with human speech, and often critical of the moral shortcomings of humankind. In the life-story of the Buddha, certain animal characters serve as "doubles" of the Buddha, illuminating his nature through identification, contrast or parallelism with an animal "other." Relations between human beings and animals likewise range all the way from support, friendship, and near-equality to rampant exploitation, cruelty, and abuse. Perhaps the only commonality among these various strands of thought is a persistent impulse to use animals to clarify the nature of humanity itself--whether through similarity, contrast, or counterpoint. Buddhism is a profoundly human-centered religious tradition, yet it relies upon a dexterous use of the animal other to help clarify the human self. This book seeks to make sense of this process through a wide-ranging-exploration of animal imagery, animal discourse, and specific animal characters in South Asian Buddhist texts.


The Native American Renaissance

The Native American Renaissance
Author: Alan R. Velie
Publisher: University of Oklahoma Press
Total Pages: 377
Release: 2013-11-11
Genre: History
ISBN: 0806151315

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The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.