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The importance of jazz music in Toni Morrison's "Jazz"

The importance of jazz music in Toni Morrison's
Author: Elena Kramer
Publisher: GRIN Verlag
Total Pages: 28
Release: 2009-08-27
Genre: Literary Collections
ISBN: 3640415337

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Seminar paper from the year 2008 in the subject American Studies - Literature, grade: 1,3, University of Kassel, language: English, abstract: The first reading of Toni Morrison’s novel made me wonder why the author chose the title Jazz. It describes the difficulties various African Americans have in integrating themselves into the urban context of the North. The origin of this dilemma lies in unsolved problems, unprocessed experiences and in an incomplete reappraisal of the past. Identity, as it seems, needs to reconcile history and present. Blacks in northern cities at the beginning of the 20th century still suffered from the reverberations of slavery; the Great Migration out of the Old South and into the industrialized North with its promising opportunities had not settled these problems. In this paper, I want to examine jazz music and its function within the thematic frame of the story. Since history is of great importance in the novel, it is necessary to comprehensively outline the historical background of the story, which reaches from the late years of slavery up to the artistic blossom during the Harlem Renaissance. The development of the jazz culture then serves as a starting point for the analysis of musical elements in the novel. This embraces structural as well as stylistic parallels and also comments on the function of the unconventional narrator. The focus then turns to the main characters of the story, Joe and Violet Trace, to the problems they have with themselves and their marriage and the solution the author offers. Toni Morrison suggests that the problems of alienation and loss of identity result from a missing connection of past and present. A stable identity must be rooted in history, so the denial of one’s origin is a dangerous violation of the self. Many studies dealing with Jazz have concentrated on the way Morrison transfers musical elements into a stylistic concept, but I want to show the connection between this narrative technique and the theme of the novel. In Jazz, jazz music is used as a metaphor for African American identity in its most productive form. The music successfully fuses African heritage and American tradition and is therefore an authentic expression of the African American self.


Jazz

Jazz
Author: Toni Morrison
Publisher: Vintage
Total Pages: 258
Release: 2007-07-24
Genre: Fiction
ISBN: 0307388107

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From the acclaimed Nobel Prize winner, a passionate, profound story of love and obsession that brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of Black urban life. With a foreword by the author. “As rich in themes and poetic images as her Pulitzer Prize–winning Beloved.... Morrison conjures up the hand of slavery on Harlem’s jazz generation. The more you listen, the more you crave to hear.” —Glamour In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse. This novel “transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious” (People). "The author conjures up worlds with complete authority and makes no secret of her angst at the injustices dealt to Black women.” —The New York Times Book Review


The Harlem Book of the Dead

The Harlem Book of the Dead
Author: James Van Der Zee
Publisher: Morgan & Morgan, Incorporated
Total Pages: 112
Release: 1978
Genre: Social Science
ISBN:

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James Van Der Zee was an African-American photographer who specialized in funerals. This book includes many of his photographs, with his comments. The text, by Camille Billops, is primarily an interview with the artist at the age of 91. Includes poetry, by Owen Dodson, inspired by some of the photos.


Kinds of Blue

Kinds of Blue
Author: Jürgen E. Grandt
Publisher: Ohio State University Press
Total Pages: 180
Release: 2004
Genre: Language Arts & Disciplines
ISBN: 0814209807

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Toni Morrison and Motherhood

Toni Morrison and Motherhood
Author: Andrea O'Reilly
Publisher: State University of New York Press
Total Pages: 245
Release: 2012-02-01
Genre: Social Science
ISBN: 0791485161

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Traces Morrison's theory of African American mothering as it is articulated in her novels, essays, speeches, and interviews. Mothering is a central issue for feminist theory, and motherhood is also a persistent presence in the work of Toni Morrison. Examining Morrison's novels, essays, speeches, and interviews, Andrea O'Reilly illustrates how Morrison builds upon black women's experiences of and perspectives on motherhood to develop a view of black motherhood that is, in terms of both maternal identity and role, radically different from motherhood as practiced and prescribed in the dominant culture. Motherhood, in Morrison's view, is fundamentally and profoundly an act of resistance, essential and integral to black women's fight against racism (and sexism) and their ability to achieve well-being for themselves and their culture. The power of motherhood and the empowerment of mothering are what make possible the better world we seek for ourselves and for our children. This, argues O'Reilly, is Morrison's maternal theory—a politics of the heart. "As an advocate of 'a politics of the heart,' O'Reilly has an acute insight into discerning any threat to the preservation and continuation of traditional African American womanhood and values ... Above all, Toni Morrison and Motherhood, based on Andrea O'Reilly's methodical research on Morrison's works as well as feminist critical resources, proffers a useful basis for understanding Toni Morrison's works. It certainly contributes to exploring in detail Morrison's rich and complex works notable from the perspectives of nurturing and sustaining African American maternal tradition." — African American Review "O'Reilly boldly reconfigures hegemonic western notions of motherhood while maintaining dialogues across cultural differences." — Journal of the Association for Research on Mothering "Andrea O'Reilly examines Morrison's complex presentations of, and theories about, motherhood with admirable rigor and a refusal to simplify, and the result is one of the most penetrating and insightful studies of Morrison yet to appear, a book that will prove invaluable to any scholar, teacher, or reader of Morrison." — South Atlantic Review "...it serves as a sort of annotated bibliography of nearly all the major theoretical work on motherhood and on Morrison as an author ... anyone conducting serious study of either Toni Morrison or motherhood, not to mention the combination, should read [this book] ... O'Reilly's exhaustive research, her facility with theories of Anglo-American and Black feminism, and her penetrating analyses of Morrison's works result in a highly useful scholarly read." — Literary Mama "By tracing both the metaphor and literal practice of mothering in Morrison's literary world, O'Reilly conveys Morrison's vision of motherhood as an act of resistance." — American Literature "Motherhood is critically important as a recurring theme in Toni Morrison's oeuvre and within black feminist and feminist scholarship. An in-depth analysis of this central concern is necessary in order to explore the complex disjunction between Morrison's interviews, which praise black mothering, and the fiction, which presents mothers in various destructive and self-destructive modes. Kudos to Andrea O'Reilly for illuminating Morrison's 'maternal standpoint' and helping readers and critics understand this difficult terrain. Toni Morrison and Motherhood is also valuable as a resource that addresses and synthesizes a huge body of secondary literature." — Nancy Gerber, author of Portrait of the Mother-Artist: Class and Creativity in Contemporary American Fiction "In addition to presenting a penetrating and original reading of Toni Morrison, O'Reilly integrates the evolving scholarship on motherhood in dominant and minority cultures in a review that is both a composite of commonalities and a clear representation of differences." — Elizabeth Bourque Johnson, University of Minnesota Andrea O'Reilly is Associate Professor in the School of Women's Studies at York University and President of the Association for Research on Mothering. She is the author and editor of several books on mothering, including (with Sharon Abbey) Mothers and Daughters: Connection, Empowerment, and Transformation and Mothers and Sons: Feminism, Masculinity, and the Struggle to Raise Our Sons.


Spiritual, Blues, and Jazz People in African American Fiction

Spiritual, Blues, and Jazz People in African American Fiction
Author: A. Yemisi Jimoh
Publisher: Univ. of Tennessee Press
Total Pages: 300
Release: 2002
Genre: Literary Criticism
ISBN: 9781572331723

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Jimoh (English, U. of Arkansas-Fayetteville) investigates African American intracultural issues that inform a more broadly intertextual use of music in creating characters and themes in fiction by US black writers. Conventional close readings of texts, she argues, often miss historical-sociopolitical discourses that can illuminate African American narratives. Annotation copyrighted by Book News, Inc., Portland, OR


The Story of Jazz

The Story of Jazz
Author: Justine Tally
Publisher: LIT Verlag Münster
Total Pages: 174
Release: 2001
Genre: History
ISBN: 9783825853648

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Since its publication in 1992, Jazz, probably Toni Morrison's most difficult novel to date, has illicited a wide array of critical response. Many of these analyses, while both thoughtful and thought-provoking, have provided only partial or inherently inconclusive interpretations. The title, and certain of the author's own pronouncements, have led other critics to focus on the music itself, both as medium and aesthetic support for the narration. Choosing an entirely different approach for The Story of Jazz, Justine Tally further develops her hypothesis, first elaborated in her study of Paradise, that the Morrison trilogy is undergirded by the relationship of history, memory and story, and discusses "jazz" not as the music, but as a metaphor for language and storytelling. Taking her cue from the author's epigraph for the novel, she discusses the relevance of storytelling to contemporary critics in many different fields, explains Morrison's choice of the hard-boiled detective genre as a ghost-text for her novel, and guides the reader through the intricacies of Bakhtinian theory in order to elucidate and ground her interpretation of this important text, finally entering into a chapter-by-chapter analysis of the novel which leads to a surprising conclusion.


Toni Morrison's Jazz: Historical Fiction in Relation to Nonfictional Accounts of the Harlem Renaissance

Toni Morrison's Jazz: Historical Fiction in Relation to Nonfictional Accounts of the Harlem Renaissance
Author: Florian König
Publisher: GRIN Verlag
Total Pages: 25
Release: 2009
Genre: Biography & Autobiography
ISBN: 3640462068

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Seminar paper from the year 2009 in the subject American Studies - Literature, grade: 1,3, http: //www.uni-jena.de/, course: African America in the Historical Novel, language: English, abstract: "...who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality". This statement by the Swedish Academy seems an appropriate description of Nobel Prize laureate Toni Morrison. Her novel Jazz, which was first published in 1992, is set in the Harlem of the 1920s and re-creates an "essential aspect" of African-American history - the Harlem Renaissance. [...] In this project on the subject of 'African America in the Historical Novel', I want to examine Morrison's fictional representation of the afrorementioned era in relation to nonfictional depictions provided by significant writers of this epoch who explored the implications of jazz (and the development of African-American culture) during the actual historical period in which Morrison's novel is set. Therefore, her own narrative approach to history will be compared to the views Harlem Renaissance contemporaries such as Alain Locke and F. Scott Fitzgerald articulated in their assessments of this particular epoch of (African-) American experience. Selected parts of the Survey Graphic's issue Harlem: Mecca of the New Negro edited by Alain Locke and foundation for his groundbreaking anthology The New Negro as well as Fitzgerald's notable essay Echoes of the Jazz Age2 will be taken into consideration when evaluating Morrison's historical reconstruction of how the Harlem Renaissance, or how Fitzgerald calls it, the "Jazz Age", shaped and expressed African-American identity.


Playing in the Dark

Playing in the Dark
Author: Toni Morrison
Publisher: Vintage
Total Pages: 86
Release: 2007-07-24
Genre: Literary Criticism
ISBN: 0307388638

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An immensely persuasive work of literary criticism that opens a new chapter in the American dialogue on race—and promises to change the way we read American literature—from the acclaimed Nobel Prize winner Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. Written with the artistic vision that has earned the Nobel Prize-winning author a pre-eminent place in modern letters, Playing in the Dark is an invaluable read for avid Morrison admirers as well as students, critics, and scholars of American literature.


The Source of Self-Regard

The Source of Self-Regard
Author: Toni Morrison
Publisher: Vintage
Total Pages: 370
Release: 2020-01-14
Genre: Literary Collections
ISBN: 0525562796

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NATIONAL BESTSELLER • Here is the Nobel Prize winner in her own words: a rich gathering of her most important essays and speeches, spanning four decades that "speaks to today’s social and political moment as directly as this morning’s headlines” (NPR). These pages give us her searing prayer for the dead of 9/11, her Nobel lecture on the power of language, her searching meditation on Martin Luther King Jr., her heart-wrenching eulogy for James Baldwin. She looks deeply into the fault lines of culture and freedom: the foreigner, female empowerment, the press, money, “black matter(s),” human rights, the artist in society, the Afro-American presence in American literature. And she turns her incisive critical eye to her own work (The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, Paradise) and that of others. An essential collection from an essential writer, The Source of Self-Regard shines with the literary elegance, intellectual prowess, spiritual depth, and moral compass that have made Toni Morrison our most cherished and enduring voice.