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The Image of the Jew in Byzantine Art

The Image of the Jew in Byzantine Art
Author: Elisabeth Revel-Neher
Publisher: Pergamon
Total Pages: 210
Release: 1992
Genre: Art
ISBN:

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The Image of the Jew in Byzantine Art is the first study of the relationship between the attitude to the Jews in contemporary texts and their corresponding representation in Eastern art. The analysis initially explores the documented antisemitic attitude of the Eastern Church and its pervasive influence on the role of the Byzantine Emperors. However, Dr Revel-Neher's discussion of the many illustrations of contemporary images (most seen in the West for the first time) shows that, unlike the Western art of the period, the Byzantine images aimed at an objective reflection of daily reality and were not subject to the antisemitic doctrines of the Church. The authenticity of the images is the hallmark of the Byzantine attitude to the Jews, in stark contrast to the grotesque and caricatural images in Western iconography.


Images of Cosmology in Jewish and Byzantine Art

Images of Cosmology in Jewish and Byzantine Art
Author: Shulamit Laderman
Publisher: BRILL
Total Pages: 394
Release: 2013-05-30
Genre: Religion
ISBN: 9004252193

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Does the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.


Saracens, Demons, & Jews

Saracens, Demons, & Jews
Author: Debra Higgs Strickland
Publisher: Princeton University Press
Total Pages: 348
Release: 2003
Genre: Art
ISBN: 9780691057194

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These images, which reached a broad and socially varied audience across Western Europe, appeared in virtually all artistic media, including illuminated manuscripts, stained glass, sculpture, metalwork, and tapestry.".


Between Judaism and Christianity

Between Judaism and Christianity
Author: Katrin Kogman-Appel
Publisher: BRILL
Total Pages: 501
Release: 2009
Genre: History
ISBN: 9004171061

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The essays collected in this volume present a multi-faceted range of scholarship from late antique synagogues, Jewish funerary art, early Christian and Byzantine mosaics, to Byzantine and Jewish book art, and the representation of the Old Testament in Western manuscripts.


Jews in Byzantium

Jews in Byzantium
Author: Robert Bonfil
Publisher: BRILL
Total Pages: 1059
Release: 2011-10-14
Genre: Religion
ISBN: 9004203559

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Byzantine Jews: Dialectics of Minority and Majority Cultures is the collective product of a three year research group convened under the auspices of Scholion: Interdisciplinary Research Center in Jewish Studies at the Hebrew University of Jerusalem. The volume provides both a survey and an analysis of the social and cultural history of Byzantine Jewry from its inception until the fifteenth century, within the wider context of the Byzantine world.


Christian Images and Their Jewish Desecrators

Christian Images and Their Jewish Desecrators
Author: Katherine Aron-Beller
Publisher: University of Pennsylvania Press
Total Pages: 441
Release: 2024-01-09
Genre: History
ISBN: 1512824119

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In Christian Images and Their Jewish Desecrators, historian Katherine Aron-Beller analyzes the common Christian charge that Jews habitually and compulsively violated Christian images, identifying this allegation as one that functioned alongside other anti-Jewish allegations such as ritual murder, blood libel, and host desecration to ultimately inform dangerous and long-lasting prejudices in medieval and early modern Europe. Through an analysis of folk tales, myths, legal proceedings, and religious art, Aron-Beller finds that narratives alleging that Jews committed violence against images of Christ, Mary, and the disciples flourished in Europe between the fifth and seventeenth centuries. She then explores how these narratives manifested differently across the continent and the centuries, finding that their potency reflected not Jewish actions per se, but Christians’ own concerns about slipping into idolatry when viewing depictions of religious figures. In addition, Aron-Beller considers Jews’ own attitudes toward Christian imagery and the ways in which they responded to and rejected—or embraced—such allegations. By examining how desecration allegations affected Jewish individuals and communities spanning Byzantium, medieval England, France, Germany, and early modern Spain and Italy, Aron-Beller demonstrates that this charge was a powerful expression of the Christian majority’s anxiety around committing idolatry and their eagerness to participate in practices of veneration that revolved around visual images—an anxiety that evolved through the centuries and persists to this day.


Art and Architecture of the Synagogue in Byzantine Palaestina

Art and Architecture of the Synagogue in Byzantine Palaestina
Author: Asaf Friedman
Publisher: Cambridge Scholars Publishing
Total Pages: 173
Release: 2019-05-24
Genre: Art
ISBN: 1527535053

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The Byzantine era was a time of the formation of the Abrahamic religions and a battleground for people’s hearts and minds. This book shows that, during the time of the Byzantine Empire, the synagogues in Palaestina developed a visual language adhering to traditional literary sources. Until now, scholars believed that Judaism was oblivious to all art forms, regarding them as mere “decoration.” This book shows that, contrary to those beliefs, Jewish art was, in fact, flourishing in this period. The visual language that emerged is a trope that utilizes literal and figurative readings to arrive at an inquisitive mixture—a probing language that facilitates learning. It is a visual language of “becoming,” of inward introspection and outward scrutiny. This new analysis goes beyond the limits of compositional rules, and requires an analytical, as well as emotive, thought process, to form a cultural interpretation that reveals the hidden language. This means that some parts of Judaism and some parts of Christianity were in agreement despite the commandment of “Thou shalt not make unto thee any graven image,” and operated under the assumption that paintings were not necessarily the creation of idols. Thus, we see that the modern movements of art and architecture were not the first to deal with images through themes such as abstraction and denotation. The language developed during the Byzantine period could rival the best of such visual languages.


Image and Imagination in Byzantine Art

Image and Imagination in Byzantine Art
Author: Henry Maguire
Publisher: Routledge
Total Pages: 374
Release: 2007
Genre: Art
ISBN:

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The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. Particular topics are the depiction of nature; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts; the relationship of the visual arts to concepts of justice and the law; and portrayals of the imperial court on earth and the imagined court in heaven.


The Routledge Companion to Medieval Iconography

The Routledge Companion to Medieval Iconography
Author: Colum Hourihane
Publisher: Taylor & Francis
Total Pages: 588
Release: 2016-12-19
Genre: Art
ISBN: 1315298368

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Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best-known methodologies; the third, and largest section, looks at some of the major themes in medieval art. Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.


Complex Identities

Complex Identities
Author: Matthew Baigell
Publisher: Rutgers University Press
Total Pages: 332
Release: 2001
Genre: Art
ISBN: 9780813528694

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Focusing on 19th-and 20th-century European, American and Israeli artists, the contributors explore the ways in which Jewish artists have responded to their Jewishness and to the societies in which they lived (or live), and how these factors have influenced their art, their choice of subject matter, and presentation of their work.