The Illustrated Discography of Surf Music, 1959-1965
Author | : John Blair |
Publisher | : |
Total Pages | : 70 |
Release | : 1978 |
Genre | : Music |
ISBN | : |
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Author | : John Blair |
Publisher | : |
Total Pages | : 70 |
Release | : 1978 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 192 |
Release | : 1985 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 296 |
Release | : 1995 |
Genre | : Rock groups |
ISBN | : |
Author | : Guy A. Marco |
Publisher | : Scarecrow Press |
Total Pages | : 258 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : 9780810831339 |
Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.
Author | : Brannon Wheeler |
Publisher | : University of Chicago Press |
Total Pages | : 347 |
Release | : 2006-07 |
Genre | : History |
ISBN | : 0226888045 |
Nineteenth-century philologist and Biblical critic William Robertson Smith famously concluded that the sacred status of holy places derives not from their intrinsic nature but from their social character. Building upon this insight, Mecca and Eden uses Islamic exegetical and legal texts to analyze the rituals and objects associated with the sanctuary at Mecca. Integrating Islamic examples into the comparative study of religion, Brannon Wheeler shows how the treatment of rituals, relics, and territory is related to the more general mythological depiction of the origins of Islamic civilization. Along the way, Wheeler considers the contrast between Mecca and Eden in Muslim rituals, the dispersal and collection of relics of the prophet Muhammad, their relationship to the sanctuary at Mecca, and long tombs associated with the gigantic size of certain prophets mentioned in the Quran. Mecca and Eden succeeds, as few books have done, in making Islamic sources available to the broader study of religion.
Author | : Roman Iwaschkin |
Publisher | : Routledge |
Total Pages | : 675 |
Release | : 2016-04-14 |
Genre | : Music |
ISBN | : 1317223454 |
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
Author | : Matt Warshaw |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 820 |
Release | : 2005 |
Genre | : Reference |
ISBN | : 9780156032513 |
With 1,500 alphabetical entries and 300 illustrations, this resource is a comprehensive review of the people, places, events, equipment, vernacular, and lively history of this fascinating sport.
Author | : Anne Barjolin-Smith |
Publisher | : Springer Nature |
Total Pages | : 342 |
Release | : 2020-09-21 |
Genre | : Social Science |
ISBN | : 9811574782 |
Ethno-aesthetics of Surf in Florida discusses surf and music as glocal sociocultural constructs. Focusing on Florida's unexplored surfing culture, the book illustrates how musical experience begets representations about the world that highlight ways of acting and being of various sociocultural communities. Based on the conceptualization of ethno-aesthetics, this ethnographic study provides an analysis of the Space Coast surfers community's collaborative effort to build social cohesion through their musicking. This transdisciplinary research in American Studies draws upon various theoretical perspectives from both the humanities and social sciences, including ethnomusicology, social psychology, and sociolinguistics, to propose new ways of exploring the links between surfing and musicking. This monograph looks past the myth of iconic 1960s Californian surf music to show how, as a result of the glocalization of surfing, the musicking of Floridian surfers has allowed them to express their subjectivities and to make sense of their world. This book contributes to the debate on the disputed notions of identity and representations by establishing connections between a local expression of the surf lifestyle and its music. It proposes theoretical models that explain cultural hybridization, appropriation, and belonging in surfing. It also develops concepts and notions, such as surfanization, surf strand, lifestyle crossover, and identity marking, to illustrate how global practices, such as surfing, are endowed with various modes of expression exemplified by the emergence of unique regional subcultures of surfing.
Author | : Mark A. Moore |
Publisher | : McFarland |
Total Pages | : 526 |
Release | : 2021-08-02 |
Genre | : Music |
ISBN | : 1476643334 |
Jan Berry, leader of the music duo Jan & Dean from the late 1950s to mid-1960s, was an intense character who experienced more in his first 25 years than many do in a lifetime. As an architect of the West Coast sound, he was one of rock 'n' roll's original rebels--brilliant, charismatic, reckless, and flawed. As a songwriter, music arranger, and record producer for Nevin-Kirshner Associates and Screen Gems-Columbia Music, Berry was one of the pioneering self-produced artists of his era in Hollywood. He lived a dual life, reaching the top of the charts with Jan & Dean while transitioning from college student to medical student, until an automobile accident in 1966 changed his trajectory forever. Suffering from brain damage and partial paralysis, Jan spent the rest of his life trying to come back from Dead Man's Curve. His story is told here in-depth for the first time, based on extensive primary source documentation and supplemented by the stories and memories of Jan's family members, friends, music industry colleagues, and contemporaries. From the birth of rock to the bitter end, Berry's life story is thrilling, humorous, unsettling, and disturbing, yet ultimately uplifting.
Author | : Travis Elborough |
Publisher | : Catapult |
Total Pages | : 471 |
Release | : 2009-03-31 |
Genre | : Music |
ISBN | : 1593763484 |
VINYL MAY BE FINAL NAIL IN CD’S COFFIN ran the headline in a Wired magazine article in October 2007. Ever since the arrival of the long—playing record in 1948, the album has acted as the soundtrack to our lives. Record collections—even on a CD or iPod-are personal treasures, revealing our loves, errors in judgment, and lapses in taste. In The Vinyl Countdown, Travis Elborough explores the way in which particular albums are deeply embedded in cultural history or so ubiquitous as to be almost invisible. While music itself has experienced several different movements over the past sixty years, the album has remained a constant. But the way we listen to music has changed in the last ten years. In the age of the iPod, when we can download an infinite number of single tracks instantaneously, does the concept of the album mean anything? Elborough moves chronologically through relevant periods, letting the story of the LP, certain genres, youth cults, and topics like sleeve designs, shops, drugs, and education unfurl as he goes along. The Vinyl Countdown is a brilliant piece of popular history, an idiosyncratic tribute to a much-loved part of our shared consciousness, and a celebration of the joy of records.