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The Play of Conscience in Shakespeare’s England

The Play of Conscience in Shakespeare’s England
Author: Jade Standing
Publisher: Taylor & Francis
Total Pages: 189
Release: 2024-01-31
Genre: Literary Criticism
ISBN: 1003837603

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Having a conscience distinguishes humans from the most advanced A.I. systems. Acting in good conscience, consulting one’s conscience, and being conscience-wracked are all aspects of human intelligence that involve reckoning (deriving general laws from particular inputs and vice versa), and judgement (contemplating the relationship of the reckoning system to the world). While A.I. developers have mastered reckoning, they are still working towards the creation of judgement. This book sheds light on the reckoning and judgement of conscience by demonstrating how these concepts are explored in Everyman, Doctor Faustus, The Merchant of Venice, and Hamlet. Academic, student, or general-interest readers discover the complexity and multiplicity of the early modern concept of conscience, which is informed by the scholastic intellectual tradition, juridical procedures of the court of Chancery, the practical advice of Protestant casuistry, and Reformation theology. The aims are to examine the rubrics for thinking through, regulating, and judging actions that define the various consciences of Shakespeare’s day, to use these rubrics to interpret questions of truth and action in early modern plays, and to offer insights into what it is about conscience that developers want to grasp to eliminate the difference between human and non-human intelligences, and achieve true A.I.


Is Conscience "but a Word that Cowards Use"? An Analysis of Conscience in William Shakespeare's "Richard III" and "Hamlet"

Is Conscience
Author: Imke Fischer
Publisher:
Total Pages: 48
Release: 2017-10-16
Genre:
ISBN: 9783668547636

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Bachelor Thesis from the year 2016 in the subject English - Literature, Works, grade: 1,1, University of Göttingen, language: English, abstract: In the famous title quote from Richard III, William Shakespeare has his protagonist disregard the concept of conscience as a mere, word', an invention of no further consequence to a brave person. Meanwhile Hamlet complains that "conscience does make cowards of us all" and thereby infers a strong significance of conscience to mankind. These popular, though seemingly contradictory statements raise the question just what exact understanding of said moral concept Shakespeare wanted to relay to his audience. What was conscience to him, his audience and his contemporary writers? Was conscience seen as, but a word', a cowardly excuse for inaction or as an innate concept dwelling in every man? What were the underlying principles of his set of moral values? Both the author and his contemporaries had an interest towards both the specific moral phenomenon of conscience and the intricacies of the human persona and its inner moral values. In the two plays at hand, Richard III and Hamlet, conscience is displayed as an innate concept. In their beliefs towards this concept, heroes and villains do not contradict, but complement each other. All relevant scenes from the two plays taken together exhibit a comprehensive image of the discourse of conscience in the Elizabethan Age. It ranges from personified character and externality to an inner contemplation with God and man's own soul, from an exhilarating righteous feeling to purgatory-like torment on Earth. It shows a broad understanding of the term, much more extensive than our modern perception of it, which has narrowed down to the single meaning of discernment between good and evil. Nevertheless, conscience stands in a long tradition of philosophical debates and Shakespeare adds his own touch to it with Richard III. and Hamlet, leaving modern eyes with a better appreciation of concept of c


Nobler in the Mind

Nobler in the Mind
Author: Geoffrey Aggeler
Publisher:
Total Pages: 208
Release: 1998
Genre: English drama
ISBN:

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Renaissance Tragedy and the Senecan Tradition

Renaissance Tragedy and the Senecan Tradition
Author: Gordon Braden
Publisher: New Haven : Yale University Press
Total Pages: 260
Release: 1985
Genre: European drama
ISBN: 9780300032536

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Shakespeare and Renaissance Ethics

Shakespeare and Renaissance Ethics
Author: Patrick Gray
Publisher: Cambridge University Press
Total Pages: 321
Release: 2014-07-24
Genre: Literary Criticism
ISBN: 113999347X

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Written by a distinguished international team of contributors, this volume explores Shakespeare's vivid depictions of moral deliberation and individual choice in light of Renaissance debates about ethics. Examining the intellectual context of Shakespeare's plays, the essays illuminate Shakespeare's engagement with the most pressing moral questions of his time, considering the competing claims of politics, Christian ethics and classical moral philosophy, as well as new perspectives on controversial topics such as conscience, prayer, revenge and suicide. Looking at Shakespeare's responses to emerging schools of thought such as Calvinism and Epicureanism, and assessing comparisons between Shakespeare and his French contemporary Montaigne, the collection addresses questions such as: when does laughter become cruel? How does style reflect moral perspective? Does shame lead to self-awareness? This book is of great interest to scholars and students of Shakespeare studies, Renaissance studies and the history of ethics.


The Sinners Progress

The Sinners Progress
Author: Robert Shenk
Publisher:
Total Pages: 314
Release: 1978
Genre: English drama
ISBN:

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Character and the Individual Personality in English Renaissance Drama

Character and the Individual Personality in English Renaissance Drama
Author: John E. Curran,, Jr.
Publisher: Rowman & Littlefield
Total Pages: 361
Release: 2014-08-20
Genre: Literary Criticism
ISBN: 1611495059

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This book explores representations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside Shakespearean exceptionalism, the study reads a wide variety of plays to explain how intellectual context could allow for such characterization.


The Renaissance Hamlet

The Renaissance Hamlet
Author: Roland Mushat Frye
Publisher: Princeton University Press
Total Pages: 416
Release: 2014-07-14
Genre: Drama
ISBN: 1400852846

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Drawing on recent advances in historical knowledge, the author describes contemporary attitudes toward issues such as rebellion, conscience, regicide, incest, retribution, and mourning. His investigation reveals a number of convincing new reasons for viewing Hamlet not as an irresolute young man but as a vigorous and determined figure in confrontation with the moral dilemmas of his age. By understanding the play in its original terms, we find that it takes on new depth and power for our own time. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.