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The Hurdy-Gurdy in Eighteenth-Century France

The Hurdy-Gurdy in Eighteenth-Century France
Author: Robert A. Green
Publisher: Indiana University Press
Total Pages: 146
Release: 2016-10-31
Genre: Music
ISBN: 0253025133

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The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.


The Eighteenth Century French Cantata

The Eighteenth Century French Cantata
Author: David Tunley
Publisher: Oxford University Press
Total Pages: 304
Release: 1997
Genre: Music
ISBN: 9780198164395

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This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.


The Cambridge Companion to French Music

The Cambridge Companion to French Music
Author: Simon Trezise
Publisher: Cambridge University Press
Total Pages: 441
Release: 2015-02-19
Genre: Music
ISBN: 0521877946

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This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.


Companion to Baroque Music

Companion to Baroque Music
Author: Julie Anne Sadie
Publisher: Univ of California Press
Total Pages: 596
Release: 1998-01-01
Genre: Music
ISBN: 9780520214149

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The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.


Capitalism and the Emergence of Civic Equality in Eighteenth-Century France

Capitalism and the Emergence of Civic Equality in Eighteenth-Century France
Author: William H. Sewell Jr.
Publisher: University of Chicago Press
Total Pages: 421
Release: 2021-04-28
Genre: Business & Economics
ISBN: 022677046X

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"William H. Sewell, Jr. turns to the experience of commercial capitalism to show how the commodity form abstracted social relations. The increased independence, flexibility, and anonymity of market relations made equality between citizens not only conceivable but attractive. Commercial capitalism thus found its way into the interstices of this otherwise rigidly hierarchical society, coloring social relations and paving the way for the establishment of civic equality"--


The Hurdy-gurdy

The Hurdy-gurdy
Author: Susann Palmer
Publisher:
Total Pages: 270
Release: 1980
Genre: Music
ISBN:

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Mozart's Chamber Music with Keyboard

Mozart's Chamber Music with Keyboard
Author: Martin Harlow
Publisher: Cambridge University Press
Total Pages: 301
Release: 2012-04-05
Genre: Music
ISBN: 1107377897

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Internationally renowned scholars and performers present a wide range of new analytical, historical and critical perspectives on some of Mozart's most popular chamber music: his sonatas with violin, keyboard trios and quartets and the quintet with wind instruments. The chapters trace a broad chronology, from the childhood works, to the Mannheim and Paris sonatas with keyboard and violin, and the mature compositions from his Vienna years. Drawing upon the most recent research, this study serves the reader, be they a performer, listener or scholar, with a collection of writings that demonstrate the composer's innovative developments to generic archetypes and which explore and assess Mozart's creative response to the opportunities afforded by new and diverse instrumental combinations. Manners of performance of this music far removed from our own are revealed, with concluding chapters considering historically informed practice and the challenges for modern performers and audiences.