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Author | : Humphrey Jennings |
Publisher | : Applause Theatre & Cinema Books |
Total Pages | : 340 |
Release | : 1995-11-01 |
Genre | : Performing Arts |
ISBN | : 9781557832085 |
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inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of•Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
Author | : Jennings |
Publisher | : |
Total Pages | : |
Release | : 2000-10-28 |
Genre | : |
ISBN | : 9781857545289 |
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Author | : Humphrey Jennings |
Publisher | : Carcanet Press |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Documentary films |
ISBN | : 9781857547481 |
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This work provides a window into the life and work of the great British director, Humphrey Jennings.
Author | : Humphrey Jennings |
Publisher | : |
Total Pages | : 352 |
Release | : 1993 |
Genre | : Performing Arts |
ISBN | : |
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Humphrey Jennings (1907-1950) has long been recognised as one of Britain's greatest film directors. His studies of national life, and particularly his three wartime films Listen to Britain, Fires Were Started and A Diary for Timothy, invaluable documents of their times, remain among the highest achievements of world cinema - humane, innovative and poetic. Jennings's films are rich due to the drama of subject matter and the range of passions and skills he brought to his work.
Author | : Keith Beattie |
Publisher | : Manchester University Press |
Total Pages | : 166 |
Release | : 2013-07-19 |
Genre | : Performing Arts |
ISBN | : 184779727X |
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Humphrey Jennings has been described as the only real poet that British cinema has produced. His documentary films are remarkable records of Britain at peace and war, and his range of representational approaches transcended accepted notions of wartime propaganda and revised the strict codes of British documentary film of the 1930s and 1940s. Poet, propagandist, surrealist and documentary filmmaker – Jennings' work embodies an outstanding mix of startling apprehension, personal expression and representational innovation. This book carefully examines and expertly explains the central components of Jennings' most significant films, and considers the relevance of his filmmaking to British cinema and contemporary experience. Films analysed include Spare Time, Words for Battle, Listen to Britain, Fires Were Started, The Silent Village, A Diary for Timothy and Family Portrait.
Author | : Jonathan Kahana |
Publisher | : Oxford University Press |
Total Pages | : 1057 |
Release | : 2016 |
Genre | : Art |
ISBN | : 019973965X |
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The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film.
Author | : Philip C. Logan |
Publisher | : Routledge |
Total Pages | : 400 |
Release | : 2016-05-13 |
Genre | : Performing Arts |
ISBN | : 131711938X |
Download Humphrey Jennings and British Documentary Film: A Re-assessment Book in PDF, ePub and Kindle
Humphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
Author | : Kevin Jackson |
Publisher | : Pan Macmillan |
Total Pages | : 476 |
Release | : 2004 |
Genre | : Biography & Autobiography |
ISBN | : 9780330354387 |
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Humphrey Jennings, born in 1907, was a writer, set designer, painter, editor and, perhaps most famously, a director of ground-breaking documentary films for the renowned GPO film unit. Kevin Jackson's biography is a guide to Jenning's life and work, and the turbulent times through which he lived.
Author | : Jefferson Hunter |
Publisher | : Indiana University Press |
Total Pages | : 374 |
Release | : 2010-04-05 |
Genre | : Performing Arts |
ISBN | : 0253004144 |
Download English Filming, English Writing Book in PDF, ePub and Kindle
Jefferson Hunter examines English films and television dramas as they relate to English culture in the 20th century. He traces themes such as the influence of U.S. crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s to the present. A Canterbury Tale and the documentary Listen to Britain are analyzed in the context of village pageants and other wartime explorations of Englishness at risk. English crime dramas are set against the writings of George Orwell, while a famous line from Noel Coward leads to a discussion of music and image in works like Brief Encounter and Look Back in Anger. Screen adaptation is also broached in analyses of the 1985 BBC version of Dickens's Bleak House and Merchant-Ivory's The Remains of the Day.
Author | : Charles Drazin |
Publisher | : Bloomsbury Publishing |
Total Pages | : 410 |
Release | : 2007-08-29 |
Genre | : Performing Arts |
ISBN | : 0755605411 |
Download The Finest Years Book in PDF, ePub and Kindle
The British cinema during the 1940s was enjoying an unlikely renaissance. During the Second World War and its aftermath, filmmakers were finding a new freedom to reflect the national mood, producing works of unparalleled ambition and boldness. Films like "Henry V", "Brief Encounter", "The Red Shoes" and "The Third Man" have become enduring classics of British and world cinema.Now in paperback and with a new Preface, "The Finest Years" chronicles these seminal years for British cinema through the characters and aspirations of some of its leading personalities. Drawing on extensive interviews and original research, it brings to life the atmosphere, ambience and connections of a unique film-making community. It offers a critical but sympathetic, fresh view of well-known individuals such as Carol Reed, David Lean and Michael Balcon. It also introduces readers to some lesser known, equally significant figures, including the flamboyant Italian impresario Filippo Del Giudice, and Robert Hamer, the maverick director of the Ealing comedy masterpiece Kind Hearts and Coronets. Charles Drazin demonstrates with affection and erudition how all of these and many more fine talents made the 1940s British cinema's renaissance years.