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The Human Figure on Film

The Human Figure on Film
Author: Seth Barry Watter
Publisher: State University of New York Press
Total Pages: 217
Release: 2023-10-01
Genre: Performing Arts
ISBN: 1438495102

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The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being. Scholars and critics have attempted to reduce the mystery, creating methodologies that make this figure legible. Some of their efforts form the subject of this book. Each chapter is devoted to a single, central concept—the natural, the pictorial, the institutional, and the fictional—that viewers have used to make sense of what they see. Each concept, in turn, is tied to the work and methods of a particular kind of historical observer: the natural historian (Ray L. Birdwhistell), the aesthete or pictorialist (Victor O. Freeburg), the anthropologist of institutions (Hortense Powdermaker), and the critic of fiction (V. F. Perkins). All of these researchers have their own interests and criteria of understanding, ranging from a microscopic look at gestures to a broad view of characters. Using a combination of critical history, biography, and formal analysis, The Human Figure on Film offers a fresh approach to the problem of figuration in an age of digital cinema. It is, at once, a cross-section of the field of film studies, a handbook of methods, and an inquiry into the nature of inquiry itself.


The Human Figure in Motion

The Human Figure in Motion
Author: Eadweard Muybridge
Publisher: Courier Corporation
Total Pages: 415
Release: 2012-04-27
Genre: Art
ISBN: 0486129918

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The 4,789 photographs in this definitive selection show the human figure — models almost all undraped — engaged in over 160 different types of action: running, climbing stairs, etc.


Art and Subjecthood

Art and Subjecthood
Author: Isabelle Graw
Publisher:
Total Pages: 104
Release: 2011
Genre: Anthropomorphism in art
ISBN:

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"This book is based on the conference 'Art and subjecthood: the return of the human figure in semiocapitalism' ... organized by the Institut f'ur Kunstkritik on July 1, 2011, at the Staatliche Hochschule f'ur Bildende K'unste/St'adelschule in Frankfurt am Main"--P. 6.


Studies of the Human Figure

Studies of the Human Figure
Author: George Montague Ellwood
Publisher:
Total Pages: 198
Release: 1919
Genre: Anatomy, Artistic
ISBN:

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The Human Figure in Islamic Art

The Human Figure in Islamic Art
Author: Kjeld von Folsach
Publisher: David Collection/ Strandberg Publishing
Total Pages: 280
Release: 2018-06-12
Genre: Art
ISBN: 9788792949967

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This richly illustrated book focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Through seventy-five important works of Islamic art from the David Collection in Copenhagen, Denmark, The Human Figure in Islamic Art focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Depictions of man were considered objectionable from an orthodox Muslim point of view since only God can create life, and man should not try to emulate God's work. There was concern that depictions or those who were depicted could be worshipped, something that went against the dogma that only God, Allah, should be the object of worship. The book describes how, despite this reluctance, portraying human figures has nonetheless always played an important role in Islamic art. The human figure is found on many kinds of utility ware, but the motif also has a long and rich tradition especially in miniature painting. The paintings in the book largely feature princes, but also holy men and quite ordinary people in the form of illustrations for works of fiction, depictions of real-life events, and true portraits. This richly illustrated book covers the use of the human figure in many of the forms of Islamic art and describes some of the historical conditions and theological discussions behind it. Light is also shed on the mutual influence of Islamic and European art.


American Drama in the Age of Film

American Drama in the Age of Film
Author: Zander Brietzke
Publisher: University of Alabama Press
Total Pages: 224
Release: 2007-06-28
Genre: Literary Criticism
ISBN: 0817315713

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Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Filmexamines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet'sGlengarry Glen Ross, Sam Shepard'sTrue West, Edward Albee'sWho's Afraid of Virginia Woolf, Margaret Edson'sWit, Tony Kushner'sAngels in America, Tennessee Williams'sCat on a Hot Tin Roof, Arthur Miller'sDeath of a Salesman, and August Wilson'sThe Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater's former thunder, by making drama more intimate, and visceral than most live events. But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.


The Oneiric in the Films of David Lynch

The Oneiric in the Films of David Lynch
Author: Raphael Morschett
Publisher: Bloomsbury Publishing USA
Total Pages: 216
Release: 2024-06-27
Genre: Performing Arts
ISBN:

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The Oneiric in the Films of David Lynch is the first systematic book-length study to explore the nature and function of dreams in David Lynch's different phases and audio-visual formats. There is hardly a contemporary film director whose name is as closely linked to the dream(-like) as that of David Lynch. Both popular and academic discourse frequently identify Lynch's films by their dreamlike qualities. However, in the existing literature on Lynch, these qualities tend to remain underspecified in terms of their experiential dimension. Departing from an interest in the phenomenon of dream experience, this is the first systematic book-length study exploring the nature and function of the oneiric in the director's different phases and audio-visual formats. It shows that, over the course of 50 years, Lynch has developed a cinematic aesthetics of the oneiric ? an ensemble of four dream-related dimensions that unfolds its full potential in the dynamic interplay between sensory address and reflective medialization. On the one hand, the Lynchian oneiric presents a markedly sensory-perceptual mode of experience – both characters and viewers are challenged in their perceptual patterns, while at the same time being immersed in the material dream scenario. On the other hand, the Lynchian oneiric provides a mode of both psychological and medial reflection. Not only the characters, but the films themselves are inclined to 'turn back' on themselves in a dream, exploring the preconditions, possibilities, and limitations of their own existence and ability to know the world. The oneiric in Lynch's films is thus of phenomenological, media-theoretical, and philosophical interest.


The Human Figure

The Human Figure
Author: John Henry Vanderpoel
Publisher:
Total Pages: 184
Release: 1908
Genre: Anatomy, Artistic
ISBN:

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Mastering Drawing the Human Figure

Mastering Drawing the Human Figure
Author: Jack Faragasso
Publisher: Courier Dover Publications
Total Pages: 259
Release: 2020-04-15
Genre: Art
ISBN: 0486841243

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This comprehensive handbook for drawing the human figure is by a veteran instructor of the Art Students League of New York. Both a guide and a reference, it is suitable for all: novices, students, and professionals. Numerous illustrations with commentary cover the basic structure of the head and body, light and shade, the proper use of line, conveying action, depicting drapery, and much more.