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The Horror Sensorium

The Horror Sensorium
Author: Angela Ndalianis
Publisher: McFarland
Total Pages: 233
Release: 2012-09-26
Genre: Performing Arts
ISBN: 0786490438

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Horror films, books and video games engage their audiences through combinations of storytelling practices, emotional experiences, cognitive responses and physicality that ignite the sensorium--the sensory mechanics of the body and the intellectual and cognitive functions connected to them. Through analyses of various mediums, this volume explores how the horror genre affects the mind and body of the spectator. Works explored include the films 28 Days Later and Death Proof, the video games Resident Evil 4 and Doom 3, the theme park ride The Revenge of the Mummy, transmedia experiences associated with The Dark Knight and True Blood, and paranormal romance novels featuring Anita Blake and Sookie Stackhouse. By examining how these diverse media generate medium-specific corporeal and sensory responses, it reveals how the sensorium interweaves sensory and intellectual encounters to produce powerful systems of perception.


Videogames and Horror

Videogames and Horror
Author: Dawn Stobbart
Publisher: University of Wales Press
Total Pages: 284
Release: 2019-10-01
Genre: Games & Activities
ISBN: 1786834375

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Videogames are full of horrors – and of horror, a facet of the media that has been largely overlooked by the academic community in terms of lengthy studies in the fast-growing field of videogame scholarship. This book engages with the research of prominent scholars across the humanities to explore the presence, role and function of horror in videogames, and in doing so it demonstrates how videogames enter discussion on horror and offer a unique, radical space that horror is particularly suited to fill. The topics covered include the construction of stories in videogames, the role of the monster and, of course, how death is treated as a learning tool and as a facet of horror.


A Companion to the Horror Film

A Companion to the Horror Film
Author: Harry M. Benshoff
Publisher: John Wiley & Sons
Total Pages: 613
Release: 2017-01-17
Genre: Performing Arts
ISBN: 1119335019

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This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike


Feminist Posthumanism in Contemporary Science Fiction Film and Media

Feminist Posthumanism in Contemporary Science Fiction Film and Media
Author: Julia A. Empey
Publisher: Bloomsbury Publishing USA
Total Pages: 329
Release: 2023-08-24
Genre: Performing Arts
ISBN: 1501398415

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Feminist Posthumanism in Contemporary Science Fiction Film and Media: From Annihilation to High Life and Beyond places posthumanism and feminist theory into dialogue with contemporary science fiction film and media. This essay collection is intimately invested in the debates around the posthuman and the critical posthumanities within a feminist critical-theoretical framework. In this posthumanist light, science fiction as a genre allows for new imaginings of human-technological relations, while it can also be the site of a critique of human exceptionalism and essentialism. In this way, science fiction affords unique opportunities for the scholarly investigation of the relevance and relative applicability of specific posthumanist themes and questions in a particularly rich and wide-ranging popular cultural field of production. One of the reasons for this suitability is the genre's historically longstanding relationship with the critical investigation of gender, specifically the position and relative empowerment of women. The original analyses presented here pay close attention to audiovisual style (including game mechanics), facilitating the critical interrogation of the issues and questions around posthumanism. Where typically the mention of SF in the posthumanist context calls to mind a whole set of (often clichéd) tropes-the cyborg, technologically augmented bodies, AI subjectivities, etc.-this volume's thirteen chapters analyze specific examples of contemporary SF cinema that engage in meaningful ways with the burgeoning field of critical posthumanism, and that utilize such films to interrogate posthumanist and feminist as well as humanistic ideas.


Violence | Perception | Video Games

Violence | Perception | Video Games
Author: Federico Alvarez Igarzábal
Publisher: transcript Verlag
Total Pages: 231
Release: 2019-11-30
Genre: Social Science
ISBN: 3839450519

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This volume compiles papers from the Young Academics Workshop at the Clash of Realities conferences of 2017 and 2018. The 2017 workshop - Perceiving Video Games - explored the video game medium by focusing on perception and meaning-making processes. The 2018 workshop - Reframing the Violence and Video Games Debate - transcended misleading claims that link video games and violent behavior by offering a range of fresh topical perspectives. From BA students to postdoctoral researchers, the young academics of this anthology stem from a spectrum of backgrounds, including game studies, game design, and phenomenology. This volume also features an entry by renowned psychologist Christopher J. Ferguson.


Affective Intensities and Evolving Horror Forms

Affective Intensities and Evolving Horror Forms
Author: Daniel Adam Daniel
Publisher: Edinburgh University Press
Total Pages: 292
Release: 2020-02-03
Genre: Performing Arts
ISBN: 1474456383

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Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage,' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror. It applies a rich theoretical synthesis of phenomenological and Deleuzian approaches to a number of case studies, including films like The Blair Witch Project, Paranormal Activity and Creep as well as video games such as Alien: Isolation and new media forms such as Youtube horror and virtual reality horror.


Found Footage Horror Films

Found Footage Horror Films
Author: Alexandra Heller-Nicholas
Publisher: McFarland
Total Pages: 245
Release: 2014-05-08
Genre: Performing Arts
ISBN: 0786470771

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As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.


Horror Film and Affect

Horror Film and Affect
Author: Xavier Aldana Reyes
Publisher: Routledge
Total Pages: 206
Release: 2016-02-12
Genre: Social Science
ISBN: 1317748786

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This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s – abjection, disgust, cognition, phenomenology, pain studies – to make a significant contribution to the study of fictional moving images of mutilation and the ways in which human bodies are affected by those on the screen on three levels: representationally, emotionally and somatically. Aldana Reyes reads Horror viewership as eminently carnal, and seeks to articulate the need for an alternative model that understands the experience of feeling under corporeal threat as the genre’s main descriptor. Using recent, post-millennial examples throughout, the book also offers case studies of key films such as Hostel, [REC], Martyrs or Ginger Snaps, and considers contemporary Horror strands such as found footage or 3D Horror.


The Urban Gaze: Exploring Urbanity through Art, Architecture, Music, Fashion, Film and Media

The Urban Gaze: Exploring Urbanity through Art, Architecture, Music, Fashion, Film and Media
Author: Silvia Mazzucotelli Salice
Publisher: BRILL
Total Pages: 164
Release: 2019-01-04
Genre: Social Science
ISBN: 1848884532

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This volume investigates urbanity as a cultural form. The essays illustrate the real and imaginary ways that we interact with the cities through the portal of the arts.


Transnational Horror Cinema

Transnational Horror Cinema
Author: Sophia Siddique
Publisher: Springer
Total Pages: 250
Release: 2017-02-24
Genre: Performing Arts
ISBN: 1137584173

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This book broadens the frameworks by which horror is generally addressed. Rather than being constrained by psychoanalytical models of repression and castration, the volume embraces M.M. Bakhtin’s theory of the grotesque body. For Bakhtin, the grotesque body is always a political body, one that exceeds the boundaries and borders that seek to contain it, to make it behave and conform. This vital theoretical intervention allows Transnational Horror Cinema to widen its scope to the social and cultural work of these global bodies of excess and the economy of their grotesque exchanges. With this in mind, the authors consider these bodies’ potentials to explore and perhaps to explode rigid cultural scripts of embodiment, including gender, race, and ability.