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| Author | : Alain Silver |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 340 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : 9780879102975 |
These essays offer a broad overview of the horror film genre, from the silent screen to Scream 3, demonstrating how it remains defiantly, frighteningly alive.
| Author | : Mark Jancovich |
| Publisher | : Routledge |
| Total Pages | : 197 |
| Release | : 2002-01-10 |
| Genre | : Performing Arts |
| ISBN | : 1134563752 |
Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.
| Author | : Mark Jancovich |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2002-01-10 |
| Genre | : Performing Arts |
| ISBN | : 1134563744 |
Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.
| Author | : Ken Gelder |
| Publisher | : Psychology Press |
| Total Pages | : 438 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9780415213561 |
This study brings together writings on this controversial genre, spanning the history of horror in literature and film. It discusses texts from the United States, Europe, the Caribbean and Hong Kong.
| Author | : Harry M. Benshoff |
| Publisher | : Psychology Press |
| Total Pages | : 260 |
| Release | : 2004 |
| Genre | : Homosexuality and motion pictures |
| ISBN | : 9780415319874 |
Queer Cinema, the Film Reader brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered.
| Author | : Don Sumner |
| Publisher | : Penguin |
| Total Pages | : 487 |
| Release | : 2010-07-14 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1440215634 |
You'll scream with delight while reading this fun and engaging book that discusses fright flicks all horror fans need to see to ascend to the level of a true Horror Freak —from classics (Dracula and Psycho) to modern movies (Drag Me to Hell) and lesser-known gems (Dog Soldiers). Movies are divided into various categories including Asian horror, beginners, homicidal slashers, supernatural thrillers, and zombie invasion. Features more than 130 movies, 250+ photos of movie stills and posters, and a chapter on remakes and reimaginings. The book also includes the DVD of George A. Romero's original 1968 version of "Night of the Living Dead."
| Author | : Michael J Bowler |
| Publisher | : Michael J Bowler |
| Total Pages | : 196 |
| Release | : 2021-10-26 |
| Genre | : Young Adult Fiction |
| ISBN | : 1733329048 |
What would you do if someone acted out —for real— the kill scenes from your student-made horror film? That’s the dilemma facing high school seniors Cassie and Donovan. Best friends, aspiring filmmakers, and hopeful romantic partners, they set out to complete a feature-length horror film as a graduation project for their performing arts high school. Using actors and crew from among their classmates, they aim to finish the bulk of shooting over Spring Break. When several murders occur not far from their locations—each one recreating a specific “kill” scene from their script—they suddenly find themselves embroiled in a real-life horror movie neither of them bargained for. Cassie’s police officer dad and his ex-girlfriend—a homicide detective Cassie once hoped would be her stepmom—allow the film shoot to continue because the killer has threatened to murder Donovan’s mother if they stop. Traps are set and arrests are made, but the killer—who might be a member of the cast or crew—is one step ahead of their every move. Can Cassie and Donovan help the police unmask the psychopath before more people die?
| Author | : Harry M. Benshoff |
| Publisher | : John Wiley & Sons |
| Total Pages | : 613 |
| Release | : 2017-01-17 |
| Genre | : Performing Arts |
| ISBN | : 1119335019 |
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike
| Author | : Rick Worland |
| Publisher | : John Wiley & Sons |
| Total Pages | : 438 |
| Release | : 2024-09-16 |
| Genre | : Performing Arts |
| ISBN | : 1119715261 |
A lively and reliable narrative account of the horror genre, featuring new and revised material throughout The Horror Film: An Introduction surveys the history, development, and social impact of the genre. Covering American horror cinema from its earliest period to the present, this reader-friendly volume explores the many ways horror movies have been received by filmmakers, critics, and general audiences throughout the decades. Concise, easily accessible chapters describe historical instances of the genre's social reception based on primary research, analyze landmark films such as Frankenstein, Invasion of the Body Snatchers, and The Texas Chain Saw Massacre, and more. Incorporating recent scholarship on the genre, the second edition of The Horror Film contains new discussion and context for Hollywood horror films in the 1980s and 1990s, as well as notable developments in the genre such as “torture porn,” found-footage horror, remakes and reboots of past horror films, zombies, and the “elevated horror” debate. This edition explores the rise of new filmmakers such as Ari Aster, Robert Eggers, and Jordan Peele, surveys horror films made by women and African American filmmakers, and investigates contemporary issues in the production and consumption of horror films. Combining historical narrative with close readings of significant works, The Horror Film: Covers major works in the genre such as Cat People, Halloween, and Bram Stoker's Dracula Examines important antecedents including gothic literature and the Grand Guignol Theater Offers thorough analyses of the style, context, and themes of specific horror milestones Provides examples of close analysis that can be applied to a wide range of other horror films Discusses important representative titles across the genre's evolution, including more recent films such as 2017's Get Out The Horror Film: An Introduction, Second Edition, is an ideal textbook for undergraduate surveys of the horror genre and other courses in American film history, and an invaluable resource for scholars, lecturers, and general readers with an interest in the subject.
| Author | : Barry Keith Grant |
| Publisher | : University of Texas Press |
| Total Pages | : 785 |
| Release | : 2012-12-01 |
| Genre | : Performing Arts |
| ISBN | : 0292745745 |
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
