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| Author | : Robin Osborne |
| Publisher | : Cambridge University Press |
| Total Pages | : 277 |
| Release | : 2011-07-07 |
| Genre | : History |
| ISBN | : 1107003202 |
Shows that history written on the basis of texts alone creates a misleading picture of classical Greece.
| Author | : Mireille M. Lee |
| Publisher | : Cambridge University Press |
| Total Pages | : 383 |
| Release | : 2015-01-12 |
| Genre | : Art |
| ISBN | : 1316194957 |
This is the first general monograph on ancient Greek dress in English to be published in more than a century. By applying modern dress theory to the ancient evidence, this book reconstructs the social meanings attached to the dressed body in ancient Greece. Whereas many scholars have focused on individual aspects of ancient Greek dress, from the perspectives of literary, visual, and archaeological sources, this volume synthesizes the diverse evidence and offers fresh insights into this essential aspect of ancient society. Intended to be accessible to nonspecialists as well as classicists, and students as well as academic professionals, this book will find a wide audience.
| Author | : Shigehisa Kuriyama |
| Publisher | : Princeton University Press |
| Total Pages | : 159 |
| Release | : 2023-10-17 |
| Genre | : History |
| ISBN | : 0942299930 |
An illuminating account of how early medicine in Greece and China perceived the human body Winner of the William H. Welch Medal, American Association for the History of Medicine The true structure and workings of the human body are, we casually assume, everywhere the same, a universal reality. But when we look into the past, our sense of reality wavers: accounts of the body in diverse medical traditions often seem to describe mutually alien, almost unrelated worlds. How can perceptions of something as basic and intimate as the body differ so? In this book, Shigehisa Kuriyama explores this fundamental question, elucidating the fascinating contrasts between the human body described in classical Greek medicine and the body as envisaged by physicians in ancient China. Revealing how perceptions of the body and conceptions of personhood are intimately linked, his comparative inquiry invites us, indeed compels us, to reassess our own habits of feeling and perceiving.
| Author | : Andrew Stewart |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2008-10-20 |
| Genre | : Art |
| ISBN | : 0521853214 |
Addresses the 'Classical Revolution' in Greek art, its contexts, aims, achievements, and impact.
| Author | : James I. Porter |
| Publisher | : University of Michigan Press |
| Total Pages | : 412 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780472087792 |
Distinguished international scholars examine the neglected issue of the body and its status in classical antiquity
| Author | : Brooke Holmes |
| Publisher | : Princeton University Press |
| Total Pages | : 382 |
| Release | : 2010-04-19 |
| Genre | : History |
| ISBN | : 1400834880 |
The Symptom and the Subject takes an in-depth look at how the physical body first emerged in the West as both an object of knowledge and a mysterious part of the self. Beginning with Homer, moving through classical-era medical treatises, and closing with studies of early ethical philosophy and Euripidean tragedy, this book rewrites the traditional story of the rise of body-soul dualism in ancient Greece. Brooke Holmes demonstrates that as the body (sôma) became a subject of physical inquiry, it decisively changed ancient Greek ideas about the meaning of suffering, the soul, and human nature. By undertaking a new examination of biological and medical evidence from the sixth through fourth centuries BCE, Holmes argues that it was in large part through changing interpretations of symptoms that people began to perceive the physical body with the senses and the mind. Once attributed primarily to social agents like gods and daemons, symptoms began to be explained by physicians in terms of the physical substances hidden inside the person. Imagining a daemonic space inside the person but largely below the threshold of feeling, these physicians helped to radically transform what it meant for human beings to be vulnerable, and ushered in a new ethics centered on the responsibility of taking care of the self. The Symptom and the Subject highlights with fresh importance how classical Greek discoveries made possible new and deeply influential ways of thinking about the human subject.
| Author | : Ian Dennis Jenkins |
| Publisher | : British museum Press |
| Total Pages | : 268 |
| Release | : 2015 |
| Genre | : Art, Ancient |
| ISBN | : |
Greek sculpture is full of breathing vitality and yet, at the same time, it reaches beyond mere imitation of nature to give form to thought in works of timeless beauty. For over 2000 years the Greeks experimented with representing the human body in works that range from prehistoric abstract simplicity to the full-blown realism of the age of Alexander the Great. The ancient Greeks invented the modern idea of the human body in art as an object of sensory delight and as a bearer of meaning. Their vision has had a profound influence on the way the western world sees itself. Drawing on the British Museum's outstanding collection of Greek sculpture - including extraordinary pieces from the Parthenon and the celebrated representation of a discus thrower - and through a number of themed sections, this richly illustrated book explores the Greek portrayal of human character in sculpture, along with sexual and social identity. In athletics, the male body was displayed as if it was a living sculpture, and victors were commemorated by actual statues. In art, not only were mortal men and women represented in human form but also the gods and other beings of myth and the supernatural world. In a series of lively introductory chapters, written by a selection of academics, historians and artists, it is revealed how the Greeks themselves viewed the sculpture (which was vividly enhanced with colour), and how it was regarded and treated in later pagan antiquity. The revival of the Greek body in the modern era is also discussed, including the shock of the new effect of the arrival of the Parthenon sculptures in London at the beginning of the nineteenth century.
| Author | : Douglas Cairns |
| Publisher | : Classical Press of Wales |
| Total Pages | : 258 |
| Release | : 2005-12-31 |
| Genre | : History |
| ISBN | : 1910589640 |
A distinguished cast of scholars discusses models of gesture and non-verbal communication as they apply to Greek and Roman culture, literature and art. Topics include dress and costume in the Homeric poems; the importance of looking, eye-contact, and face-to-face orientation in Greek society; the construction of facial expression in Greek and Roman epic; the significance of gesture and body language in the visual meaning of ancient sculpture; the evidence for gesture and performance style in the texts of ancient drama; the erotic significance of feet and footprints; and the role of gesture in Roman law. The volume seeks to apply a sense of history as well as of theory in interpreting non-verbal communication. It looks both at the cross-cultural and at the culturally specific in its treatment of this important but long-neglected aspect of Classical Studies.
| Author | : P. J. Rhodes |
| Publisher | : John Wiley & Sons |
| Total Pages | : 502 |
| Release | : 2011-08-24 |
| Genre | : History |
| ISBN | : 1444358588 |
Thoroughly updated and revised, the second edition of this successful and widely praised textbook offers an account of the ‘classical’ period of Greek history, from the aftermath of the Persian Wars in 478 BC to the death of Alexander the Great in 323 BC. Two important new chapters have been added, covering life and culture in the classical Greek world Features new pedagogical tools, including textboxes, and a comprehensive chronological table of the West, mainland Greece, and the Aegean Enlarged and additional maps and illustrative material Covers the history of an important period, including: the flourishing of democracy in Athens; the Peloponnesian war, and the conquests of Alexander the Great Focuses on the evidence for the period, and how the evidence is to be interpreted
| Author | : Robin Osborne |
| Publisher | : Princeton University Press |
| Total Pages | : 304 |
| Release | : 2018-02-06 |
| Genre | : Art |
| ISBN | : 1400889936 |
How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek culture Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see—or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world.
