The Heroines of Jane Austen and Walter Scott
Author | : Eva L. Mitchell |
Publisher | : |
Total Pages | : |
Release | : 1911 |
Genre | : Heroines in literature |
ISBN | : |
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Author | : Eva L. Mitchell |
Publisher | : |
Total Pages | : |
Release | : 1911 |
Genre | : Heroines in literature |
ISBN | : |
Author | : Annika Bautz |
Publisher | : A&C Black |
Total Pages | : 209 |
Release | : 2007-06-09 |
Genre | : Literary Criticism |
ISBN | : 1441108580 |
Of all the great novelists of the Romantic period, only two, Jane Austen and Walter Scott, have been continuously reprinted, admired, argued about, and read, from the moment their works first appeared until the present day. In a pioneering study, Annika Bautz traces how Scott's nineteenth-century success among all classes of readers made him the most admired and most widely read novelist in history, only for his readership to plummet sharply downwards in the twentieth century. Austen's popularity, by contrast, has risen inexorably, overtaking Scott's, and bringing about a reversal in reputation that would have been unthinkable in the authors' own time. To assess the reactions of readers belonging to diverse interpretative communities, Bautz draws on a wide range of indicators, including editions, publisher's relaunches, sales, reviews, library catalogues and lending figures, private comments in diaries and letters, popularisations. She maps out the long-run changes in the reception of each author over two centuries, explaining literary tastes and their determinants, and illuminating the broader culture of the successive reading audiences who gave both authors their uninterrupted loyalty. The first ever comparative longitudinal study, firmly based on empirical and archival evidence, this book will be of interest to scholars in Romanticism, Victorianism, book history, reading and reception studies, and cultural history.
Author | : Patrice Hannon |
Publisher | : Penguin |
Total Pages | : 180 |
Release | : 2007-06-26 |
Genre | : Fiction |
ISBN | : 1101213558 |
Advice delivered with sense and sensibility just in time for the major motion picture Becoming Jane Women have looked to Jane Austen’s heroines as models of appropriate behavior for nearly two centuries. Who better to understand the heart of a heroine than Austen? In this delightful epistolary “what if,” Austen serves as a “Dear Abby” of sorts, using examples from her novels and her life to counsel modern-day heroines in trouble, she also shares with readers a compelling drama playing out in her own drawing room. Witty and wise—and perfectly capturing the tone of the author of Persuasion and Pride and Prejudice—Dear Jane Austen is as satisfying as sitting down to tea with the novelist herself.
Author | : Anna Miller |
Publisher | : GRIN Verlag |
Total Pages | : 13 |
Release | : 2012-07-06 |
Genre | : Literary Criticism |
ISBN | : 3656231338 |
Essay from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Tubingen, language: English, abstract: Content I. Introduction II. Analysis and Interpretation 1. Catherine's Qualifications 2. Catherine's Weaknesses III. Conclusion IV. Bibliography I. Introduction In the British fiction of the nineteenth century female protagonists were especially outstanding and not only used by Jane Austen, who wrote about Elizabeth Bennet, Emma Woodhouse or Catherine Morland, just to name a few of them, but also by Sir Walter Scott with his heroine Jeanie Deans (cf. Morgan 559). Many other authors of the nineteenth century chose a heroine as a main character and not a hero, even if there are very well men participating in the story, but they only have a minor role and represent the counterpart to the women (cf. Morgan 559). Now the question may arise why especially in that century women played the major role in the novels whereas before and after that the protagonists had mostly been male (cf. Morgan 560). (...)Instead, it is to take a closer look at one of these heroines, which is Catherine Morland. The aim of this work is to decide whether she is an ideal heroine or not. To come to a decision it is necessary to analyse her character as well as her actions. Since the whole story, as well as all the other protagonists, are set around her, the reader gets to know how Catherine feels, how she thinks, and especially learns a lot about her likes and dislikes. We do not get as much information about other characters as we get about Catherine. But if we look closer at the person of Catherine, it becomes questionable whether it is justified to award the title of an ideal heroine to her. The reader accompanies her through her whole stay in Bath and Northanger Abbey and has a chance to observe her behaviour in crucial situations. This observation is often bilateral, as on the one hand we can see the self-confident girl travelling on her own, and on the other hand her childish behaviour and her naivete point out that she is not yet a grown-up. This becomes notably evident when we compare her to the other characters in the novel. Nevertheless, this has to be analysed in detail in order to make a fair decision. In the following passages I would therefore firstly like to illustrate to what extend one can call Catherine an ideal heroine, what her strengths are and when she might be superior to other persons, and secondly, this should be contrasted to the attributes which disqualify her to be labelled such in regard to the weak points in her character and behaviour.
Author | : 50Minutes, |
Publisher | : 50Minutes.com |
Total Pages | : 34 |
Release | : 2018-02-07 |
Genre | : Literary Collections |
ISBN | : 2808005121 |
Keen to learn but short on time? Find out everything you need to know about the life and work of Jane Austen in just 50 minutes with this straightforward and engaging guide! During her lifetime, Jane Austen lived in relative obscurity; she was the daughter of a clergyman and rarely ventured beyond the rural parish she called home. However, after her death she was revealed to be the author of several popular novels which had previously been published anonymously, and after a biography of her life was published by her nephew a few decades later, interest in her work surged anew. As the author of unusually realistic novels during a period when Romanticism and Gothic influences were in vogue, she provided unique insight into the lives of the landed gentry in the early 19th century, which was also a time when women’s voices were still a rarity in the literary world, and her gift for capturing the nuances of human relationships and emotions has proven timeless. She remains one of the most celebrated English novelists of all time. In this book, you will learn about: • Austen’s most famous works, including Pride and Prejudice and Emma • The social, historical and literary context that influenced her writing style • Her personal life, including her rural upbringing and untimely death ABOUT 50MINUTES.COM | Art & Literature The Art & Literature series from the 50Minutes collection aims to introduce readers to the figures and movements that have shaped our culture over the centuries. Our guides are written by experts in their field and each feature a full biography, an introduction to the relevant social, political and historical context, and a thorough discussion and analysis of the key works of each artist, writer or movement, making them the ideal starting point for busy readers looking for a quick way to broaden their cultural horizons.
Author | : Daniel Cottom |
Publisher | : |
Total Pages | : 248 |
Release | : 1985-06-30 |
Genre | : History |
ISBN | : |
The Civilized Imagination is a study of literature in a period of cultural change. As part of the transition from the eighteenth to the nineteenth century a great transformation occurred in the relations among aesthetic theory, literature, and society. This study analyses such changes as they appear in the works of Ann Radcliffe, Jane Austen and Sir Walter Scott, three apparently distinct novelists whom the author locates within a unified cultural movement. Although the works of these writers are extremely different in many respects, in Professor Cottom's view they are all preoccupied with the changing relation between aristocratic and middle-class values. In Ann Radcliffe's works middle-class values are beginning to emerge within a governing aristocratic context; in Jane Austen's novels these newer values are precariously balanced against the old; in Sir Walter Scott's books they have become victorious, at least superficially. Professor Cottorn examines the way these writers deal with such topics as taste, landscape, communications, morality and women, in order to show how certain aesthetic problems result from social change.
Author | : Jane Austen |
Publisher | : Oxford University Press |
Total Pages | : 385 |
Release | : 2008-04-17 |
Genre | : Fiction |
ISBN | : 0199535574 |
For Elinor Dashwood, sensible and sensitive, and her romantic younger sister Marianne, the propect of marrying the men they love appears remote. In a world ruled by money and self-interest, the Dashwood sisters have neither fortune nor connections.
Author | : Jane Austen |
Publisher | : Everyman's Library |
Total Pages | : 538 |
Release | : 1992-06-02 |
Genre | : Fiction |
ISBN | : 0679412697 |
At the center of Jane Austen's Mansfield Park is Fanny Price, the classic “poor cousin” who has been brought to live with the rich Sir Thomas Bertram and his wife as an act of charity. Over time, Fanny comes to demonstrate forcibly those virtues Austen most admired: modesty, firm principles, and a loving heart. As Fanny watches her cousins Maria and Julia cast aside their scruples in dangerous flirtations (and worse), and as she herself resolutely resists the advantages of marriage to the fascinating but morally unsteady Henry Crawford, her seeming austerity grows in appeal and makes clear why she was Austen’s own favorite among her heroines. Mansfield Park encompasses not only Austen’s great comedic gifts and her genius as a historian of the human animal, but her personal credo as well—her faith in a social order that combats chaos through civil grace, decency, and wit. With an introduction by Peter Conrad.
Author | : Cheryl A. Wilson |
Publisher | : Springer |
Total Pages | : 223 |
Release | : 2017-09-05 |
Genre | : Literary Criticism |
ISBN | : 3319629654 |
This book uses the figure of the Victorian heroine as a lens through which to examine Jane Austen’s presence in Victorian critical and popular writings. Aimed at Victorianist readers and scholars, the book focuses on the ways in which Austen was constructed in fiction, criticism, and biography over the course of the nineteenth century. For the Victorians, Austen became a kind of cultural shorthand, representing a distant, yet not too-distant, historical past that the Victorians both drew on and defined themselves against with regard to such topics as gender, literature, and national identity. Austen influenced the development of the Victorian literary heroine, and when cast as a heroine herself, was deployed in debates about the responsibilities of the novelist and the ability of fiction to shape social and cultural norms. Thus, the study is as much, if not more, about the Victorians than it is about Jane Austen.
Author | : Jane Austen |
Publisher | : Everyman's Library |
Total Pages | : 0 |
Release | : 1992-03-10 |
Genre | : Fiction |
ISBN | : 0679409874 |
In its marvelously perceptive portrayal of two young women in love, Sense and Sensibility is the answer to those who believe that Jane Austen’s novels, despite their perfection of form and tone, lack strong feeling. Its two heroines, Marianne and Elinor—so utterly unlike each other–both undergo the most violent passions when they are separated from the men they love. What differentiates them, and gives this extraordinary book its complexity and brilliance, is the way each expresses her suffering: Marianne–young, impetuous, ardent–falls into paroxysms of grief when she is rejected by the dashing John Willoughby; while her sister, Elinor—wiser, more sensible, more self-controlled—masks her despair when it appears that Edward Ferrars is to marry the mean-spirited and cunning Lucy Steele. All, of course, ends happily—but not until Elinor’s “sense” and Marianne’s “sensibility” have equally worked to reveal the profound emotional life that runs beneath the surface of Austen’s immaculate and irresistible art.