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| Author | : August Wilson |
| Publisher | : Theatre Communications Grou |
| Total Pages | : 54 |
| Release | : 2001 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781559361873 |
August Wilson's radical and provocative call to arms.
| Author | : Marti Corn |
| Publisher | : Texas A&M University Press |
| Total Pages | : 178 |
| Release | : 2019-08-08 |
| Genre | : Social Science |
| ISBN | : 1623497698 |
In 1871, newly freed slaves established the community of Tamina—then called “Tammany”—north of Houston, Texas, near the rich timberlands of Montgomery County. Located in proximity to the just-completed railroad from Conroe to Houston, the community benefited from the burgeoning local lumber industry and available transportation. The residents built homes, churches, a one-room school, and a general store. In the decades since, urban growth and change have overtaken Tamina. The sprawling communities of The Woodlands, Shenandoah, Chateau Woods, and Oak Ridge have encroached, introducing both new prospects and troubling complications, as the residents of this rural community enjoy both the benefits and the challenges of urban life. On the one hand, the children of Tamina have the opportunity to attend some of the best public schools in the nation; on the other hand, residents whose education and job skills have not kept pace with modern society are struggling for survival. Through striking and intimate photography and sensitively gleaned oral histories, author Marti Corn has chronicled the lives, dreams, and spirit of the people of Tamina. The result is a multi-faceted portrait of community, kinship, values, and a shared history. In 2016, the book cover portrait of Tamina resident Johnny Jones was featured at the Smithsonian’s National Portrait Gallery. This second edition of Corn’s classic photographic essays and interviews with Tamina residents includes a helpful classroom guide for collecting and studying oral history. The result is a rich new resource that affords readers a window into a little-understood part of our shared past.
| Author | : Patrick Maley |
| Publisher | : University of Virginia Press |
| Total Pages | : 370 |
| Release | : 2019-08-08 |
| Genre | : Drama |
| ISBN | : 0813943027 |
Critics have long suggested that August Wilson, who called blues "the best literature we have as black Americans," appropriated blues music for his plays. After August insists instead that Wilson’s work is direct blues expression. Patrick Maley argues that Wilson was not a dramatist importing blues music into his plays; he was a bluesman, expressing a blues ethos through drama. Reading Wilson’s American Century Cycle alongside the cultural history of blues music, as well as Wilson’s less discussed work—his interviews, the polemic speech "The Ground on Which I Stand," and his memoir play How I Learned What I Learned—Maley shows how Wilson’s plays deploy the blues technique of call-and-response, attempting to initiate a dialogue with his audience about how to be black in America. After August further contends that understanding Wilson as a bluesman demands a reinvestigation of his forebears and successors in American drama, many of whom echo his deep investment in social identity crafting. Wilson’s dramaturgical pursuit of culturally sustainable black identity sheds light on Tennessee Williams’s exploration of oppressive limits on masculine sexuality and Eugene O’Neill’s treatment of psychologically corrosive whiteness. Today, the contemporary African American playwrights Katori Hall and Tarell Alvin McCraney repeat and revise Wilson’s methods, exploring the fraught and fertile terrain of racial, gender, and sexual identity. After August makes a significant contribution to the scholarship on Wilson and his undeniable impact on American drama.
| Author | : Alan Nadel |
| Publisher | : University of Iowa Press |
| Total Pages | : 284 |
| Release | : 1993-11-01 |
| Genre | : Drama |
| ISBN | : 1587291649 |
This stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial to Wilson's canon: the role of history, the relationship of African ritual to African American drama, gender relations in the African American community, music and cultural identity, the influence of Romare Bearden's collages, and the politics of drama. The collection includes essays by virtually all the scholars who have currently published on Wilson along with many established and newer scholars of drama and/or African American literature.
| Author | : Collier Nogues |
| Publisher | : Drunken Boat Media |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : American poetry |
| ISBN | : 9780988241626 |
Poetry. Art. THE GROUND I STAND ON IS NOT MY GROUND, selected by Forrest Gander as the winner of Drunken Boat's 2014 poetry book contest, is a hybrid of poetry and digital art. The poems erase historical documents related to the development and aftermath of the Pacific War, especially on the island of Okinawa. Erased into poems, these texts become spare narratives of how individual soldiers' and civilians' daily lives were transformed by the war. Using QR codes, each poem links to an interactive version at the book's companion website, where readers can explore original documents ranging from government documents and political manifestos to travel narratives, blockbuster adventure fiction, and science writing. Taken together, the poems and their original texts tell a larger story about the ways we imagine war, and the ways language can be used to record, justify, memorialize, or resist it. "This is the best book of erasure poems since Srikanth Reddy's Voyager. Nogues carves critical observations into slow motion (erasure isolating and elongating time) so that we seem to see inside the body's gestures. The book is an intense meditation on war, riddled with aporia and drawing on many resources documentary, epistolary, and even rhyming lyric- to create an empathic and deeply affecting experience of contact with the devastation war brings and "with the pain about to come." Forrest Gander "Collier Nogues is nothing short of brilliant in this necessary book, which lights up a long shadow two big governments have cast on a miraculous island and an indigenous people. Nogues comprehends how any war is a continuum of the same hell, yet each experience is specific: the chronic trauma of surviving amid the dead, the way history makes a "war" a narrative but the participants (victims/survivors/casualties) experience it only in fragments. The speakers of these poems are visionary; they are "one of us." And if we can see that, we can see what Nogues has envisioned here, see how our world can change in the direction of mercy, human dignity, survival." Brenda Shaughnessy "Collier Nogues, who grew up on a U.S. military base in Okinawa, explores how war has shaped the island of her childhood. Taken together, these poems not only express a desire to erase violence, but they also attempt to map the topography of islands and nations, caves and embrasures, weapons and flags, grace and dread. Nogues is a brave poet who disassembles the official discourses of empire to articulate a dream for an island of peace." Craig Santos Perez"
| Author | : Lawrence Abbott |
| Publisher | : U of Nebraska Press |
| Total Pages | : 368 |
| Release | : 1994-01-01 |
| Genre | : Art |
| ISBN | : 9780803210370 |
What is Indian art? There have been many attempts to define it, but the so-called Santa Fe style of the 1930s?placid, two-dimensional depictions of traditional scenes?set the standard by which subsequent art by Native Americans would be judged. Art that radically challenged the stereotype?the work of Joe Herrera, Fritz Scholder, and T. C. Cannon, for example?met with resistance; questions were raised about its authenticity as Indian art. Today's Indian art has resoundingly overturned old preconceptions: here are cartoon figures in throbbing neon colors, "decorated" grocery bags, messages to America on the Spectacolor billboard in Times Square, delicate abstractions and cubist images, work that ranges from monotype and photography to mixed media and clay, from humor and biting commentary to quiet introspection. I Stand in the Center of Good, the first book of its kind, offers a forum for seventeen contemporary Native American artists to speak about the development of their art, their creative processes, how they define their art, and how it relates to their Indianness. The interviews are handsomely illustrated with works by the artists, who include Rick Glazer-Danay, Shan Goshorn, Hachivi Edgar Heap of Birds, Rick Hill, G. Peter Jemison, Michael Kabotie, Frank LaPena, Carm Little Turtle, Linda Lomahaftewa, George Longfish, Mario Martinez, Nora Naranjo-Morse, Jaune Quick-to-See Smith, Susan Stewart, Frank Tuttle, Kay WalkingStick, and Emmi Whitehorse.
| Author | : Douglas Brown, Kelly |
| Publisher | : Orbis Books |
| Total Pages | : |
| Release | : 2015-05-05 |
| Genre | : Religion |
| ISBN | : 1608335402 |
| Author | : Joshua Bowe |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023-09-12 |
| Genre | : |
| ISBN | : |
Awarded the Silver Medal by the Military Writers Society of America. Sent into the deadly Central Highlands of Vietnam, the true story of my dad and his fellow soldiers of the 1st Air Cavalry Division. Twenty-year-old Will Bowe was living on his family's farm, and the military build-up had just begun when he was drafted in 1965. The impossibly young men of his company would be trained in the new airmobile infantry and become "skytroopers," flying into the jungle battlefield by helicopter, where they would learn what "search and destroy" meant and face the reality of this new war. Based on formerly classified staff journals, situation reports, and military maps, our story follows Alpha Company, 5th Battalion, 7th Cavalry as they march through rice fields, search villages, and climb jungle-covered mountains. Our story also features many of the photographs and letters my dad sent home from Vietnam's most remote valleys and outposts. Written under the most austere conditions, his dispatches were often scribbled in haste before another mission or by flashlight under a poncho in the rain. They would travel over eight thousand miles across the ocean to be placed in a mailbox that stood across from a farmhouse along a rural county road in Wisconsin. Many who served in my dad's company were interviewed for this story, as were many family members and friends of the fallen. Their accounts recall much of the humor and friendship they shared, along with the sadness and tragedy that would accompany a year spent in Vietnam. Now these letters, photos, reports, and personal accounts have been brought together to tell of one infantry company's war journey, from their training at Fort Carson to their historic voyage across the sea, their first steps into the dark highland jungles, their many battles fought together, and eventually, their final patrol.
| Author | : Caroline Light |
| Publisher | : Beacon Press |
| Total Pages | : 242 |
| Release | : 2017-02-14 |
| Genre | : History |
| ISBN | : 0807064661 |
A history of America’s Stand Your Ground gun laws, from Reconstruction to Trayvon Martin After a young, white gunman killed twenty-six people at Sandy Hook Elementary School in Newtown, Connecticut, in December 2012, conservative legislators lamented that the tragedy could have been avoided if the schoolteachers had been armed and the classrooms equipped with guns. Similar claims were repeated in the aftermath of other recent shootings—after nine were killed in a church in Charleston, South Carolina, and in the aftermath of the massacre in the Pulse nightclub in Orlando, Florida. Despite inevitable questions about gun control, there is a sharp increase in firearm sales in the wake of every mass shooting. Yet, this kind of DIY-security activism predates the contemporary gun rights movement—and even the stand-your-ground self-defense laws adopted in thirty-three states, or the thirteen million civilians currently licensed to carry concealed firearms. As scholar Caroline Light proves, support for “good guys with guns” relies on the entrenched belief that certain “bad guys with guns” threaten us all. Stand Your Ground explores the development of the American right to self-defense and reveals how the original “duty to retreat” from threat was transformed into a selective right to kill. In her rigorous genealogy, Light traces white America’s attachment to racialized, lethal self-defense by unearthing its complex legal and social histories—from the original “castle laws” of the 1600s, which gave white men the right to protect their homes, to the brutal lynching of “criminal” Black bodies during the Jim Crow era and the radicalization of the NRA as it transitioned from a sporting organization to one of our country’s most powerful lobbying forces. In this convincing treatise on the United States’ unprecedented ascension as the world’s foremost stand-your-ground nation, Light exposes a history hidden in plain sight, showing how violent self-defense has been legalized for the most privileged and used as a weapon against the most vulnerable.
| Author | : Lois E. Myers |
| Publisher | : Texas A&M University Press |
| Total Pages | : 232 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9781585442508 |
Given in memory of Jameson Garrett Brown by the Rotary Club of Aggieland with matching support from the Sara and John H. Lindsey '44 Fund.
