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| Author | : Gennady Smakov |
| Publisher | : New York : Knopf |
| Total Pages | : 372 |
| Release | : 1984 |
| Genre | : Biography & Autobiography |
| ISBN | : |
"A century of classical ballet danced by 33 stellar exponents of Russian style, from the days of Petipa and Pavlova to the era of Baryshnikov, Makarova, and Nureyev"--Jacket.
| Author | : Evdokia Belova |
| Publisher | : Parkstone International |
| Total Pages | : 368 |
| Release | : 2021-06-30 |
| Genre | : Performing Arts |
| ISBN | : 1646999630 |
Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
| Author | : Andrée Aelion Brooks |
| Publisher | : John Wiley & Sons |
| Total Pages | : 312 |
| Release | : 2004-05-24 |
| Genre | : Biography & Autobiography |
| ISBN | : |
The true story of Helene Rubinoff, a Russian refugee in Jazz Age New York who forsook her comfortable life with her impresario husband and his celebrity salons, and her beloved daughter, to follow her lover back to an uncertain fate in 1930s Russia.
| Author | : Simon Morrison |
| Publisher | : Liveright Publishing |
| Total Pages | : 512 |
| Release | : 2016-10-11 |
| Genre | : Performing Arts |
| ISBN | : 0871408309 |
In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.
| Author | : Majâ Mihajlovna Pliseckaâ |
| Publisher | : Yale University Press |
| Total Pages | : 480 |
| Release | : 2001-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780300088571 |
Maya Plisetskaya rose to become a prima ballerina of Moscow's Bolshoi Ballet after an early life filled with tragedy. Here Plisetskaya reflects on her personal and professional odyssey presenting the life of a Soviet artist from the 1930s to 1990s.
| Author | : Saul Goodman |
| Publisher | : |
| Total Pages | : 78 |
| Release | : 1979 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780817861407 |
A biography of the Russian dancer who, since his defection to the West in 1974, has achieved fame and recognition as one of the greatest dancers of his time.
| Author | : John E. O'Neill |
| Publisher | : Simon and Schuster |
| Total Pages | : 169 |
| Release | : 2022-04-26 |
| Genre | : History |
| ISBN | : 1684512832 |
Communism must kill what it cannot control. So for a century, it has killed artists, writers, musicians, and even dancers. It kills them secretly, using bioweapons and poison to escape accountability. Among its victims was Anna Pavlova, history’s greatest dancer, who was said to have God-given wings and feet that never touched the ground. But she defied Stalin, and for that she had to die. Her sudden death in Paris in 1931 was a mystery until now. The Dancer and the Devil traces Marxism’s century-long fascination with bioweapons, from the Soviets’ leak of pneumonic plague in 1939 that nearly killed Stalin to leaks of anthrax at Kiev in 1972 and Yekaterinburg in 1979; from the leak of a flu in northeast China in 1977 that killed millions to the catastrophic COVID-19 leak from biolabs in Wuhan, China. Marxism’s dark past must not be a parent to the world’s dark future. COMMUNIST CHINA PLAYED WITH FIRE AND THE WORLD IS BURNING Nearly ten million people have died so far from the mysterious Covid-19 virus. These dead follow a long line of thousands of other brave souls stretching back nearly a century who also suffered mysterious “natural” deaths, including dancers, writers, saints and heroes. These honored dead should not be forgotten by amnesiac government trying to avoid inconvenient truth. The dead and those who remember and loved them deserve answers to two great questions. How? Why? The Dancer and the Devil answers these questions. It tracks a century of Soviet and then Chinese Communist poisons and bioweapons through their development and intentional use on talented artists and heroes like Anna Pavlova, Maxim Gorky, Raoul Wallenberg and Alexis Navalny. It then tracks leaks of bioweapons beginning in Saratov, Russia in 1939 and Soviet Yekaterinburg in 1979 through Chinese leaks concluding in the recent concealed leak of the manufactured bioweapon Covid-19 from the military lab in Wuhan, China. Stalin, Putin, and Xi, perpetrators of these vast crimes against humanity itself, should not be allowed to escape responsibility. This book assembles the facts on these cowardly murderers, calling them to account for their heartless crimes against man concluding in Covid-19.
| Author | : Anne Searcy |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 199 |
| Release | : 2020-10-07 |
| Genre | : Performing Arts |
| ISBN | : 0190945109 |
"During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice-versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today"--
| Author | : Jennifer Homans |
| Publisher | : Random House |
| Total Pages | : 640 |
| Release | : 2010-11-02 |
| Genre | : Performing Arts |
| ISBN | : 0679603905 |
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”
| Author | : Agrippina Vaganova |
| Publisher | : Courier Corporation |
| Total Pages | : 203 |
| Release | : 2012-04-18 |
| Genre | : Performing Arts |
| ISBN | : 0486121054 |
Discusses all basic principles of ballet, grouping movement by fundamental types. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. 118 illustrations.
