The Great God Brown and Lazarus Laughed
| Author | : Eugene O'Neill |
| Publisher | : |
| Total Pages | : |
| Release | : 1973 |
| Genre | : |
| ISBN | : |
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The Great God Brown and Lazarus Laughed
| Author | : Eugene O'Neill |
| Publisher | : |
| Total Pages | : 548 |
| Release | : 1960 |
| Genre | : American drama |
| ISBN | : |
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Lazarus Laughed
| Author | : Eugene O'Neill |
| Publisher | : Good Press |
| Total Pages | : 97 |
| Release | : 2021-11-09 |
| Genre | : Fiction |
| ISBN | : |
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Lazarus Laughed is a play by Eugene O'Neill written in 1925. It is a long philosophical meditation with more than a hundred actors making up a masked chorus. The story features characters and events following the raising of Lazarus of Bethany from the dead by Jesus. As Lazarus is the first man to return from the realm of the dead, the crowd reacts intently to his words.
A Reader's Guide to Modern American Drama
| Author | : Sanford Sternlicht |
| Publisher | : Syracuse University Press |
| Total Pages | : 276 |
| Release | : 2002-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780815629399 |
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Sanford Sternlicht presents a comprehensive survey of modern American drama beginning with its antecedents in Victorian melodrama through the present. He discusses the work and achievement of more than seventy playwrights, from Eugene O’Neill to Suzan-Lori Parks—from the golden era of Broadway to the rise of Off-Broadway and regional theater. Stern-licht shows how world theater influenced the American stage, and how the views of American dramatists reflected the great American social movements of their times. In addition, he describes the contributions of early experimental theater, the Federal Theater of the 1930s, African American, feminist, and gay and lesbian drama—and the joyous trends and triumphs of American musical theater.
The Great God Brown
| Author | : Eugene O'Neill |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 78 |
| Release | : 2016-04-29 |
| Genre | : |
| ISBN | : 9781532992063 |
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The Great God Brown by Eugene O'Neill (1888-1953) The Great God Brown is a 1926 play by Eugene O'Neill. It is noted for its use of masks. The play was included in Burns Mantle's The Best Plays of 1925-1926. Dion Anthony and his friend William A. "Billy" Brown are sons of business partners. Both love Margaret, but she falls in love with Dion when he is presented behind a cruel and cynical mask, even though he is a sensitive artist. After the two men inherit the business, Dion retires to paint, but fails and eventually dies. Billy takes the mask and poses as Margaret's husband. By the time she finds out, the "real" Billy has faded away. Brown is accused of killing his "real" self, and only the unmasked prostitute Cybel is there to comfort him. Eventually Billy dies as well, and years later Margaret pledges her undying love to Dion's mask.
Down the Nights and Down the Days
| Author | : Edward L. Shaughnessy |
| Publisher | : University of Notre Dame Pess |
| Total Pages | : 240 |
| Release | : 2000-06-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 0268092974 |
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This latest book from veteran O’Neillian Edward L. Shaughnessy examines the influence of the Irish playwright’s Catholic heritage on his moral imagination. Critics, due to O'Neill's early renunciation of faith at age 15, have mostly overlooked this presence in his work. While Shaughnessy makes no attempt to reclaim him for Catholicism, he uncovers evidence that O'Neill retained the imprint of his Irish Catholic upbringing and acculturation in his work. Shaughnessy discusses several key plays from the O’Neill cannon, such as Long Day’s Journey into Night, The Iceman Cometh, and Mourning Becomes Electra, as well as the lesser-known Ile and Days Without End. Winner of the Irish in America Manuscript competition, Down the Days and Down the Nights: Eugene O’Neill’s Catholic Sensibility is a compelling investigation into the psyche of one of the most brilliant, internationally honored playwrights of our time.
Shakespeare, Eugene O'Neill, T.S. Eliot and the Greek Tragedy
| Author | : R.R. Khare |
| Publisher | : Mittal Publications |
| Total Pages | : 564 |
| Release | : 1998 |
| Genre | : Greek drama (Tragedy) |
| ISBN | : 9788170995586 |
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Thinking about the Playwright
| Author | : Eric Bentley |
| Publisher | : Northwestern University Press |
| Total Pages | : 380 |
| Release | : 1987 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780810107335 |
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Essays discuss Ibsen, Strindberg, O'Neill, Brecht, Shaw, acting styles, theater controversies, translation, regional drama, and the nature of theater.
Reading and Interpreting the Works of Eugene O'Neill
| Author | : Spring Hermann |
| Publisher | : Enslow Publishing, LLC |
| Total Pages | : 178 |
| Release | : 2016-07-15 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0766079139 |
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Playwright Eugene O'Neill dominated American theater for the first half of the twentieth century, and inspired most of the important dramatists of its second half. This text tells the story of O'Neill's often troubled life, then ties it in with his work: complex, lengthy dramas unlike anything seen on Broadway before. The playwright's main themes, which he returned to throughout his career, are carefully detailed, as are the various styles he employed over the years. Critical analysis, excerpts from the work, and quotes from O'Neill enhance readers' understanding and appreciation for this prolific playwright.
The Cambridge History of American Theatre
| Author | : Don B. Wilmeth |
| Publisher | : Cambridge University Press |
| Total Pages | : 626 |
| Release | : 1998 |
| Genre | : Drama |
| ISBN | : 9780521651790 |
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The second volume of the authoritative, multi-volume Cambridge History of American Theatre, first published in 1999, begins in the post-Civil War period and traces the development of American theatre up to 1945. It covers all aspects of theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Topics examined include vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, changing audiences, modernism, the Federal Theatre movement, scenography, stagecraft, and architecture. Contextualising chapters explore the role of theatre within the context of American social and cultural history, and the role of American theatre in relation to theatre in Europe and beyond. This definitive history of American theatre includes contributions from the following distinguished academics - Thomas Postlewait, John Frick, Tice L. Miller, Ronald Wainscott, Brenda Murphy, Mark Fearnow, Brooks McNamara, Thomas Riis, Daniel J. Watermeier, Mary C. Henderson, and Warren Kliewer.
