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| Author | : James Robert Parish |
| Publisher | : Great Pictures |
| Total Pages | : 704 |
| Release | : 1990 |
| Genre | : Performing Arts |
| ISBN | : |
In this pathfinding new work, the author has included many of the major (and minor) cop film titles to emerge from Hollywood over the decades.
| Author | : James Robert Parish |
| Publisher | : |
| Total Pages | : 824 |
| Release | : 1992 |
| Genre | : Music |
| ISBN | : |
Takes a lively look at some 340 motion pictures from Hollywood's most distinctive genre.
| Author | : Jill Freedman |
| Publisher | : HarperCollins Publishers |
| Total Pages | : 264 |
| Release | : 1981 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
Jill Freedman brings you the world of NYC cops at eh beginning of the 1980's. It's gritty and sometimes harsh, but always honest and dignified when protraying the lives of these men and women. This amazing photographer got amazing access, before there was a "COPS" on TV.
| Author | : James McKay |
| Publisher | : McFarland |
| Total Pages | : 256 |
| Release | : 2014-01-10 |
| Genre | : Performing Arts |
| ISBN | : 0786456760 |
Dana Andrews, arguably the finest minimalist actor of his generation, as one critic commented, could convey more with one look than many actors could with a soliloquy. In a film career spanning nearly five decades, Andrews appeared in some of Hollywood's most prestigious productions, including The Ox-Bow Incident (1943) and The Best Years of Our Lives (1946). His unique screen presence was shown at its best in such film noir classics as Laura (1944) and Where the Sidewalk Ends (1950). Beginning with an absorbing biographical chapter, this critical survey of Dana Andrews' screen career features a complete filmography with synopses, reviews, behind-the-scenes anecdotes and insightful comments from Andrews and his coworkers. A chronological list of television, radio and theater credits is included.
| Author | : Barry Keith Grant |
| Publisher | : University of Texas Press |
| Total Pages | : 785 |
| Release | : 2012-12-01 |
| Genre | : Performing Arts |
| ISBN | : 0292745745 |
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
| Author | : Nicole Hahn Rafter |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 292 |
| Release | : 2006 |
| Genre | : Performing Arts |
| ISBN | : 9780195175066 |
Criminologist Nicole Rafter analyses the source of the appeal of crime films, and their role in popular culture. She argues that crime films both reflect and shape our ideas about fundamental social, economic and political issues.
| Author | : Marilyn Yaquinto |
| Publisher | : Springer Nature |
| Total Pages | : 320 |
| Release | : 2019-11-08 |
| Genre | : Performing Arts |
| ISBN | : 3030248054 |
This book analyzes Hollywood storytelling that features an American crimefighter—whether cop, detective, or agent—who must safeguard society and the nation by any means necessary. That often means going “rogue” and breaking the rules, even deploying ugly violence, but excused as self-defense or to serve the greater good. This ends-justifies-means approach dates back to gunfighters taming the western frontier to urban cowboy cops battling urban savagery—first personified by “Dirty” Harry Callahan—and later dispatched in global interventions to vanquish threats to national security. America as the world’s “policeman often means controlling the Other at home and abroad, which also extends American hegemony from the Cold War through the War on Terror. This book also examines pioneering portrayals by males of color and female crimefighters to embody such a social or national defender, which are frustrated by their existence as threats the white knight exists to defeat.
| Author | : Justine Ford |
| Publisher | : Macmillan Publishers Aus. |
| Total Pages | : 300 |
| Release | : 2016-07-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 1743535082 |
As seen on Foxtel's Logie winning The Good Cop and Channel 7's Homicide with Ron Iddles 'A - Assume nothing. B - Believe nothing. C - Check everything.' Ron Iddles In an incredible twenty-five year career as a homicide detective, Ron Iddles' conviction rate was 99%. Yet that only partly explains why Iddles is known to cops and crims alike as 'The Great Man'. Tough, inventive and incorruptible, stoic in the face of senseless horror yet unafraid to shed tears for a victim, Ron has applied his country cunning and city savvy to over 320 homicide cases - some of them the most infamous, compelling and controversial crimes in the nation's history. To the victims of crime, Ron is both a shoulder to cry on and an avenging angel. Ron Iddles never gave up on a 'lost' cause. He became a regular on the nightly news - the dogged face of Australian justice. Working long hours, dodging bullets, chasing leads and outwitting killers, Ron would tell his teams: 'The answer is just one call away'. And in 2015, that belief saw him crack Victoria's oldest unsolved homicide, yet another remarkable feat in a life devoted to keeping the public safe. This is the extraordinary inside story of a real crime crusader. Ron Iddles. The Good Cop.
| Author | : James Robert Parish |
| Publisher | : Turner Publishing Company |
| Total Pages | : 303 |
| Release | : 2008-02-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 162045887X |
This book traces the extraordinary life and career of Mel Brooks, who has ridden a wave of show business success perhaps unsurpassed by anyone of his generation. Offering many insights into the wacky world of Brooks and his many collaborators, as well as an intimate look into his successful marriage to the brilliant and beautiful actress Anne Bancroft, It's Good to Be the King might just be the most delightful, engaging, and entertaining biography you'll ever read.
| Author | : James Robert Parish |
| Publisher | : Turner Publishing Company |
| Total Pages | : 677 |
| Release | : 2010-12-20 |
| Genre | : Performing Arts |
| ISBN | : 1118040678 |
"Half of all marriages end in divorce--and then there are the really unhappy ones." --Joan Rivers Do you suppose that the person who first said "Life is stranger than fiction" might have had Hollywood marriages in mind? Why watch a romantic film starring a leading man and a leading lady when their real-life romances are so much more interesting? It seems that a celebrity's latest film can have a considerably longer life span in the theater than his or her marriage du jour. One would almost think that Tinseltown has come to embrace divorce as an accepted pastime. Some celebrities have seemingly collected spouses over the years, systematically adding notches in their belts of divorces. Cases in point: Zsa Zsa Gabor (nine), Lana Turner (eight), Elizabeth Taylor (nine), and Mickey Rooney (eight). This list appears to make Jennifer Lopez a mere novice with only three marriages, two divorces, and one terminated engagement to date. In The Hollywood Book of Breakups, James Robert Parish looks at scores of hot Hollywood romances that eventually fell apart. From the decade-long union of Tom Cruise and Nicole Kidman to the "just-for-show" nuptials of Rock Hudson and Phyllis Gates to the four-and-a-half-year marriage of Brad Pitt and Jennifer Aniston to the "other woman" divorce of Debbie Reynolds and Eddie Fisher, Parish covers it all--from the burning embers to the fizzling fires of Hollywood breakups. You couldn't make this stuff up--and James Robert Parish doesn't need to. Hollywood writes its own drama when it comes to scandalous breakups.
