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The Gramophone Company's First Indian Recordings, 1899 To 1907

The Gramophone Company's First Indian Recordings, 1899 To 1907
Author: Michael Kinnear
Publisher: Bajakhana
Total Pages: 0
Release: 2016-03-10
Genre: East Indians
ISBN: 9780957735569

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ARSC Award for Excellence in Best Historical Research in Record Labels, Best Discography - 2017. First Published 1994 as: The Gramophone Company's First Indian Recordings 1899-1908. Revised, Corrected and Expanded Edition with a Lacuna of the first known disc recordings of Tibetan performers. The Gramophone Company's First Indian Recordings 1899 to 1907, is a discographical study of Indian recordings taken in London in 1899 for E. Berliner's Gramophone, and at various places in India between 1902 and 1907, detailing all the known or traced recordings of several dialects and musical styles together with a study of the history and development of the sound recording industry in India.


The Gramophone Company's First Indian Recordings, 1899-1908

The Gramophone Company's First Indian Recordings, 1899-1908
Author: Michael S. Kinnear
Publisher: Popular Prakashan
Total Pages: 328
Release: 1994
Genre: Music
ISBN: 9788171547289

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This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.


The Gramophone Company's Indian Recordings, 1908 To 1910

The Gramophone Company's Indian Recordings, 1908 To 1910
Author:
Publisher:
Total Pages: 388
Release: 2000
Genre: Music
ISBN:

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A complete numerical catalogue, by matrix serials, of Indian Gramophone recordings made from 1908 to 1910, detailing all known and traced recordings by The Gramophone Company, Ltd., in India. This is the second volume in the series of discographical studies on the recordings taken in India and released by The Gramophone Company, Ltd., of Indian repertoires, together with a detailed historical examination of the development of the sound recording industry in India up to 1914.


The 78 R.p.m. Record Labels of India

The 78 R.p.m. Record Labels of India
Author: Michael S. Kinnear
Publisher: Bajakhana
Total Pages: 0
Release: 2003
Genre: Music
ISBN: 9780957735545

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An encyclopaedia of the 78 rpm record labels produced in India and elsewhere, covering all known record labels and histories of the producing concerns from 1899 through to the late 1960's. With a Supplement on the numerical series of the major labels and an Appendix on the record labels of non-Indian and Asian repertoires made in or associated with India.


Nicole Record

Nicole Record
Author: Michael S. Kinnear
Publisher: Bajakhana
Total Pages: 0
Release: 2001
Genre: Music
ISBN: 9780957735538

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A numerical listing of all known recordings produced by The Nicole Record Company, Limited, from 1903 to 1906. Together with information about reissued and transferred recordings. With Bibliography and indices and with illustrations in the text


The Zon-o-phone Record

The Zon-o-phone Record
Author:
Publisher: Bajakhana
Total Pages: 516
Release: 2001
Genre: Music
ISBN:

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A Discography of recordings produced by the International Zonophone Company, and associated concerns in Europe and the Americas from 1901-1903. With a history of the company's international activities and a Supplement on reissues and transferred recordings. With Bibliography and indices. With illustrations in the text.


The Sounds of Early Cinema

The Sounds of Early Cinema
Author: Richard Abel
Publisher: Indiana University Press
Total Pages: 350
Release: 2001-10-03
Genre: Performing Arts
ISBN: 9780253108708

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The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.


Here, There and Everywhere

Here, There and Everywhere
Author: Geoff Emerick
Publisher: Penguin
Total Pages: 400
Release: 2006-03-16
Genre: Biography & Autobiography
ISBN: 110121824X

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An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.


Encyclopedia of Recorded Sound in the United States

Encyclopedia of Recorded Sound in the United States
Author: Guy A. Marco
Publisher: New York : Garland Pub.
Total Pages: 978
Release: 1993
Genre: Music
ISBN:

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This alphabetical reference covers the entire spectrum of the recording of sound, from Edison's experimental cylinders to contemporary high technology. The major focus is on the recorded sound industry in the US, with additional material on Canada, Europe, Australia, and New Zealand. The coverage is particularly strong on the earliest periods of recorded sound history--1877-1948, the 78 rpm era and 1949-1982, the LP era. In addition to performers and their work, entries also cover important commercial organizations, individuals who made significant technical contributions, societies and associations, sound archives and libraries, magazines, catalogs, award winners, technical topics, special and foreign terms, copyright laws, and other areas of interest. Annotation copyright by Book News, Inc., Portland, OR


The Audible Past

The Audible Past
Author: Jonathan Sterne
Publisher: Duke University Press
Total Pages: 478
Release: 2003-03-13
Genre: Business & Economics
ISBN: 9780822330134

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